
Italian, Domenico Crisci debuts on L.I.E.S. with four tracks of intense stomping warehouse techno. Straight to the point, grinding metal on metal machine music that will turn out the club. For those into the heavier, gnarlier and darker vibes.

Italian, Domenico Crisci debuts on L.I.E.S. with four tracks of intense stomping warehouse techno. Straight to the point, grinding metal on metal machine music that will turn out the club. For those into the heavier, gnarlier and darker vibes.

Cold summer drop on the limited black series from Florian Kupfer. Heavy jackin floor tracks, mellowed dubs, and some strange nod to a 90s rapper. Essential club gear. This one will not last.

Adam-X should need no introduction as he and his brother, Frankie Bones, pioneered techno in a post-disco, pre-Guiliani, New York City through the late-eighties and onwards past the nineties with countless productions under their belts and throwing renegade parties throughout the 5 boroughs. Their record store Sonic Groove served as a hub for purchasing cutting edge electronic music from across the globe and was a meeting point for likeminded freaks throughout the city. Fast foward to 2014, New York City is a shell of what it once was, people have come and gone with the corporate infastructure having eaten its way through any and all subculture. No stranger to change Adam-X has adapted and explored numerous shapes and forms in his electronic music career from X-Crash, to Traversable Wormhole, to his ADMX-71 moniker, on this record, which he uses for more experimental and industrial productions. Througout the three tracks on this record, we get a subdubed yet extremely tense vibe as the carefully composed sounds push and pull against each other slowly trudging to the next destination. Subtle changes throughout, these tracks present a unique take on the traditional EBM sound which upon every listen one will discover something new. Highly recommended for those into the darker territories.

French producer Voiski returns to L.I.E.S. with another 12 inch of his diverse and refreshing style of techno. Spanning across the board we get epic dramatic builds, post shuffle headnodders and floor crushing sub-bass grooves over these three tracks. Guaranteed to cause major damage wherever and whenever this record is played.

Deutsche trio killing it on a new LIES BLK. Sandro Stebnitz, Manito Rotschild, and Dieter Flegel met in the late-nineties in Oldenburg Germany while working on the loading dock of the Leifheit Housewares shipping division. Through their monotonous days of shrink wrapping ovens and loading palettes of stainless steel cookware onto tractor trailers, the trio would often relay tall tales to each other simply to pass the time. One such delusional fantasy was that the trio would one day ditch their warehouse jobs and start a band not unlike their mutual hero, Gary Numan. Their fantasy became somewhat of a reality when Dieter gained access to various pieces of musical equipment when his uncle Hans came upon a sudden and untimely death. Unphased by this tragic event, Dieter rallied up his small group and hit the garage, practicing and recording every evening in hopes of making it, just like Gary did. Here we have on record, the only document of their time in the makeshift studio, a 15 minute electronic jam simply titled “Sketch 1”.

Person of Interest, highly sought after and could be lurking in the shady corners under Brooklyn’s JMZ line. On his L.I.E.S. debut we get soupy remnants of what could be called garage house, pieces of high octane techno, and one slow burning grisled tooth number to close this three track EP out. A strong showing and undoubtedly one to keep your eyes on.

Version 8 is by unknown producer Persons of Interest. A side has blissful strings and edgy drum programming, on the flip quirky basement techno bizz

Fans of L.I.E.S. couldn’t have failed to notice the Russian Torrent Versions label, a highly limited vinyl-only operation that shares many artists with Ron Morelli’s imprint. While we’ve yet to prove a direct link between the two labels, the latest piece of compelling evidence comes in the shape of this L.I.E.S White Label from NGLY, an anonymous artist who recently debuted on the Russian Torrent Versions label. Fans of dank basement techno will be in their element with this record, with “Service Cost HH2” offering a muddy jack track featuring an uncommonly melodic touch, but “Some Relationships” offers a track in more of a submerged experimental hip hop mould. On the flip, “Speechless Tape” is a dark 303-led track whose copious reverb and spoken word vocal sample puts it somewhere between classic synthwave and acid, while “I Don’t HAve A Soul” harks back to classic Chi house sounds, albeit glimpsed through that gauzy L.I.E.S. filter.

Willie Burns and Entro Senestre team up for their second release on L.I.E.S. under the Daywalker + CF moniker. Picking up right where last year’s release left off the title track, Supersonic Transport, turns out to be their most dancefloor driven effort to date as it does exactly what the title states, moving in beautifully epic territories throughout its almost 8 minute course taking you where you need to go. The b-side turns the floor vibes down a notch, as both tracks are left alone to breath in their own worlds, each with equal space and unique sonic character. Ace release from these guys.

Jorge Velez returns to L.I.E.S. with his first effort since 2012’s Hassan LP. Through this six track LP we see the ultra versatile Velez weave seamlessly through numerous strains of electronics. From menacing drones to EBM influenced floor tracks to Sakamoto-esque melodic experiments, he creates an atmosphere equally suitable for home listening or adventurous club play. All of this very much reminding us of the days when Mute, Factory, Cherry Red, or Fetish Records were at their best.

Four tracks of gritty club ammo straight outta the East side torrents… from bleep era warehouse vibes to sweaty dub to all out jak madness.

Inhalants is a duo comprising of Jahiliyya Fields & Patricia….ooh and it’s killer combination.

Florian Kupfer is back with a new ep diverging from his previous efforts and delving interesting results. Nasty one from this very talented young upstart. This Society turns out to be a massive floor board ripping cut in a similar to old Acid Planet or Bunker tracks, no bells and whistles just bare bones warehouse mayhem. Resistors teases in start/stop fashion throughout pushing to the point of no return and never getting there leaving the listener in limbo. Finally, taking up the entire b-side, Reach Another System is an autistic 909 driven piano track in the most unconventional sense which implodes upon contact.

Blistering uptempo techno tracks for the floor from this previously unknown artist. Sure to resonate with the freaks and drug heads.

Following suit where his 2xlp left off Gunnar Haslam presents a new ep for L.I.E.S. Once again we see Haslam find a nice balance between combining samples and hardware in his productions creating moving and atmospheric tracks, which range from slow stripped down soundtrack style cuts to more developed far out techno.

Latest installment of the limited series from the home of Ivan Drago. This one sees another split with Beau Wanzer back at the helm controlling the a-side with more heavy handed beat tracks made for mixing, while the b-side is a very nasty warehouse techno beast by NJB.

Brand new material by Marcos Cabral following his False Memories 2xlp archive release earlier this year. On the Capri Social EP we see Cabral offering three varying tracks all touching upon the outskirts of house, techno and beyond as he captures the energy of the machines to create effective and engaging psychedelic excursions.

A collection of hits, misses, new loves, and future head scratchers running the gamut from floor ready beat tracks (Legowelt) to post chill out room bleep-hop (Daywalker & CF) to industro-wave anti beat experimentation (Svengalisghost) with no restrictions or limitations. As with last year’s American Noise compilation, disc one revists prime cuts from the nearly 30 releases the label will have released by the end of 2013, while disc two compiles unreleased tracks exclusive to this cd. A document of the immediate energy surrounding these musicians here and now, maybe one can call it club music for people who hate going to the club? or simply “Music for Shut Ins.”

A gem of the Parisian underground electronic music world for those who know, Voiski hits us with three tracks of high bpm techno. The b-side hits hard with the epic “From Sea to Sea” a monstrously beautiful building track that does all the right things in the right places just when you want them to happen.