Nick Anthony Simoncino debut on Mathematics. The Simoncino sound is firmly rooted in proto-house, with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear.
Aboriginal, new-age inspired rhythmic jams from Jamal Moss. Quite abstract in parts, but right on the ball with fresh rhythms and influences.
Mathematics first official mix CD, compiled by fellow Chicagoan Daryl Cura, is a retrospective that showcases the deep sound it continues to champion today ranging from deep techno, atmospheric acid tracks, experimental electronic jazz, electro and house influences.
In 1988, Charles B & legendary house music producer Adonis dropped this track that made a huge impression on the world of dance. Over 20 years have passed & we now get a special reissue with an unreleased “ext re-play” mix plus an unreleased remix of “Reck the Joint” by Steve Poindexter.
This marks the label’s 50th vinyl release! Here Japan’s Takeshi Kouzuki showcases more of his classic Chicago influenced style while keeping his sound fresh for today.
Debut release from Joe Drive on Mathematics, with a splendid EP of intelligent house and techno. “Vanguard” opens with an atmospheric groove followed by “Azimuth” & the deep acid cut “Towards the light”. “The Uranus effect” starts the flip before “A zenith criteria” & ends with the bangin “RD-2452” .
The second release from John Heckle coming on Mathematics Recordings. His perfect style of deep house is shown on the title track and ‘Forgotten Lights’. ‘What Once Was’ and ‘Ahead of Time’ on the flip reminds us of classic Chicago & Detroit sounds.
Africans With Mainframes return with ‘The Sound of Something Ending’, a monstrous three track EP full of heart-pounding, dirty industrial styled acid house in the way that they can only do. Along with the title track, ‘The Pleasure Seekers’ and ‘98.6’ throw down some seriously heavy energy.
Part seven from the impeccable series by Jamal Moss’ Mathematics label that features brand new music from new artists Echo 106, Vagon Brei, Gentl3menMEN, and JOHN HECKLE. There’s a little bit of everything on this five track EP, ranging from elements of classic house and techno to downtempo electro.
Jamal Moss presents Kuba Sojka, a new star rising from the Mathematics imprint. With his debut EP, he brings 4 tracks of the most compelling house music.
Jamal Moss, aka Hieroglyphic Being, created this exclusive mix for Gridface showcasing upcoming singles on Mathematics Recordings as he works toward his label’s 50th release. Download it here for a limited time (just three weeks per Jamal’s request)!
New Mathematics Recordings release featuring four tracks of refreshing house from this new artist from the UK. Elements of early classic house & Detroit tech roam throughout, while still maintaining a unique style.
This 12″ is a preview to the cd album”The Space Voodoo”, which contains completely different tracks than the vinyl release Math 033. Here’s 4 tracks in true amazing Marcello fashion – deep, unpredictable, and bangin!
Volume 6 represents the label’s harmony, balance, sincerity, love, & truth. This is conveyed with this release’s composers who come from all sides of the electronic music spectrum – avant garde, nu disco, house, & industrial. 4 tunes of honest Mathematics music!
Music from Mathematics Vol. 5 features three new artists to carry the flag of 2010 deepness from the ancient lands of Greece and Italy.
The fourth in a series of twelves highlighting the diverse and pioneering sounds of the amazing, off-kilter electronic music label, Mathematics. Another solid addition to the Mathematics institution: Le Matin, Kelton Prima, Takeshi Kouzuki, and Stabil Elite. A mix of industrial, r&b dance, acid house and Italo disco.
During the 1990s, and before the Jamal Moss explosion, HB was creating an arsenal of work that was just waiting for the right time to be heard. Here for the very first time, and rediscovered from the archives of his Galaxy Studios, are 3 tracks from 1997 – a project that was wanted by some of the biggest dance/electronic labels of the time, but was “too ahead of its time”. So now 12 or so years later, they finally come to light and are here for the world to hear!
The Hipodrome Of Music 