Plague Pits – Punishment & Extinction [YCR-161]

Plague Pits is a collective from Bern and Zurich, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. “Punishment & Extinction” compiles some of the stand-out tracks from an array of self-released, cassette-only EPs Plague Pits have put out since late 2021. 

Plague Pits – Punishment & Extinction [YCR-161]

Schulverweis – Mehr b​/​w No Future [FLR03]

The third release on the Ferry Lane label comes from Schulverweis, the German duo formed by Levente Pavelka and Johannes Haas (L.F.T.), presenting a new record revisiting the idiosyncratic Neue Deutsche Welle sounds. On the A-side, Mehr merges electro with wave while on the flip we have the snazzy garage punk of No Future.

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Schulverweis – Mehr b​/​w No Future [FLR03]

Dog Balls – Tell It To My Dog EP [CLEAR009]

Strange Submissions from an extraterrestrial breed. Half Dog, Half Human, Half Racketeer. Hayter and Milium, the ones to first witness these outlandish sounds, present Dog Balls – Tell It To My Dog. A 6-track EP made by and for the shapeshifter in each of us. Dark and bittersweet hymns of loved ones long lost, robotic odes to fetching and synth-laden dialectics on shoplifting. A once in a lifetime offer. Be quick for their ship will come.

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Dog Balls – Tell It To My Dog EP [CLEAR009]

Martin Dupont – Kintsugi LP [SEA013LP]

In collaboration with Meidosem and Infrastition, Minimal Wave presents Kintsugi, a new album by the highly lauded French group Martin Dupont. The album features lush re-works of their old songs, originally released on their highly sought-after 1980s albums. The French band is known for making beautiful, heady electronic, with striking, poetic vocals. A hard-to-classify group from Marseille with a cult following and some mainstream success, Martin Dupont has inspired some of the luminaries of the contemporary music scene crossing many genres from trip-hop to electro to techno. Kintsugi reassembles their old spirit that is colorful, enthusiastic, and delicate, yet also melancholy and mysterious. A mixture of hot and cold, light and dark. Martin Dupont’s music is considered electronic though they also incorporate guitars and clarinets. They are described by many as New Wave, though their music truly transcends genres.

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Martin Dupont – Kintsugi LP [SEA013LP]

Deux – Let’s Go ! [MW080]

Minimal Wave presents a 4-song EP by the iconic French synth duo, Deux, entitled Let’s Go !. Gérard Pelletier and Cati Tête formed Deux shortly after meeting in Lyon in 1981. They became known for their stripped-down synth pop compositions and suitably cold duets, through their archival Minimal Wave releases Decadence (2010) and Golden Dreams EP (2012). In the late 1980s and early 1990s, they began to branch out and make more dancefloor-oriented music. The Let’s Go ! EP features three remastered mixes of their underground classic Let’s Go ! and an unreleased version of Everybody’s Night (Dirty Mix).

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Deux – Let’s Go ! [MW080]

De Fabriek – Music For Hippies [PLA043]

Platform 23 again explores to the dense voids, this time with a touch of the funk, with a reissue of Dutch experimentalists De Fabriek and two tracks from their “Music For” cassette series, this time calling all Hippies. Featuring both original and reinterpretations from modern-day heads, Dunkeltier and Khidja, this double-pack is something of an oddity, showcasing the bands’ expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and crafting here, free flowing, groovy longform jams.

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De Fabriek – Music For Hippies [PLA043]

The Actor – Exploded View + Demos 1981-1984 [MNQ156]

Mannequin presents an expanded double-LP of ‘Exploded View’ from minimal synth Dutch pioneers The Actor. Originally released in 1982 by Trumpett Tapes, the album was repressed for the first time by Mannequin Records in 2014, and now is coming back to life again in 2022, enriched by an extra full-lenght of demos from a 1981-1984 period. Singing both in English and German, The Actor songs are often related to modernism, fashion and dancing, like a sort of early incarnation of Depeche Mode but totally devoted to home taping and diy recordings.

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The Actor – Exploded View + Demos 1981-1984 [MNQ156]

Plague Pits – Poetry From The Future [TNP2]

Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.

Plague Pits – Poetry From The Future [TNP2]

Bourbonese Qualk – Bourbonese Qualk LP [MNQ115]

The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring in Europe in early 1986 and recording this album. Steven Tanza went on to found the group ‘The State’ and while Crab continued as Bourbonese Qualk (with the new line-up of Miles Miles,Crab and Owen If), dissolved the Recloose Organisation label and founded ‘New International’ as the outlet for future Bourbonese Qualk and Recloose Org releases.

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Bourbonese Qualk – Bourbonese Qualk LP [MNQ115]

More Ephemerol – Fertile Energy [OR107]

More Ephemerol L is C. Fjerstad & Tamara Sky. Mixed and produced by Matia Simovich at Infinite Power Studios (Los Angeles) except “Ex-Raver” mixed by Eric Ulvog. Mastered by Josh Bonati except “Ex-Raver” mastered by Michael Keene. Re-mastered for vinyl by Daniel Hallhuber at Young and Cold Studios.

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More Ephemerol – Fertile Energy [OR107]

skitungen – La​̈​ngre a​̈​n La​̊​ngta​̊​n [RUBBER010]

Rubber welcomes Swedish artist Towa Isling (towLie) under her skitungen alias. While some of you might be familiar with distorted drums and seething synth lines from the kafTen records founder, her skitungen project emits a more brazen energy. “La​̈​ngre a​̈​n La​̊​ngta​̊​n” embodies Towa’s raw and DIY approach, but takes an unexpected turn towards the odd and dreamy. This results in a beautiful assembly combining Towa’s ethereal voice with satisfying weirdo beat music.

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skitungen – La​̈​ngre a​̈​n La​̊​ngta​̊​n [RUBBER010]

Fiasko Leitmotiv – Humblekids LP [CBR017]

“Humblekids” is the first studio album by Fiasko Leitmotiv. This work is a journey in multiple dimensions of music and narrative, and even if its deep roots are certainly electronic, the listener will land in different atmospheres, different genres mixed together in new keys, with new meanings, all in a post punk environment. from a narrative point of view, “Humblekids” presents two main styles, one metaphisical and one surrealistic, and somehow the second seems to carry the first one in a mix of tragedy and irony. “Hanako” and “Balls” , the two singles from the album, underline the presence of theese two different but coexisting approaches, tied together in a necessarily sense, like darkness and light , day and night.

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Fiasko Leitmotiv – Humblekids LP [CBR017]

Genetic Factor – In Deadly Wet Dreams [AD016]

Artificial Dance announces the full archival compilation of work by Richard Zeilstra A.K.A. Genetic Factor. Recorded in different parts of the world, at different times – we hope this will give the world a glimmer of the mind of Genetic Factor. A mind that has been behind a variety of very influential operations during the years; including a string of radio programmes (Radionome & Spleen a.o.), working at Boudisque and running Barcelona’s first compact disc store. The songs featured are not an attempt of making a coherent ‘album’ but much more trials of interpretation of his world into ‘music’. His strong believe in non-musicianship makes it more thrilling than conventional musics, yet these recordings are not result of amateurism – they form a consistent reality of what excites him. Take a dive in the realm of the Genetic Factor…

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Genetic Factor – In Deadly Wet Dreams [AD016]

VA – Síntomas de techno – Ondas electrónicas subterráneas desde Perú (1985-1991) [BR149]

This compilation presents for the first time various underground techno groups and projects that emerged in Lima in the mid-1980s. Projects such as Disidentes, Paisaje Electrónico, T de Cobre, Meine Katze Und Ich, El Sueño de Alí, Cuerpos del Deseo, Círculo Interior, Ensamble and Reacción were responsible for introducing styles such as techno-pop, EBM, industrial and minimal synth in Peru. Coinciding with the explosion of punk in Lima and the appearance of the so-called Rock Subterráneo [underground rock], these techno groups shared the same DIY spirit, performing in many punk concerts and even creating their own fanzines, and, above all, opening a space for other types of sonic experiences. Meine Katze Und Ich, El Sueño de Alí and Paisaje Electrónico were also the parallel projects of the members of Narcosis, the iconic punk band, one of the founders of Rock Subterráneo.

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VA – Síntomas de techno – Ondas electrónicas subterráneas desde Perú (1985-1991) [BR149]

Plus Instruments – Februari-April ’81 [DOM02]

What is Plus instruments? The title implies the secondary nature of the tools used to produce the sounds, maybe even of the sounds themselves. The means of making sound are not important, but the sounds themselve, but even beyond them there is a force, a grumbling. Maybe best represented by the first sound heard on Plus Instruments “Februauri- April 81”, a sound that is more felt than heard. The grumbling persists throughout the album, not in the same sonic way but things gyrate and repeat until they are mineral and not purely auditory. Using toys, drum machines, and other homemade electronics designed by front person Truus de Groot, the band manages to obscure every song into a hard to maintain mix of No Wave drive, New Wave sheen, and dance music groove. Originally established in The Netherlands in 1979 by Truus de Groot in various line-ups, she hooked up with Lee Ranaldo and David Linton in 1981 when she first ventured to NYC. A trio that smashes the sound of early 80s New York with the equally as progressive European experimentation of the time. Completely without total contemporaries, Plus instruments make music free of bounds from time, labels, and place. Originally released by Kremlin records in 1981 run by Sonic Youth’s future manager Carlos van Hijfte, Domani Sounds proudly presents Februari-April 81′ featuring brand new liner notes by van Hijfte himself.

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Plus Instruments – Februari-April ’81 [DOM02]