new beat
VA – Pubblicazione 002 [458695.002]

The second instalment of the ongoing Pubblicazione series serves up a triple-header of dark, intense and otherworldly experimental treats. On the A-side Italian artist Violet Poison invites us to “The Drome”, a place where druggy EBM arpeggio lines, throbbing synth motifs, discordant female vocal samples and thrusting industrial funk drums fight it out to the death. Over on the flipside, Diana Berti gives us a glimpse of her “Spider Pit”, an altogether more melodious and crystalline place laden with glistening synthesizer motifs, bustling machine percussion and raw arpeggio bass. To round things off, Opfer Der Hingabe channels the spirit of the Duratti Column on the slow and seductive bliss of “The Victim (1990)”. Progressive industrial to cinematic ambient, via new beat synth explorations.
Francisco & Cosmo – Linea Beat Vol. 5 [SLOMO040]

The fifth collection in Slow Motions’s dance-floor only series is the aptly named Dance. Arriving in two different versions for those times when you need alternative vibes on the dance-floor, ‘Music’ is backed up by a slamming, jack-time remix from Marco Passarani.
Alessandro Adriani & The Hacker @ Strange Sounds From Beyond 23.06.2018
Phuong-Dan @ Lente Kabinet Festival 26.05.2018
Phuong-Dan – Inverted Audio MIX 280
Alexis Le-Fan – Bah 045 [BAH045]
RA.627 Traxx
Intergalactic Gary @ Et Andet Sted 12.05.2018
Credit 00 – The Metal Beat EP [RAT14]

From Conrad Schnitzler in the 1960s to the pioneers of Detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. Schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into Japanese electronic music equipment. With his new piece The Metal Beat EP, Credit 00 wants to get in line with this tradition of transforming factory sounds into music. Each of the three tracks reflects on the role of the human being in an industrial environment. The never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. The blues played by machines–modern work songs for a post-industrial society.
Olivia – Digital Tsunami 140
Credit 00 – Watch The Hype Mix // 067

Kris Baha – Can’t Keep The Fact [PNKMN022]

Kris Baha turns to Pinkman with a standout 5 tracker blending influences ranging from EBM, darkwave and experimental electronics. What makes them work together is a shared industrial edge, spine-chilling atmospheres and minimalistic vocals. By finding excellence in diversity this record is equally suited for boiling dance floors and home listening purposes.
PNKMIX-05 | Black Seed – Lost Kisses

Sysex Ferro – Sysex Ferro [BORFT153]

Manchester, 2016. 1/3 FRAK & NEBULA = THE SYSEX MEETING. Disco – House – experimental Hip House and parapsychic jazz.
Serial Error – Drum Abuse [RAT13]

Rat Life Records presents Serial Error a Project by Credit 00, Jacob Korn & Sneaker. This outfit was brought to life in 2013 when Red D called for some New Beat style tracks for his “Our Beat Is Still New” Compilation. Flying a bit too low under the radar ever since Rat Life decided to reissue Drum Abuse on a Super Sound Maxi Single. The Track was made in Jacob Korn’s headquarter studio / synthesizer museum. The task distribution was hit quickly: Jacob squeezing the acid out of his huge Formant modular system, Credit 00 beating the drums on the Boss DR 660 and Sneaker throwing his unique vocals on top.
Siegmar Fricke – Kassettenjahre 1988-1993 LP [MM005]

Siegmar Fricke describes his music as ‘dynamic dancable collage-pop with a 90s technoid tendency’. The music on this release is made by Yamaha sampling- keyboards, Yamaha multieffects, synthesizers and 60s magnetic tape recorder, recorded on a four-track Tascam tape-machine. From 1987 – 1993 he produced twenty four cassette releases, some on his former label ‘Bestattungsinstitut’ and some on other tape-labels all around the globe. This vinyl is a fine selection of various tapes from 1988 – 1993 slightly edited for club use and remastered by Berlin’s masterchef Kitaro from Schnittstelle. Heavy underground dancematerial for the first time on vinyl. Comes with a strong extended dancefloor remix by Manfredas.








