Innershades – Homage [CJFD41]

Innershades comes with a follow up on his Clone Jack For Daze debut from 2019 with his buddy Betonkust. This time he digs in the local history from his homebase Belgium. The country that brought us the New Beat craze which had its breeding grounds in club’s such as Boccaccio. A venue which used to be one of the prime locations in the Benelux to hear the latest House and Techno releases in ’89,’90 and ’91. All the fresh new sounds from Chicago, Detroit, the big New York labels and producers, Early UK rave and of course the local producers from the Benelux. This Homage EP brings a collection of tracks drenched in bleepy acid lines, topped with choir pads and slightly detuned slowly phased chords and dominant mixed bass sections. Energetic tracks that capture the spirit of those days with a contemporary touch from Innershades. Tracks that fit perfectly to the Clone Jack For Daze series inspired by these early days, where people danced for daze on all these energetic and futuristic sounds from the underground.

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Innershades – Homage [CJFD41]

Karolina Bnv – Yet To Come [WE015]

Karolina Bnv returns to Wrong Era with ‘Yet To Come’ an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to ‘Lessons On Good Behaviour’ further enrichens our experience of her world. Opening with ‘Unforgivable Decisions, ‘ an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. ‘Germany Calling’ opens Karolina’s new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track’s title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. ‘Context Abuse’ bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv’s sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. ‘Yet to Come’ closes with ‘1988’ an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

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Karolina Bnv – Yet To Come [WE015]

Apiento & Castro – The Orange Place [BLESSYOU027]

The kind of track that makes you want to know what kind of morning routine Apiento has on a weekday, “The Orange Place” is simply an underground dancefloor classic of the 2010’s that makes you realise something very special was going on with Paul Byrne’s Astrological charts at the time. Pure Sleazy Belgian Indiana Jones vibes, impossible to forget and very timeless. Now with full cover artwork and additional dubbed out afro cosmic remix by Castro.

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Apiento & Castro – The Orange Place [BLESSYOU027]

Innershades – The Beat EP [IPK004]

Innershades presents some new tunes but old school sound, faithful to the New Beat and Belgian proto Techno sound, using a Roland JV 1080, D-50, Yahama RY-30, SH-101, TB-303 and a JD-800 to execute this magnificent EP.

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Innershades – The Beat EP [IPK004]

Nomenklatūr – King Da Ka [SAM018]

Samo Records, the label run by Facets, presents a new release from French electronic duo Nomenklatür. Renowned for their innovative and genre-blending sound, Nomenklatür makes their debut with a captivating EP featuring three original tracks, each offering a unique sonic experience that pushes the boundaries of leftfield electronica. On the remix front, Karassimeon reimagines “King Da Ka” with a high-tempo twist, infusing the track with fresh energy and amplifying its dynamic qualities.

Nomenklatūr – King Da Ka [SAM018]

WLDV – The Fifth Element [MUT001]

The first release of Mutante Records comes from WLDV, the Spanish producer coming from Bilbao in the Basque Country. Navigating between genres such as New Beat, EBM, House and Techno with dark Spanish vocals to bring you a solid 4 track EP.

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WLDV – The Fifth Element [MUT001]

Candido – Mechanical Dances Part I LP [MEGA07]

The inaugural chapter of a two-part epic. Get ready for an eclectic and unique modern twist fusion of proto- EBM, New Beat, Electro, Rave Breaks and early UK house, weaving together a tapestry of diverse influences. Experience the raw energy pulsating through potent basslines, driving each track forward with unstoppable force. Meanwhile, deep and thought-provoking lyrical voice samples captivate the mind, inviting listeners to ponder existential questions and explore the depths of consciousness and creating innovative soundscapes leaving an indelible mark on the listener’s psyche.

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Candido – Mechanical Dances Part I LP [MEGA07]

Panico En Directo – Television [VKT001]

Voykot initiates its inaugural release featuring the enigmatic producer Panico En Directo in a concise mini LP format. Comprising 6 tracks, this collection showcases robust percussion and daring melodies, spanning a broad spectrum of EBM and Techno influences.

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Panico En Directo – Television [VKT001]

Zsa Zsa “La Boum” – Tu Veux Ou Tu Veux Pas? [SMI-013]

A much needed release essential to any respectable New Beat record collection. The second and last single for the Zsa Zsa Laboum project, originally released in 1989, shortly after the prolific impact of ”Something Scary”, although a different formula, ”Tu Veux Ou Tu Veux Pas?” is deep in tune with the Belgian Acid aesthetic, but with a more industrial edge to it. Simplistic but effective use of vocals, streamlined to the basics of maximum club efficiency, dark and not trying to make friends – De Smet is here to sell records, and with much success at the time with his honed production experience from years in the studio. Own a very relevant piece of club history from a special time in rave culture. Topped off with a new remix by Anatolian Weapons.

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Zsa Zsa “La Boum” – Tu Veux Ou Tu Veux Pas? [SMI-013]

Zsa Zsa “La Boum” – Something Scary [SMI-012]

“Something Scary” is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons.

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Zsa Zsa “La Boum” – Something Scary [SMI-012]

Unconscious – Il Punto Di Non Ritrono [OR126]

Unconscious, Italian recognised EBM producer, surprises with a sound turn in his latest album “Il Punto di Non Ritorno”, where he ventures into New Beat incorporating touches of dark trance that clearly refer to some of his roots in electronic music. The album showcases the artist’s evolution capacity and highlights his versatility and ability to explore new sounds without losing the EBM and industrial essence that characterizes and defines his previous works.

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Unconscious – Il Punto Di Non Ritrono [OR126]

Recall IV – Interstate [MEC085]

Recall IV is the project created by Andre Fischer that reached a massive success in the German techno scene in 1990 with the release of the single “Contrast” on Techno Drome International / ZYX Records. This was shortly followed by two more releases in 1991 (“Contrast – Part 2” and the extended play “Aesthetic”) and contributions to various compilations. Andre has been a very active techno composer and producer since the late 80’s working with people like Lars Janzik, Carlos Perón, Giora Schein & Holger Wick (Konzept), Volker Then (Friends Of Carlotta) on countless projects including Scope, Scrot, Technoline, Trust in 6, ADSX, etc. “Interstate” compiles tracks from all Recall IV singles, some old compilations and a selection of unreleased cuts and remixes.

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Recall IV – Interstate [MEC085]