
OB’s onit! Two on-point Detroit nailers. Solid grooving wild-pitch style tracks by OB Ognitt with a Omar-S vibe to it. This will go straight in the box and it will stay there for some time.

OB’s onit! Two on-point Detroit nailers. Solid grooving wild-pitch style tracks by OB Ognitt with a Omar-S vibe to it. This will go straight in the box and it will stay there for some time.

Considering the spacey title, artwork and long-standing Detroit credentials of both Luke Hess and Omar-S collaborator Ob Ignitt, you’d expect these two tracks to be on the intergalactic side. The duo kicks things off with “Jefferson Reserve”, a tactile, floor-friendly chunk of energetic deep house blessed with classic electrofunk bass, deep space pads, and the kind of glistening, far-out synthesizer melodies you’d expect to hear the Cantina Band play in one of the Star Wars movies. They move further towards techno territory on flipside “Calm of Night”, where warring lasers fizz between the speakers whilst progressive house-influenced chords and rhythms propel the track forwards at the speed of light.

Some three years on from their last collaborative outing – the Wayne County Hill Cops (Part 2) 12″ on FXHE – Detroit producers O.B Ignitt and Omar-S join forces for another trip into Motor City deep house territory. They wisely explore different moods and approaches throughout, starting with the fluid, dreamy hypnotism of “Seem Like You’re All Ready” – an exercise in luscious loops and dusty drum machine grooves. There’s a lovely early ’90s bounce to the evocative synth bass, classic riffs and cut-up vocal snippets of “Follow Me”, while closer “Hold The Line” owes much of its’ instinctive power to a deliciously rubbery acid bassline and vintage US garage drums.

True old school quality house and techno tunes by OB Ignitt, known for his collaborations with Omar S, on the first release for his own label Obonit Records.

FXHE return with the master of the mysterious OB Ignitt! Arriving roughly a year on from the last slab of Ignitt goodness, Mysterious finds OB on imperious form, once more showing off his penchant for excellent track titles and singular slant on bumping Detroit business. The title track is a veritable epic of unquantifiable emotive stakes, emerging from a heat treated fog and easing into a subtle yet beguiling rhythmic framework which coaxes you into a spell that grows stronger as the track charges electrically forth. Face down, “Celestial Salacious” has that same rough edged bass line growl to it, but the skipping percussion and building layers of instrumentation give the track real energy, whilst you can almost feel the funk dripping off final track “Chocolate City”.

FXHE present their final transmission of a superb year in the shape of Oh Jabba, two tracks of stargazing house music from OB Ignitt. “Oh Jabba” is a wonderfully simple yet melodic house track, crunchy drum machine rhythms rippling away feverishly beneath a calming array of swooping Rhodes and Moog flourishes. Complementing this, “Space Age Stepping” is a more searching affair, relying more on the rugged drums and gurgling analogue bassline to achieve lift off.

80s influenced techno tracks from Omar-S and OB IGNITT, that are both hypnotic and psychedelic.