The “Edge Of The Visible Universe” is a 24 tracks album by Terrence Dixon. The album was recorded in Detroit and Amsterdam and is only be available exclusively on band camp in digital format only.
The album will be followed soon by a vinyl release with the same name featuring four club oriented tracks under the Population one alias.
Anagram Label follow up their ‘Phasing Faces’ releases with remixes from Efdemin, Lapien, Ryan James Ford and Terrence Dixon under his Population One moniker this December.
Population One, also known as Terrence Dixon, offered a first remix of his mysterious, minimal Detroit track ‘Rush Hour’ for the celebration of the label’s 10th anniversary and now blesses us with new takes on five ‘Hippnotic Culture’ album tracks. Five dazzling remixes of Population One’s ‘Hippnotic Culture’ 2LP by the Detroit minimalist himself. Kicking off with a 20th Anniversary Mix of ‘Rush Hour’, the track that inspired our company name.
Terrence Dixon returns as Population One, offering an unrivaled, dazzling excursion of late… “The Move” comes with an illustrious, energetic Orlando Voorn rework on the flip. Two esoteric portals into the Motor City mindset.
Population One delivers a stripped down auditory urban narrative full of the city’s industrial internal conversations. Haunting, compelling and raw; looming in the darkness.
‘Temporary Insanity Remixes’ is a 12” featuring the redefinitions of the two original productions of Detroit veteran Terrence Dixon, turned upside down by three of the most groundbreaking electronic music artists as Voiski, Pangaea and Cosmin TRG, appearing alongside label head Simone Gatto. OUT022 operates as a modern take of old school sounds, an hybrid union of all melodic techno sub forms – these remixes keep the mental locked groove material of Dixon’s tracks, adding emotionally irradiating patterns and each producer’s typical paths.
Detroit techno veteran Terrence Dixon marks another chapter of his long standing career signing for Italian imprint Out Electronic Recordings as Population One. Terrence Dixon is going to kick off the new year with two techno, retro-feeling original tracks capturing his typical production take. ‘Temporary Insanity’ rolls out the hard-driving, stomping old school side of the artist, featuring sharp melodic sound scapes and incisive percussive elements. Fat claps and bright hats animate the mood involving listeners through a simple, incisive rhythmic power combined with a bass static arpeggio sequence and pointed bleep textures together. ‘Multiple Choice’ differs from the previous cut by featuring a spacey atmospheric, heady synth lines and patterns, taking your mind to a more mysterious, introspective dimension with enchanting pads plus a energetic kick, bass and drum intersection.
This time, Dixon returns under his own name and under his most successful alias, Population One, on one split EP for Developer’s Modularz label. “Code Of Conduct” and “Concrete Playground” represent the Population One side, the first tune being a subdued kick filled with cavernous space above it while the latter is more classic Population One thanks to those bizarre melodic twists. Dixon serves up “Touching Bass” and “The Beholder” on the flip, two jazzy techno sculptures that are instantly recognizable as his own.
Population One, the legendary project of the Detroit Techno legend, Terrence Dixon, arrives at 30drop to present his new work and unveils the 30drop guest artists release series under the name of: 30drop ExoPlanets. “Time Will Tell” is a conceptual work that exceeds standards. The hypnotic and elegant minimalism of “3.26.2013@11.40pm” harmonic complexity and surrealism jazz of “11.18.2013@1:41am” and “5.26.2012@5.59pm” and the sonic and spatial reverie “12.1.2008@5.48pm” are the four tracks of the EP. Deliciously transgressor, imaginative and ambitious, the work gets into an unexplored territory to the delight of the most avant-garde dance floor.
The deeper depths keep getting hit… The reduction series evolves… Prime minimalism from Terrence Dixon.
Deadly Population One album from Terrence Dixon on Rush Hour. Under the Population One codename, Detroit citizen Terrence Dixon has realized some of his most vivid, esoteric portals to the Motor City mindset. ‘Theater Of A Confused Mind’ is Dixon’s 2nd album in this mode, twenty years after his debut album, ‘Unknown Black Shapes’, and the ‘Hippnotic Culture’ 2LP, whose ‘Rush Hour’ track inspired the company’s name.
The ‘A Mind of His Own’ EP delivers four magnificent, forward thinking cuts by this experimental techno vanguardist. Expect the terse, elegant minimalism that Dixon is known for. Especially Encircle is another classic Terrence Dixon track.
Population One serving it up cold and reduced… another totally heavy offering from Terrence Dixon, on his own imprint.
Terrence Dixon turns it up even higher with the third release on his own Reduction label. Chiming, melodic and magnificent abstractions from the depths.
New release on Minimal Soul Recordings with 4strong minimal Detroit tracks from Population One aka Terrence Dixon.
After last years spectacular return to our airwaves and the world of techno with the release of the excellent album From the Far Future Pt. 2, the Detroit veteran Terrence Dixon is back with a new release entitled the Giant Robot EP on Monique Musique imprint, while that enigmatic and experimental British producer Actress has been brought in on remix duties.
New Population One material, on Mr Terrence Dixon’s own label Reduction. Seriously classy, abstract techno, excursions that sound-clips cannot really do justice
Terrence Dixon is the man behind sporadic production alias Population One, serving up dark and heavy, intense and ravey records. Delsin’s re-issue arm has sought to get some of the old tracks out there once again on this double a side 10″ outing with ‘Midnight Hours’ and ‘Two Sides To Every Story’. ‘Midnight Hours’ bangs hard and fast with an unhinged melody line squirming about like an untethered hose. Every surface is frayed and rusted, frosty and splintered making this some of the most primeval warehouse techno you will likely have heard for a while. ‘Two Sides To Every Story’ is just as tough and unruly, with myriad synthesized sounds rushing about in side a framework of incessant hi hats and solid kicks like a bee trapped in a bottle. A controlled frenzy, you might say, but certainly the sort of abrasive and arresting techno that works perfectly in the darkest of basements.
The Hipodrome Of Music 