Sad Lovers & Giants – Lost In A Sea Full Of Sighs LP [DE115]

Sad Lovers & Giants are a post-punk band from Watford, England who formed in 1980. The original lineup included vocalist Garçe (Simon) Allard, guitarist Tristan Garel-Funk, bassist Cliff Silver, drummer Nigel Pollard, and keyboardist/saxophonist David Wood. In 1981, they released the 3-song 7” EP “Clé” and the ”Colourless Dream” single. The “Lost In A Moment” 7” single followed in 1982. They released two studio albums, “Epic Garden Music” and “Feeding the Flame”, before disbanding in 1983. The band reformed in 1987. “Lost In A Sea Full Of Sighs” is a collection of 9 songs recorded between 1981 and 1982. Seven songs from their first three 7” singles plus one demo and one song recorded for a John Peel Session in 1981 are compiled here. The music is moody and cerebral, awash with synthesizer swirls and sax interjections.

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Sad Lovers & Giants – Lost In A Sea Full Of Sighs LP [DE115]

VA – Domestic Landscape Vol 2: Underrated Synth Classics 1982-1990 [DOM026L]

Spain’s Domestica are up to their usual antics, and this time it’s the second instalment of their excellent Domestic Landscape series, a varied and much-coveted collection of perfectly contemporary post-punk and coldwave oddities from the 1980s. We’re in love with every track on here, and we’re not exaggerating, this gear is of the highest calibre, and all very much relevant in a DJ nowadays. Think Optimo in the midst of a smokey, mid-morning set in a dark basement, and you’re almost there. Track upon track of solid gold discofied industrial music. Killer; highly recommended.

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VA – Domestic Landscape Vol 2: Underrated Synth Classics 1982-1990 [DOM026L]

VA – So Low [VF170]

Optimo’s prolific DJ/producer/label boss JD Twitch aka Keith McIvor has curated a compilation of early ‘80s synth, industrial and cold wave classics and undiscovered gems in collaboration with The Vinyl Factory, titled So Low. The 16-track collection had its genesis in McIvor’s irregular club night of the same name in his hometown of Glasgow. “So Low is an occasional night at The Poetry Club in Glasgow where I play some of the music I played when I first started DJing back in 1987,” McIvor explains. “At that time the audience I played to mostly loathed what I was playing and rarely danced but then shortly after, when House music arrived I found a different audience who actually liked to dance. In response to my wife’s deep love of this music and requests from some friends who were too young to hear it in a club at the time, or indeed were not even born when most of this music was made, I was persuaded to revisit a lot of records I still loved but rarely played out, and So Low was born. It has an extremely enthusiastic audience, a joyous atmosphere and is the antithesis of what a club in Scotland playing this music nearly 30 years ago would have been like.”

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VA – So Low [VF170]

Golden Teacher ‎– First Three EPs [GT002LP]

Golden Teacher and the Rough Trade shops join forces to offer new ears the opportunity to hear the Teacher’s first three recording efforts on one handy compilation. Recorded between 2012 and 2013 at Glasgow’s Green Door Studio through a state-funded scheme for unemployed young musicians, this release documents the six-piece’s interest in the willful naïveté of late 20th century “post-” tendencies, leading France’s MidiLibre to later describe Golden Teacher as “an idiot-savant prototype of dance music in the 3rd millennium.” Golden Teacher is an ensemble of Cassie Ojay, Charles Lavenac, Laurie Pitt, Oliver Pitt, Richard McMaster and Sam Bellacosa. This release gathers all material from the band’s first three EPs, first released as OM18, OM20 and OM23 on Glasgow’s Optimo Music. The LP presents a selection of the band’s favorite tracks from these sessions.

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Golden Teacher ‎– First Three EPs [GT002LP]

Crystal Soda Cream – Rationale Arbeitsschritte [KIM015]

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Crystal Soda Cream will release their second studio-album Work and Velocity in April 2016 via Totally Wired Records. Rationale Arbeitsschritte is the album’s first single released as a 7“ on KIM Records.

Crystal Soda Cream – Rationale Arbeitsschritte [KIM015]

Crash Course In Science – Jump Over Barrels [DE102]

Crash Course In Science are a post punk band that formed in 1979 in Philadelphia. “Jump Over Barrels” was recorded at the Third Story Studio in Philadelphia in 1981, one year after “Signals From Pier Thirteen”. The song remained unmixed and unreleased at that time for a proposed album titled “Near Marineland”. Lyrically the song tackles overcoming obstacles, self imposed or otherwise, with vocal interplay between Michael and Mallory. On the A Side is the original mix and a demo mix from 1981. Then on the flip is a brand new remix by prolific Ann Arbor producer Charles Manier, a pseudonym of Tadd Mullinix, who toughens up the track. Also included is an unreleased demo version of the song from 1980, accentuating the raw and skeletal nature of the track.

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Crash Course In Science – Jump Over Barrels [DE102]

Unknown – Unknown [EST83-04]

A lost relic from the 80’s Detroit underground. This ”demo” recording is from a cassette found in a dusty box of donations left at a second hand shop. There is no info as to who, when or where this was recorded. What is it? Post Punk? Disco (Not) Disco? Sleaze Wave? or Mutant Surf? It doesn’t matter because its fucking incredible whatever you want to call it! A glimpse into what could/should have been a very important band had they gone further than this one track demo. 7” with original mix and an edit from FIT on the flip. Artwork by Stallone The Reducer. Made in collaboration with Lo and Behold Records in Hamtramck, MI. 200 copies for the world.

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Unknown – Unknown [EST83-04]

Broken English Club – Suburban Hunting [CITI018]

Minimal Wave sublabel Cititrax announce a full length album by artist Broken English Club. Oliver Ho (also known for his Raudive alias) expands upon the themes in his earlier output. Now though, he is presenting Broken English Club as the multifaceted project that it is. He fearlessly exposes a range of emotion through varying sound, texture and song structure. The result is a manifestation of his influences (post punk, noise, techno, grindcore) melded into his own unique vision and culminating in an album that sounds absolutely massive, both on and off the dance floor.

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Broken English Club – Suburban Hunting [CITI018]

Mecánica Popular – Que Sucede Con El Tiempo? [VCR009]

MECANICA POPULAR - Que Sucede Con El Tiempo?

Dead-Cert label have unearthed and reissued this curious record from Mecanica Popular. Originally coming out of Madrid back in 1984 and now available for consumption by a new generation. Because of its relative obscurity it’s difficult to say whether this has been influential or not but these guys were certainly ahead of the curve in many ways and were absorbing influences from great sources, remoulding them into their own vision of electronic music. ‘¿Qué Sucede Con El Tiempo?’ is a diverse and vibrant collection of tracks.

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Mecánica Popular – Que Sucede Con El Tiempo? [VCR009]

Move – Move [MNQ074]

Long sought after by collectors and originally released in 1986 by a small independent label, the sound of this stellar full length is driven by sharp post-punk guitars, tribal rhythms and ghostly synthesizers, following the UK cold wave and post-punk tradition. A forgotten classic, strongly recommended for fans of Joy Division, New Order, Section 25, Killing Joke, Bauhaus, Gang Of Four.

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Move – Move [MNQ074]

Tropic of Cancer – Stop Suffering [BLACKEST049]

Blackest Ever Black have performed an interesting exercise in issuing this new 12″ from Tropic Of Cancer along with the Archive: The Downwards Singles collection; as it allows you to hear first-hand how Camella Lobo’s band has progressed musically in a few short years. This three track 12″ is her first new music since that excellent debut Tropic of Cancer LP, and finds Lobo working with Joshua Eustis of Telefon Tel Aviv.

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Tropic of Cancer – Stop Suffering [BLACKEST049]

Tropic of Cancer – Archive: The Downwards Singles [BLACKEST041]

Blackest Ever Black serve up a double dose of Tropic Of Cancer goodness, with the fresh material from Camella Lobo complemented by this Archive: The Downwards Singles 12″. The smarter cookies out there will glean the content from the title, with Blackest Ever Black gathering together the earliest Tropic of Cancer material issued through the DO sublabel of Karl O’Connor’s Downwards label. These three tracks were recorded in Tropic Of Cancer’s original iteration of Lobo and Juan ‘Silent Servant’ Mendez, a time when the band was exploring a more explicitly bleaker, hazier sound. The motorik stomp and yelping Mendez vocals of closing track “Be Brave” remains a thrilling experience to sink into.

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Tropic of Cancer – Archive: The Downwards Singles [BLACKEST041]

Severed Heads – Petrol [DE104]

Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. “Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981.

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Severed Heads – Petrol [DE104]

Shoc Corridor – Experiments in Incest [DE100]

SHOC CORRIDOR - Experiments In Incest

Dark Entries Records reissuesthe LP ‘Experiments in Incest’ from the  80s UK-based Minimal Synth band Shoc Corridor. The founders of this project, Chris Davis and Israel-born Nogi Prass, who eventually had to leave the band because there were problems with her Visa, started making music in 1979, influenced by German electronic bands Kraftwerk, Neu! and recent developments in UK Post Punk like Public Image Ltd., and formed a band, adding by Paul O’Carroll, Paul Humphries and Andy Garnham to the line-up. The departure of Nogi and Chris, who left with her, from the UK in late 1982 made it virtually impossible to continue with Shoc Corridor, but despite that, they released two LPs in 1983 and 1984 (Experiments in Incest and Train of Events). The band eventually disbanded after the suicide of bass player Paul Humphries following the release of Train of Events.

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Shoc Corridor – Experiments in Incest [DE100]

Liquid G – Liquidation [DE099]

“Liquidation” is the first ever vinyl compilation of Liquid G.’s cassette recordings, taking you on a journey through the underground of the Belgian Electro Industrial scene. Each song was written, produced, recorded and performed by solely by Peter Van Bogaert between 1987-1989. Liquid G. captures the DIY synth-punk ethos of Cabaret Voltaire, The Screamers, and Nervous Gender. Six of the eleven songs on the album are instrumentals, and full of disturbing drum machines, stratified synthesizers, and deep, distorted bass-lines. The core of Liquid G.’s home studio included the Korg Poly-800, Roland TR-505, Roland MT-32, and Boss flanger and delays.

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Liquid G – Liquidation [DE099]

Second Layer – World Of Rubber [DE096LP]

Second Layer was a side project of Adrian Borland and Graham Bailey, members of post punk band The Sound. The music was bleak, detached, and desolate, but very beautiful. Honest songwriting and a harsh sonic backdrop set them apart from their peers. Second Layer’s World of Rubber, first released on Cherry Red way back in 1981 – some two years after the duo’s first outing on 7” – has long been considered something of an industrial classic by those in the know. Here, it gets a deserved re-press from the folks at Dark Entries. 34 years on, it still retains the power to shock, with Adrian Borland and Graham Green’s raw, weighty mix of post-punk basslines, sharp guitars, fuzzy electronics, tape loops and basic drum machine grooves still sounding deliciously fresh. Certainly, it’s comparable to many more celebrated releases of the time, and arguably more spontaneous in feel.

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Second Layer – World Of Rubber [DE096LP]

VA – Stollwerck Sampler [ERC026]

Emotional Rescue returns to the post war music of West Germany and the work of Dominik Von Senger and his cohorts based around the Dunkelziffer project. This special “Sampler” EP of recordings was produced as their part in Cologne’s Stollwerck art complex, that acted as a home and inspiration to their musical experiments. Based within the disused industrial warehouses spaces of Stollwerck, a mix of post-hippies, punks and anarchists created a community within that fed off each other’s artistic endeavours.

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VA – Stollwerck Sampler [ERC026]

Plus Instruments – Bodies [ERC024]

Emotional Rescue returns to the early 80’s Downtown NYC post punk / new wave scene with Plus Instruments – collecting their best and rarest songs on one groove laden EP. 4 tracks of pure Downtown punk-dub-funk, all with the nonchalant Euro-style delivery of Truus de Groot. Coming with extended unreleased versions, the originals were collected from sought after EPs, an obscure compilation LP and fiishes with a never before released song – this is history.

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Plus Instruments – Bodies [ERC024]