An Italo Disco rarity from 1984 now available again on a colored 12“ maxi single. Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.
Ken Laszlo – Hey Hey Guy [MAXI1145-12]
re-release
Underground Resistance – The Final Frontier [UR-003MCM]
Remastered 12” version of this all time classic from Detroit. Essential 303 electro techno from Underground Resistance. Raw, intense and one of the outstanding and unique records in Techno history.
Suburban Knight – Listening Systems [DTR004.5]
James Pennington is a true Motor City original who will forever be etched into the legendary city’s musical history. Under his revered Suburban Knight alias he crafted the powerful single ‘Listening Systems’ in 2021, initially limited to a spotter-taunting 200 copies, but now repressed – and relax, record buyers everywhere. It’s a deep, warm, driving techno cut stripped back to the bare essentials with a smoky vocal whisper adding the intimacy to a kicking rhythm that is dubbed out and soft around the edges but not lacking in impact. Perfect music for mind, body and head that needs to be played nice and loud.
Abe Duque – What Happened? [SYNCRO50]
Syncrophone marks 20 years of Abe Duque’s ‘What Happened’ EP with a special anniversary re-release. This seminal collection, originally unleashed in the early 2000s, has since become a cornerstone in the Techno and House music realms, earning its status as a timeless classic. Abe Duque’s ‘What Happened’ EP captivated audiences with its distinctive blend of raw wnergy, hypnotic rhythms, and intricate melodies. Each track on this EP is a masterclass in Duque’s unique production style, showcasing his innovative approach to electronic music and solidifying his reputation as a trailblazer in the genre.
Severed Heads – Ear Bitten LP [DE-314]
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing.
Reggie Dokes / Red D – RD² Volume [PSY043]
Over 20 years of friendship and Reggie Dokes and Red D are still at it. Their first joint E.P. was released on Red D’s We Play House Recordings label and kicked off the label’s much-lauded U.S. Series in 2019. Moving back across the pond we now find Reggie and Bart sharing a release on Reggie’s legendary Psychostasia imprint. On the A-side Reggie is bringing his trademark sound and taking it deeper than ever. Moody melancholy paired with solid beats and drums to take you into deep house heaven. On the flip Red D brings his Detroit inspiration into deep and swinging techno territory reminding us of Scan 7 and the likes with a vocal that gives a respectful nod to an Underground Resistance classic.
Model 500 – I See The Light / Pick Up The Flow [M021]
Another one of Model 500’s classics, carefully remastered and recut. Two masterpieces of true Detroit Techno History.
The Martian – Ghostdancer [RP-6MCM]
Those buried in the soil of the red planet dance forever in the afterlife. You can hear their rhythm in the dust storms at night. Remastered 12” version of this all time classic from Detroit. A true Techno staple.
Aril Brikha – Winter EP [KOM151]
Long awaited re-press of this Techno gem by Aril Brikha, originally released on Kompakt in 2007.
Mujahideen – Dead Language [CM-RE02 / NRR2]
As the world got even worse in the past ten years, Mujahideen’s songs from 2014 about greed, vengeance, culture slaves and the human factor are more relevant than ever in 2024, as it seems that the world is trapped in a vicious circle, which summons new dawn of Fascism. Therefore, Dead Language still sounds like a prophecy of wrath accompanied by a shivering crossover of post punk, dub and industrial, inspired by bands like Suicide, P.I.L, The Fall, Mark Stewart & The Maffia, Section 25, Psychic TV, The Young Gods and The Chameleons, which offers a captivating but desperate introspection into the abyss of humankind.
Zenana – Witches [RHRSS37]
Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time. It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss and DJ/production partner Gareth Morgan.
Patrick Cowley – Kickin’ In [DE-273]
Dark Entries again shines a spotlight on bathhouse disco don Patrick Cowley with a newly remastered release of Kickin’ In. Although Cowley tragically passed from AIDS-related illness in 1982, he left an extensive archive of unreleased tapes, many of which Dark Entries has had the honor of releasing. While working as a lighting technician at The City, SF’s disco cabaret, Cowley saw rising star Frank Loverde perform. Cowley asked Loverde to contribute vocals to some material in progress, and Frank, Linda Imperial, and Peggy Gibbons joined Cowley in the studio. The resulting songs included “Kickin’ In,” a 9-minute cybernetic disco stormer that taps into the essence of Cowley’s hi-NRG sound: equal parts spaced out and zoned in on the dancefloor. In May 1978 Cowley joined Loverde on stage at The City to perform “Kickin’ In” as they opened for disco diva Sylvester. “Kickin’ In” was initially released in 2015 via Honey Soundsystem who found the tapes in the basement of Megatone Records owner John Hedges. This newly remastered version was made possible due to the discovery of the original multi-track recordings of “Kickin’ In,” allowing for a fresh mixdown by Jim Hopkins as well as the creation of a new instrumental version. Also included are two impeccably sleazy Cowley jams recorded in 1980, “Thief of Love” and “Make It Come Loose.” Cowley narrates excerpts from his erotic journals on these raunchy slow-burners, capturing the vibe of SF’s leather bars and backrooms. “Thief of Love” features Cowley collaborator Paul Parker on background vocals.
Aquatronics – Sunset Streams EP [CLS001]
Aquatronics AKA Datawave, Is Gaétan Votion of Brussels. The “Sunset Streams” EP immediately became highly sought after and revered, after selling out 200 copies in just under 3 months in 2021, quickly making an imprint on the electro scene. 3 years later, 200 crystal clear records have re-incarnated for everyone who couldn’t get a copy the first time.
The Zombies – Zombi / In The Land Of The Zombi [BST-X102]
It’s difficult to ”label” the songs of this authoritative and necessary official reissue. ”Zombi” and ”In the Land of the Zombi” are two electro disco-funks from 1979, therefore from three years before was born the ”Italo-Disco” style, certainly more powerful, aggressive and more electronic than the ”Made in Italy” disco style of the 2nd half of the 70s. The creation of the original 7″ by Salvatore Ida, great musician and bandleader – to whom this excellent reissue is dedicated – was a sort of game for the authors of the two pieces: Federico Ida and Massimo Ida, were protagonists 4 years before of the Italian progressive rock scene with the sister Silvana Ida, Marcello Surace and Franco Vinci thanks to the immeasurable and acclaimed album ”Apoteosi”. So The Zombies were destined to pair with another easy ’79 joke by the Ida brothers: ”Let’s Go” and ”Mustang” by Sandwich. The two long versions of ”Zombi” and ”In the Land of the Zombi” were re-edited by Massimo Berardi, always diligent and active, as well as tidy and aware of where he was putting his hands, are fundamental in order to complete this 12″.
J.P. Energy – I Have A Pessimistic Outlook Of Life EP [SMI-015]
The second release to come out of Sound Metaphors’ collaboration with the Italian electronic music Don, Gianpiero Pacetti aka J.P. Energy. “I Have A Pessimistic Outlook Of Life EP” showcases a considerably more mature and polished sound relative to the previous release as the artist moves into the end of the 90’s. Here things get more serious and even more “industrial” with a darker and perhaps more cynical tone, not unlike the title of the EP. A 3 track record, very much oriented towards the dance floor. The EP was fisrt released in 1999 by the Italian label Spectrum (Civiltà Del Suono).
Time Modem – Der Mantel Der Nacht [BOY8828-24]
The Vision – Spectral Nomad [M025R]
As The Vision, Robert Hood provided Detroit techno a pinnacle of the artform. It may be justifiably best known for the lip-bitingly strong minimalist transport of Detroit: One Circle with its sparing central refrain “Detroit” and spine-playing riffage, or for the killer Explain The Style variant, but for us the EP’s shortest and freakiest number Modern And Ancient is also one of its strongest, a mad, half-stepping slice of Afro-futurist electro encryption that still blows our mind today.
Eleven Pond – Bas Relief LP [DE-001R]
Dark Entries celebrates its 15th anniversary by returning to where it all started, the initial darkest entry: Eleven Pond’s masterpiece ‘Bas Relief’, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.” With only 500 copies in it’s initial release, ‘Bas Relief’ resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. ‘Bas Relief’ is a true lost relic of the cold 80’s and an essential piece Dark Entries history.
Cetu Javu – Southern Lands LP [MEC087]
Javier Revilla and Chris Demere, both from Hanover and inspired by electronic music of Kraftwerk and Jean-Michel Jarre, started to experiment with sounds since the late 70’s. The arrival of New Wave with bands like Heaven 17, The Human League, Soft Cell and Depeche Mode influenced these teenagers to began Cetu Javu in 1984 with Javier on vocals, Chris on synths, guitar, programming, Torsten Engelke on keyboards and Stefen Engelke on bass. Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. The band signed a contract with Records and released their debut album “Southern Lands” in 1990. “Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”.
Caroline K – Now Wait For Last Year LP [MNQ159LP]
Mannequin Records present the official reissue of Caroline K’s outstanding 1987 album, “Now Wait For Last Year.” This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record. The music on “Now Wait For Last Year” seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can’t really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener “The Happening World” to the future-primitive rhythms and stately piano flourishes “Animal Lattice”, and the melancholic, deep-frozen synth sequences of “Cheart”.”
The Hipodrome Of Music 