3 classic Legowelt “Slam Jack Deep Chicago Ghetto Technofunk” tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000’s Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better…
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ”Rise”, ”Tresor” and ”De-orbit”. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ”Something For Your Mind”. This release and in particular ”Something For Your Mind” was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year.
Remastered reissue of this seminal EP by Speedy J originally released on Detroit’s Plus 8 records. Taking his inspiration from the early Detroit and Chicago imports that landed on the Dutch coast in the late 80’s Speedy J ended up creating a classic that innovated and embodied the raw energy of the then still emerging sound of Techno.
Dark Entries summons Philadelphia synthesizer scribes The Ghostwriters to rouse their ambient masterwork ‘Remote Dreaming’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. Following their debut album, Objects in Mirrors, they were approached by ambient outlet Mu-Pysch. Remote Dreaming would take shape in various studios over nine months. Jeff Cain’s instruments on this project included electric and acoustic pianos, the Juno 106 synthesizer, and a Mirage sampler, while Charles Cohen used his signature Buchla 200 Series Electronic Musical Instrument. A stark departure from the tightly wound first LP, Remote Dreaming shows the duo unfurling with soothing pianos and psychoacoustic textures, its somnambulant drones just skirting the edges of the uncanny. Although ignored in its time, Remote Dreaming is now heralded as a landmark in 80s experimental ambient music. Proceeds will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.
Discoring Records presents a 12″ white vinyl official reissue of 1982 classic, Klein & M.B.O. – Dirty Talk.
Sound Metaphors’ archeological excavations into the cult Interactive Test label continues with a 4 track EP originally released by the label’s Don, Franco Falsini, in 1991. Generously brought back to the bins, 3 decades later and still highly applicable to any tasteful dancefloor, a timeless expression of early italo-house.
Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, ‘Objects In Mirrors Are Closer Than They Appear’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. 1981 saw the release of their debut album, ‘Objects In Mirrors Are Closer Than They Appear’, a whirling, messy, telepathic slipstream cascading across an imaginary landscape. Recorded in Don Buchla’s childhood home, Objects offers 8 cuts of minimalist electronic bliss, equal parts icy and quirky, with standout cuts including the grooving havoc of “Fix it in the Mix” and the otherworldly hymn “Moon Chant.” Proceeds from the album will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.
Still Music Chicago presents the reissue of Jiraffe’s ”Out’A The Box,” a legendary dance record from New York City. Originally released in 1988 on Goldqwest Records, this track emerged from the collaboration between Richie Weeks and Al Smith. The track blended post-disco, dance, latin, and proto-house elements, achieving cult status among DJs worldwide.
A true Detroit Techno masterpiece gets a well overdue re-master and re-press. Los Hermanos ‘On Another Level’, originally released on Submerge in 2005, is an unmissable collection of the most soulful spiritual techno ever made.Here with a new tracklisting including nthems like ‘Birth of 3000’, ‘Quetzal’ and ‘Resurrection’!
Classic DJ Rush in the rebound. Rawax annouce 3 releases by the Chicago Legend on Chiwax Classic Edition. The first one is the former Dance Mania bomb from 1991 called “Childs Play”.
2024 pressing of a Japanese Jazz-Funk classic. Little is documented about the creators of 1975’s ‘Funky Stuff’. Jiro Inagaki and his band’s legacy is almost entirely musical, devoid of the personal details that often accompany jazz musicians. To understand this album, it must be placed within its cultural context. Japan’s jazz scene, one of the largest per capita, has faced accusations of imitation and unoriginality. However, Inagaki’s work, particularly in the late ’60s and early ’70s fusion era, defies these stereotypes. Inagaki’s genre-blending began with 1970’s Head Rock, less experimental than Bitches Brew but equally dynamic. By 1975, Inagaki had embraced funk, culminating in Funky Stuff. The album, laden with rich bass-lines, wah-wah pedals, and layered percussion, opens with the danceable ‘Painted Paradise’. Pianist Hiromasa Suzuki, who wrote most tracks, shines, especially on the melancholic ‘Breeze’ and the bossa-nova ‘Gentle Wave’. Covers like Kool & The Gang’s ‘Funky Stuff’ and Wayne Henderson’s ‘Scratch’ are highlights. Funky Stuff joyously engages with funk’s rhythms, making it a delightful hidden gem.
Japan meets funky disco in an explosive fusion led by maestro Jiro Inagaki here on a classic album that gets a worthy reissue. In a particularly inspired year during which he also released Funky Stuff on Nippon Columbia, Inagaki masterfully reinterprets tracks by Quincy Jones, Commodores, Graham Central Station, B.T. Express, Kool and The Gang, Stevie Wonder, Sly and The Family Stone, Ohio Players, Ripple, and Billy Preston on this one. He does so in collaboration with Hiromasa Suzuki, a prominent name in Japanese jazz, and seasoned session musicians who add their own spice. Inagaki brings a fresh, danceable sound here with a broad mix of inspirations from jazz to city pop all shining through.
An Italo Disco rarity from 1984 now available again on a colored 12“ maxi single. Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.
Remastered 12” version of this all time classic from Detroit. Essential 303 electro techno from Underground Resistance. Raw, intense and one of the outstanding and unique records in Techno history.
James Pennington is a true Motor City original who will forever be etched into the legendary city’s musical history. Under his revered Suburban Knight alias he crafted the powerful single ‘Listening Systems’ in 2021, initially limited to a spotter-taunting 200 copies, but now repressed – and relax, record buyers everywhere. It’s a deep, warm, driving techno cut stripped back to the bare essentials with a smoky vocal whisper adding the intimacy to a kicking rhythm that is dubbed out and soft around the edges but not lacking in impact. Perfect music for mind, body and head that needs to be played nice and loud.
Syncrophone marks 20 years of Abe Duque’s ‘What Happened’ EP with a special anniversary re-release. This seminal collection, originally unleashed in the early 2000s, has since become a cornerstone in the Techno and House music realms, earning its status as a timeless classic. Abe Duque’s ‘What Happened’ EP captivated audiences with its distinctive blend of raw wnergy, hypnotic rhythms, and intricate melodies. Each track on this EP is a masterclass in Duque’s unique production style, showcasing his innovative approach to electronic music and solidifying his reputation as a trailblazer in the genre.
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing.
Over 20 years of friendship and Reggie Dokes and Red D are still at it. Their first joint E.P. was released on Red D’s We Play House Recordings label and kicked off the label’s much-lauded U.S. Series in 2019. Moving back across the pond we now find Reggie and Bart sharing a release on Reggie’s legendary Psychostasia imprint. On the A-side Reggie is bringing his trademark sound and taking it deeper than ever. Moody melancholy paired with solid beats and drums to take you into deep house heaven. On the flip Red D brings his Detroit inspiration into deep and swinging techno territory reminding us of Scan 7 and the likes with a vocal that gives a respectful nod to an Underground Resistance classic.
Another one of Model 500’s classics, carefully remastered and recut. Two masterpieces of true Detroit Techno History.
Those buried in the soil of the red planet dance forever in the afterlife. You can hear their rhythm in the dust storms at night. Remastered 12” version of this all time classic from Detroit. A true Techno staple.
The Hipodrome Of Music 