VA – Hai Noroc! Garage Beat & Pop Artifacts From Romania [667-1]

VARIOUS - Hai Noroc! Garage Beat & Pop Artifacts From Romania

The Romanian music scene in the early 60s was pretty grim if you were young and restless. Traditional music and soppy folk was the norm, but when in December 1961 kids in Bucharest got to see the film “The Young Ones” starring Cliff Richard and The Shadows, their eyes, ears and minds exploded with the seed of rock n roll. This gateway into the wild ways created a wave of bands who were eager to sink their teeth into any morsel of 60s culture from the West. ‘Hai Noroc!’ is the first collection of Beat, Garage and Pop artefacts from Communist Romania. 16 hard to find cuts and previously unreleased tracks offer a glimpse of a youth gone wild in an oppressive Communist state.

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VA – Hai Noroc! Garage Beat & Pop Artifacts From Romania [667-1]

Universe – Materia Corrupta [MOM017]

UNIVERS - Materia Corrupta

MOM017 is here. It is the first non-electronic release on Modern Obscure Music and it
comes from Catalan Pop-Rock band Univers. The EP contains two unreleased tracks from
their former LP session and three strong electronic remixes on the B Side. The first comes from the Portugese native based in The Hague, Lake Haze, the second comes from MOM label boss Pedro Vian and the final remix is by the mysterious M.T. Formula.

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Universe – Materia Corrupta [MOM017]

Alastair Galbraith – Seconds Mark III [ACOLOUR028]

Alastair Galbraith is considered nothing less than a genius around these parts. A New Zealand underground legend active since the ’80s, his solo works have seen release on Siltbreeze, MIE, Emperor Jones and Grapefruit Records while his own labels, Xpressway and Next Best Way have released the likes of The Dead C and Damo Suzuki. His list of collaborators reads like a who’s who of freeform musicianship: Peter Jefferies, Bruce Russell, Robert Scott (The Clean; Flying Nun) and Maxine Funke to name but a few. Seconds Mark III is Galbraith’s first solo album since Mass (2010) and is a collage of pensive, longing and almost forgotten pieces stitched in his inimitable style. A thrilling addition to A Colourful Storm’s ever-expansive catalogue. 21-track LP

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Alastair Galbraith – Seconds Mark III [ACOLOUR028]

Remus Miron – Degustare Muzicala No.3 – Romania 19.01.2018

Nearly 6 hours recorded “live”, a selection that includes only Romanian songs from the last 50 years, songs that appeared only on vinyl … and some unrealized songs from the tape recorder.

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Remus Miron – Degustare Muzicala No.3 – Romania 19.01.2018

VA – Convenanza 2018 [HNRBS001]

Last years (2017) edition of Convenanza festival featured Swedish band Fontan, who have released material on Hoga Nord Rekords, and that set the ground for a collaboration between the record label and one of the most interesting festivals around. The joint forces has resulted in the compilation album ‘Convenanza 2018’ containing this years (2018) acts. The contributors are: electro oozing duo The Woodleigh Research Facility, consisting of Andrew Weatherall and Nina Walsh, etno-minimalists Komodo Kolektif from Glasgow with, among others, Gordon Mackinnon who’s running the top quality label Invisible Inc. The more rock oriented side of ‘Convenanza 2018’ contains Berlin based Die Wilde Jagd, whose sound can be defined as some sort of post punk where strong chorus drenched basslines float upon a smooth electronic soundscape with both live drums and drum machines as the back bone to the beat. Wild Woman & The Savages could best be described as the result of an orgy between PIL and The Birthday Party! The Liminanas, with special guest Anton Newcombe, contribute to the collection a garage psych rock track suited for long hot drives through the dessert.

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VA – Convenanza 2018 [HNRBS001]

Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]

Arma presents the debut Philipp Gorbachev & The Naked Man album. Philipp Gorbachev, the Russian musician and DJ, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of Moscow in years. In 2014 he released his debut album Silver Album but when invited to perform a live Boiler Room he had something else in mind: a band scenario. The resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with Gorbachev’s Damo Suzuki-like vocals. Taking that experiment into the studio, ‘I Don’t Give A Snare’ is a wild ride that jumps genres, switches paces and alters tones frequently. The opening ‘Goodman’ exploding in intense rhythms and heavy, spiralling riffs that at times recall Sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. Whilst Gorbachev cites a range of influences from Beck to Blind Willie Johnson as being core to him, the primary motivation is the live nature of the project itself. ‘The main influence is the constant live experience we have as music players and performers. I want to get the most out of every party, every jam, and every dancefloor.’

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Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]