Shoc Corridor – A Blind Sign [DE164]

SHOC CORRIDOR - A Blind Sign (reissue)

Shoc Corridor was the London post-punk quartet of Paul O’Carroll (Voice, Synth), Andy Garnham (Synth, Drum), Chris Davis (Guitar, Bass, E-Bow) and Nogi Prass (Synth) named after the Sam Fuller film from 1963. The group recorded a 4-song demo during 1981 in a tiny flat Chris shared with Nogi in Notting Hill. As their collection of instruments grew they set up studio a few blocks away in Andy’s flat at 20 All Saints Road. There they re-recorded Sargasso Sea’ along with On Reflexion’ on a TEAC reel-to-reel 4-track machine. In the summer of ’82, the band was booked into Decibel Studios in Stoke Newington for two and a half days with Mark Easton of Shout Records, where they reworked the two songs. The group usually worked through studio experimentation rather than constructing their songs in a conventional way. Their equipment list included a Korg MS-20, Wasp, Pro-One, Roland TR-808, WEM Copicat, guitars, bass, e-bow and an assortment of effects pedals. On Reflexion’ began as a Blancmange backing track, since Stephen Luscombe would sometimes use Andy’s 4-track, Korg MS-20 and drum machine. Chris has memories of Paul disappearing from time to time to the neighboring graveyard for inspiration, where they had to procure him from to lay down vocals. Their debut 3-song 12′ single, A Blind Sign’, was released in October 1982 on Shout Records. For this re-issue we’ve included the original skeletal Sargasso Sea’ 4-track demo from 1981. Evocative and dreamy, the music escorts you on a tour of icy landscapes, with Paul’s rich vocals guiding the way.

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Shoc Corridor – A Blind Sign [DE164]

VA – Selectors 003 [DKMNTLSLCTRS003]

DETTMANN, Marcel/VARIOUS - Selectors 003

Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann. Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode. Get back to his roots right here.

vinyl / CD

VA – Selectors 003 [DKMNTLSLCTRS003]

Yellow Beach Balls – Space Cat [MSDN1207]

Submitted to the IntergalacticFM Demo Contest in 2010, Space Cat, was a hit for all that tuned in and a personal favourite of I-F who jammed it plenty on his Bottomless Pit show. A vinyl release looked promising but never came to fruition for unknown reasons. Several rumors swirled and cryptic messages posted to the internet before Yellow Beach Balls all but disappeared. Almost 7 years to the date of the demo contest and we still don’t know the story behind Yellow Beach Balls, but we do get the release of the Space Cat EP including 3 lo-fi synth-pop tracks to join the aforementioned title-track.

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Yellow Beach Balls – Space Cat [MSDN1207]

VA – Terra Incognita [ERC034]

Emotional Rescue starts its 5th year by shining a light on one of Europe’s best underground 80s’ label in Spain’s Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K’s esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother “response” to Laurie Anderson’s Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of’s closer, Angels .

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VA – Terra Incognita [ERC034]

Máma Bubo – Planeta Haj [JUP002]

Czechoslovakian band Máma Bubo was founded by Karel Babuljak in 1982; he put together five friends that he trusted. Having been more or less groping in the dark of music until then, Babuljak suddenly expressed a clear musical and human opinion to which the other members of Máma Bubo added theirs. A new band was born and although it had a clear face, it did not fit in anywhere, was hard to be connected with anything, and was isolated despite its openness. Máma Bubo always guaranteed an extraordinary and shocking experience which surpassed the level of entertainment. 1985: Babuljak’s disenchantment with the social situation as well as with artistic futility compelled him to a more profound attitude which resulted in a totally different concept, Planeta Haj, for Máma Bubo; yet, the concept was short-lived as if having been born in a place it did not fit in. In 2017, 2 LP of Planeta Haj, a record from 1985, was released on vinyl for the first time.

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Máma Bubo – Planeta Haj [JUP002]

DECA – Alkaidb [DECA002]

Originally released in 1986, “Alkaid” was the first solo release of DECA following his debut appearance on the cult various artists compilation “Angelo Segreti”. The original edition was published in a tiny edition on the independent Italian label Videoradio and to this day remains a rare and sought after album. Following Mothball and Bordello’s continued work with DECA, they make this diverse and fascinating collection of music available to a wider audience. On this instrumental LP we can hear elements of modern classical, synth-pop, dark ambient and even some middle eastern influence.

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DECA – Alkaidb [DECA002]

Adbaloons – Mad Motor [MEC025]

ADBALOONS - Mad Motor

Adballons (made-up word from ‘advertising balloon’) was a duo formed in Tokyo and active only between 1986-88. Equipped with some gear (Casio CZ-5000, Teisco S-110F, Roland MC-202, Roland TR-909, Korg KPR-77) they released just one 7′ in 1987 and played some shows in local clubs before disappear and become part of the obscure and inscrutable Japanese underground scene.

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Adbaloons – Mad Motor [MEC025]

Todd Terje – Maskindans [OLS018]

Though he may still be tweaking the space laser to perfect album ‘Numero Twomero’, Terje has still found the time to tease us with a sneak preview of what’s to come in the form of this body moving, brain grooving cover version of a Norse synth spectacular from the dystopian dance floors of ’82. Inspired by his Dansbar diversions, Todd took to the studio for a little multitrack mania, replaying every part of this doomy dancer with all the Olsen sparkle you could ever wish for. Luring Det Gylne Triangel back into the booth for the first time in 25 years, Terje topped off the pops with a newly recorded vocal from the original lyricist, closing the temporal loop and opening the door to dance floor nirvana.

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Todd Terje – Maskindans [OLS018]

VA – Danzas Electricas [MMLP404]

Macadam Mambo is launching a special compilation of adjustments made by friends and members of the label (Kilian Krings, Sneaker/Dunkeltier, Obermannkind, Panoptique, Mori Ra, Shiny Boots, Misha Geylen, Smagghe & Cross, Guillaume des Bois, Johan Ressle). Mostly very obscure tracks in Sacha’s ‘Metalic vibe’, from post-punk to synth-pop, experimental and more.

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VA – Danzas Electricas [MMLP404]

Led Er Est – Dust On Common [MNQ099]

Dust On Common’ from Led Er Est (Sam De La osa, Shawn O’Sullivan and Owen Hutchinson) was originally released in 2009 by the seminal Brooklyn based record label Wierd Records. The band’s first full-length release showed the three piece clearly breaking out of the minimal synth underground they have been a vitally integral part of since its inception in Brooklyn to create an undeniably contemporary set of highly crafted and restrained, icily psychedelic pop songs.

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Led Er Est – Dust On Common [MNQ099]

Synths Versus Me – Sex/Body/Touch [OR026SE]

SYNTHS VERSUS ME - Sex/Body/Touch

Synths Versus Me is back with their new album ‘Sex/Body/Touch’. This new album is the longest and more ambitious work they had produced to date, including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles; from EBM to synth pop, passing by electro beats, pure coldwave, italo disco or classical synthwave. All tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions, excepting on the final process of digital mastering.

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Synths Versus Me – Sex/Body/Touch [OR026SE]

Èlan Vital ‎– Shadow Self [FISH018]

 

 

 

 

 

 

 

 

Èlan Vital formed in 2015 in Dunedin’s None Gallery, an artist-run creative community in a former pharmaceutical factory near the city centre. Their sound takes contemporary European cold-wave synth-pop dance music layered on analogue drum machines, then blends in the warm psychedelic organ sounds of 1960s garage rock. Distorted, overdriven bass guitar adds a further element of chaos into the mix. The expression Èlan Vital describes the vital force or impulse of life. The music on “Shadow Self” represents that life impulse in an ambiguous zone between machine and human worlds. A dense claustrophobic swirl of dark dance-tempo synth-pop blooms from gloomy cold industrial dance music with vocoder vocals into uplifting melodic dream-pop catharsis about memory, longing, and obsession.

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Èlan Vital ‎– Shadow Self [FISH018]

Martin Dupont – The Lights (Mick Wills Edits) [VSS010]

The edit master strikes again! This is the second Edits EP from Mick Wills on Vielspass/Prego with courtesy of Alain Seghir. “The lights” is a New Wave anthemn carried out by one of the most talented and obscure french band of the eighties : Martin Dupont. Deeply romantic “The Light Goes Through My Mouth” and “He Saw The Light” are enhanced by the Dx7 amazing synths atmospheres, both tracks shaped into Mick Wills stunning club versions. This release is inspired by Natalie Ann’s love for Martin Dupont’s “The Light Goes Through My Mouth”, helped by the magic touch of Isabella Venis associated to Knappy Kaiserknappy for the design / Artwork and thanks to Isolator for the Mastering.

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Martin Dupont – The Lights (Mick Wills Edits) [VSS010]

Ironing Music – Ironing Music [MR070]

Medical Records in collaboration with our friends at Crispy Nuggets blog are happy to reissue a very obscure Australian gem from the 1980s. Ironing Music were a three piece band from Brisbane. They originally formed in 1984 as a result of their collective love for New Order, Human League and eventually Jean Michel Jarre and Cabaret Voltaire. Comprised of bass and electic guitar, Yamaha DX-7, melodica and an 808, they recorded a 12″ single as their sole outpt in 1985 in a limited run of 250 copies (obviously excruciatingly rare now!). It was recorded in their bedroom studio with at Teac 4 track. The video clip for the “hit” Shopping Bag Women was played on several national and local television music shows. They also recorded demos in hopes of landing a LP deal which unfortunately didn’t attract any takers at the time. They actually only played 3 gigs and were forced to disband after one of their members fell ill in 1986. The LP presented here included the original 4 track single as well as hand picked demos which nicely congeal to form a well rounded LP documenting the band’s brief existence. They can best be described as lo-fi synth pop with an emphasis on excellent pop songs and interesting synth/instrument arrangements.

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Ironing Music – Ironing Music [MR070]

From Nursery To Misery – Pixies In The Woods [DE153]

From Nursery to Misery were three teenagers who grew up together on the same street in Basildon, Essex. Formed in 1987, the band was comprised of vocalists (and identical twins) Gina and Tina Fear, along with keyboard player and producer Lee Stevens. Lee invited the twins to over to record some music with him, suggesting they try singing over some instrumentals he had written and recorded on a newly purchased 4-track. They played a sum total of four gigs before splitting in 1991. Their recorded output, however, was relatively prodigious, with the band appearing on over 22 compilations, as well as self-releasing two album-length tapes ‘The Oak Tree’ (1989), and ‘Equilibrium’ (1990), and a split EP with Germany’s Nostalgie Eternelle, ‘Art is the Tool’ (1990). All these releases were home-produced, hand-made cassettes distributed and swapped via the Mail Art scene. ‘Pixies In The Woods’ is a 13-track career spanning compilation including three previously unreleased tracks. Tracks range from no-fi synth pop overlaid with ethereal, child-like vocals, to audio collages of animal noises and harrowing, double-speed monologues. Lee’s expansive synth productions, informed by the Blade Runner soundtrack, early electro records, and 4AD acts like Dead Can Dance, provided a rich, spacious platform for Gina and Tina’s sung-spoken introspective lyrics. Their songs are disarmingly direct and unfiltered, the product of three self-confessed misfits exploring difficult, often intensely personal issues.

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From Nursery To Misery – Pixies In The Woods [DE153]

Dollkraut – Holy Ghost People [DA001LP]

DOLLKRAUT - Holy Ghost People

Amsterdam based artist Dollkraut (Pascal Pinkert) is back with his sophomore LP on Dischi Autunno – new label founded by Jennifer Cardini and Noura Labbani. “Holy Ghost People” sees Dollkraut delve deeper into his recognizable lo-fi and organic sound, inspired by old movie soundtracks, creating gritty atmospheres mixed with the purest of melodies. Album opens with instant hit “Bonnie Said”, where Pascal’s vocals magically merge with the darkest of bass lines. “Valium” continues the journey, increasing the tempo but confirming the feeling of being in a lost sci-fi movie soundtrack. On “Oblivian”, the rhythm slows down again, allowing us to dive even more in this twisted yet candid universe.

vinyl / CD

Dollkraut – Holy Ghost People [DA001LP]

Silvia – Silvia LP [DE152]

Silvia is the name of a Neue Deutsche Welle (NDW ”New German Wave”) project created Tommi Stumpff and Silvia Nemanic. The pair met in Düsseldorf in the late 1970s and started dating when Tommi was the singer of punk band Der KFC. Silvia was absolutely inexperienced in musical things, she said, “I’ve played the recorder.” Tommi rented Klangwerkstatt studio for a few days in January 1982 to record his an album with his bandmate Ferdinand Mackenthun aka Käpt’n Nuss of Der KFC, but finished earlier than expected. With one extra day that was already paid for, they quickly wrote some more songs and recorded them. All they needed was a singer, so they asked Silvia. Simply titled “Silvia”, the record was released in mid-1982 on cult label Schallmauer Records, which had released many German punk, NDW, and New Wave records in the 80’s. Tommi and Käpt’n Nuss played all instruments and wrote the lyrics. Since Silvia had a very deep voice, Tommi slightly pitched up her vocals to sound higher on the recordings. The album displays Tommi’s transition from punk rock to cold electronics, EBM and eventually Techno. Tommi’s instrument set up was a Sequential Circuits Pro One and Moog Prodigy controlled by a Fricke sequencer and a Korg SQ-10 Analog Sequencer. Silvia urges the listener to save themselves and says “No miracle will happen You die tomorrow, young and guilty” evoking the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring a full color of Silvia on the front with hand drawn magenta type. Each copy includes a replica insert of the original lyrics sheet in German and a postcard featuring a black and white photo of Tommi and Silvia. Sadly Silvia passed away in 2003 and this reissue is dedicated to her.

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Silvia – Silvia LP [DE152]