OP-ART – The Final Act [CITI032]

Citirax introduces the debut LP from the Los Angeles-based duo OP-ART, a project born out of the creative isolation of the lockdown era. The band, the brainchild of Andrew Clinco – known for his work with Drab Majesty – was originally named using the acronym “Oblique Pleasures Amidst Rough Times,” a nod to the challenging times that inspired its formation. In Andrew’s own words, the album “represents a sonic analog to the visual art movement of the 1960s,” meaning it is both densely layered and psychedelic, yet aims to capture a sense of minimalism in its tradition, theory, and conceptual approach. OP-ART’s sound is heavily influenced by the New Wave genre, drawing inspiration from artists such as John Foxx, Martin Dupont (with whom Andrew has collaborated on a track), Experimental Products, and early OMD. True to their commitment to authentic analog sound, OP-ART eschews digital plug-ins in favor of a wide array of analog synthesizers and outboard rack effects units. The album features a diverse collection of synthesizers including the EML 500, Arp Odyssey, Arp Omni2, Jupiter 6, SH-02, SH-101, Moog Rogue, and Roland Promars. Each piece of equipment contributes to the album’s lush, rich soundscapes, creating a tactile and immersive listening experience. ‘The Final Act’, the title of the LP, is a testament to the duo’s ability to blend catchy melodies with profound emotional depth. The album offers an introspective journey through themes of time passing, romantic entanglements, and existential reflections on an apocalyptic scale. With its evocative sound and thoughtful lyrics, ‘The Final Act’ promises to resonate deeply with listeners, making it a compelling and significant debut from OP-ART.

listen

OP-ART – The Final Act [CITI032]

VA – Back Up Dos: Mexican Tecno Pop 1982-1989 LP [DE-323]

Dark Entries returns to Mexico with Back Up Dos: Mexican Tecno Pop 1982-1989. Following 2021’s Back Up compilation, Back Up Dos delivers 10 more tracks of synth-pop and New Beat, 7 of which have never before appeared on vinyl. From mutant drum machine beats to irresistible synthesizer hooks, fans of the fringes of the 80s will find songs to stir their cold, dark hearts. But Back Up Dos does more than mine retro kitsch; it documents the development of a rich DIY music scene that is still underexplored. As affordable samplers and digital synths spread throughout the decade, post-punk and new wave gave way to more aggressive EBM and cyberpunk sounds. The scene also developed in opposition to the political climate of the times: the rise of the drug cartels and a reactionary turn in national politics. Using home recording techniques, these bands took cues from the electronic wizardry of the Human League and Wax Trax Records while reflecting the vibrant and chaotic Mexican cultural landscape of the era. On Back Up Dos, impeccable pop anthems from Casino Shanghai and Los Agentes Secretos sit alongside gnarled obscurities from Ford Proco and María Bonita, showcasing a decade of sly deviance and enthusiastic experimentation. Back Up Dos compiles synthetic music produced in Mexico at the crossroads from Tecno Pop to Post-Industrial, nourished by culture shock and stories of dystopian worlds. 

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VA – Back Up Dos: Mexican Tecno Pop 1982-1989 LP [DE-323]

Molchat Doma – Belaya Polosa LP [SBRLP345]

Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It’s cold, gray, imposing, industrial and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band’s somber dancefloor anthems.

vinyl / cassette / CD

Molchat Doma – Belaya Polosa LP [SBRLP345]

Techniques Berlin – The Extension of Machines [1985​-​1991] [MEC091]

Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats. “The Extension of Machines” compiles 13 extra rare and unreleased tracks from the vault. 

Techniques Berlin – The Extension of Machines [1985​-​1991] [MEC091]

Dada Pogrom – The Black Light Spectrum LP [HERTZ069]

After years of reluctance, finally a new album from Dada Pogrom. The Icelandic musician Kenneth Walter Balys has created a masterpiece of elaborated synth passages with wonderful pop melodies. His performances are few and far between, but in March 2024 he had already played some of the new songs in front of a full sold out house at the Kernkrach Festival. The audience was thrilled and demanded encores.

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Dada Pogrom – The Black Light Spectrum LP [HERTZ069]

Zenana – Witches [RHRSS37]

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time. It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss and DJ/production partner Gareth Morgan.

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Zenana – Witches [RHRSS37]

Eleven Pond – Bas Relief LP [DE-001R]

Dark Entries celebrates its 15th anniversary by returning to where it all started, the initial darkest entry: Eleven Pond’s masterpiece ‘Bas Relief’, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.” With only 500 copies in it’s initial release, ‘Bas Relief’ resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. ‘Bas Relief’ is a true lost relic of the cold 80’s and an essential piece Dark Entries history.

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Eleven Pond – Bas Relief LP [DE-001R]

Cetu Javu – Southern Lands LP [MEC087]

Javier Revilla and Chris Demere, both from Hanover and inspired by electronic music of Kraftwerk and Jean-Michel Jarre, started to experiment with sounds since the late 70’s. The arrival of New Wave with bands like Heaven 17, The Human League, Soft Cell and Depeche Mode influenced these teenagers to began Cetu Javu in 1984 with Javier on vocals, Chris on synths, guitar, programming, Torsten Engelke on keyboards and Stefen Engelke on bass. Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. The band signed a contract with Records and released their debut album “Southern Lands” in 1990. “Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”.

listen

Cetu Javu – Southern Lands LP [MEC087]

Plague Pits – Bukolik [TNP06]

Plague Pits is a Swiss synth collective from Bern Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. ‘Bukolik’ is their new cassette release on Transnecropolitan.

Plague Pits – Bukolik [TNP06]

Antoni Maiovvi – Ultrademonic II [CCC-521]

Antoni Maiovvi channels the enigmatic facets of disco, synthesizer-driven beats, and the captivating allure of italo-disco, creating a sound steeped in vintage analog essence. His latest EP on Skylax sub-label Cosmic Club represents a masterful fusion of diverse influences.

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Antoni Maiovvi – Ultrademonic II [CCC-521]

Vicious Pink – Unexpected [MW082]

Minimal Wave presents a long-awaited LP showcasing previously unreleased gems from the influential UK duo, Vicious Pink. Originating from a serendipitous encounter in a smoky Leeds nightclub back in 1979, Josephine Warden and Brian Moss embarked on a musical journey that would redefine the synth-pop landscape. Initially known as Vicious Pink Phenomena, they made their mark by providing distinctively off-kilter backing vocals for their friends in Soft Cell a collaboration that unfolded organically and without rehearsal. Transitioning to the simplified moniker Vicious Pink, the duo continued to captivate audiences with their avant-garde sound, releasing a string of singles that defied conventional expectations and climbed the UK dance charts between 1982 and 1986. Despite their modest intentions, their music proved to be both artful and provocative, leaving an enduring legacy in the annals of electronic music history. ‘Unexpected’ offers listeners a glimpse into the duo’s creative process, compiling pop experiments recorded spontaneously, some in collaboration with Dave Ball.

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Vicious Pink – Unexpected [MW082]

VA – Rock Rendez Vous: Musica Moderna Portuguesa 1985-1986 [DE307]

The seductive sounds of Portugal swing to Dark Entries on Rock Rendez Vous: Música Moderna Portuguesa 1985-1986, a compilation of vintage Iberian synth, wave, and postpunk gems. The legendary club Rock Rendez Vous (RRV) opened its doors in Lisbon in 1980, heralding a new era in the Portuguese underground. Although touring acts like Killing Joke, Danse Society, or Echo & the Bunnymen graced its stage, RRV more vitally served as ground zero for a new generation of Portuguese bands, one simultaneously in touch with broader international musical movements while being invested in establishing a national sonic identity. Rock Rendez Vous culls 9 tracks of prime Portuguese indie tunes from the Música Moderna Portuguesa compilations released in 1985 and 1986, documenting the heyday of this movement. Jangly and brooding postpunk gems like “Levante” from Jovem Guarda, Projecto Azul’s “New Sides,” and Essa Entente’s “Festa Final” are well-represented here. Meanwhile, quirky Balearic-laced synthpop gems like D. W. Art’s “Mate” or Zona Proibida’s “Musak” add a subtly regional flare. Rock Rendez Vous: Música Moderna Portuguesa comes housed in a sleeve designed by Eloise Leigh featuring a photo of the club RRV, and also includes a double-sided insert with lyrics, photos, and liner notes.

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VA – Rock Rendez Vous: Musica Moderna Portuguesa 1985-1986 [DE307]

Ortrotasce – Dispatches From Solitude LP [DE324]

Ortrotasce comes to Dark Entries with Dispatches from Solitude, their latest LP. For over a decade, Nic Hamersly has been using the Ortotrasce (pronounced: or-tro-task) moniker to unleash brooding-yet-propulsive darkwave anthems upon the world. Hamersly’s work explores the intersection between industrial and synth pop, drawing a line from the sounds of the past to the present. Recorded during the Covid and post-Covid era, Dispatches from Solitude brings 8 tracks of tightly wrought synth-pop exploring grief, romance, and our strange world – which just keeps getting stranger.

listen

Ortrotasce – Dispatches From Solitude LP [DE324]

Techniques Berlin – The Language of Machines [1985​-​1991] [MEC090]

Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats. “The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favorite tunes and a few unreleased tracks/versions. 

listen

Techniques Berlin – The Language of Machines [1985​-​1991] [MEC090]

The KVB – Tremors LP [INV311LP]

Cold wave duo The KVB are back with their new album ‘Tremors’ on Invada Records. The KVB returns to the darker sound that embodied their earliest releases whilst retaining the infectious pop of their last album ‘Unity’. The band have dubbed their new album ‘dystopian pop’, and wrote it with the live show in mind; full of energy, hooks and dynamic moments. Writing the album between Manchester and Bristol, and recording alongside James Trevascus (Billy Nomates, RVG), the band have drawn on their own back catalogue and the music that inspired them at the very beginning of their artistic journey. The end result is the most complete album from The KVB to date, full of emotive impact and pop hooks presented in a uniquely shadowy atmosphere and with an idiosyncratic detachment that adds to the cinematic quality of their sound.

vinyl / CD

The KVB – Tremors LP [INV311LP]