
New double album self released by Columbian artist Filmmaker on his bandcamp.
Continue reading “Filmmaker – Latent Alters”
New double album self released by Columbian artist Filmmaker on his bandcamp.
Continue reading “Filmmaker – Latent Alters”
Skelesys with a 4 tracks EP on Oráculo Records. All tracks have been specially remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Cologne OG Grischerr has graced Neubau with an EP full of brutally honest analogue downtempo madness. As the title Perspektivwechsel suggests, the three-track release guides you to a different sonic perspective – in the most positive sense.

Ever since he made his first trip to Japan to DJ, Optimo Music founder JD Twitch has been bewitched by Japanese music, and particularly the vibrant, imaginative, and often far-sighted sounds which emerged from the island nation during the 1980s. Now he’s put years of digging in Japanese record shops to good use on Polyphonic Cosmos, the latest release on his compilation-focused Cease & Desist imprint. Eight years in the making, Polyphonic Cosmos provides an endlessly entertaining musical snapshot of Japanese music of the early-to-mid ‘80s with all of the open-minded eclecticism and sonic twists that you would expect from the Glasgow-based DJ.


This compilation presents for the first time various underground techno groups and projects that emerged in Lima in the mid-1980s. Projects such as Disidentes, Paisaje Electrónico, T de Cobre, Meine Katze Und Ich, El Sueño de Alí, Cuerpos del Deseo, Círculo Interior, Ensamble and Reacción were responsible for introducing styles such as techno-pop, EBM, industrial and minimal synth in Peru. Coinciding with the explosion of punk in Lima and the appearance of the so-called Rock Subterráneo [underground rock], these techno groups shared the same DIY spirit, performing in many punk concerts and even creating their own fanzines, and, above all, opening a space for other types of sonic experiences. Meine Katze Und Ich, El Sueño de Alí and Paisaje Electrónico were also the parallel projects of the members of Narcosis, the iconic punk band, one of the founders of Rock Subterráneo.

For the second output of e s p e r p e n t o, Francesco Baudazzi evokes his enigmatic and esoteric side project Violet Poison.ESPER002. includes 5 original tracks plus a stomper remix by the Liber Null founder Unhuman.


Bruno De Angelis and Giovanna Gulinello unwittingly met in London in the late 70’s, after being introduced by a mutual friend. It wasn’t until Bruno rescued Giovanna from an awkward date that the pair became a couple. At the time, music was just something they did for fun. In 1981 the pair moved back to Italy and found an apartment in Rome. It’s here that they began to focus on their music and where they started ‘recording’ their tracks. As with many artists during the early 80’s, the Influenza Prods’ sound was the direct result of the accessibility of emerging electronic instruments and the recording equipment available to them. Influenza Prods managed to ‘release’ three tapes which comprised of the Greatest Tits (1983), Cheek-A-Bomba (1984) and Quasi Solo (1985).

New EP from the Berlin dark electronic music duo NNHMN (Non-Human) titled “For the Comfort of your Exstazy” coming out at Young and Cold Records imprint.

Thirteen years after his whopping ‘Time and Space’ EP, Chicago ‘O.G.’ Mark Grusane returns to the Rush Hour imprint with his ‘Dance Intensity’ EP. Combining trademark electro, wave, synth-pop and disco elements into three modern dancefloor cuts.

Focusing exclusively on 7″s, Ferry Lane Records launches its first release with the debut of Leona Jacewska AKA Charlie. Having garnered a following with her DJ and live performances, the record sees the Polish producer merging seamlessly Italo, synthpop and wave.

Berlin-based Post-Punk duo Her Absence Fill the World with the second release “Neon Arabesque” on Detriti Records. Her Absence Fill The World makes music that sounds simultaneously lost and chased. Inspired by their individual backgrounds in classical violin and techno, spanning Ankara to Berlin, their style blends together with a dark, melodic sound defined by a strongly reduced harmonic structure, a hovering voice, and synth leads. post-punk.com


On his new album for Artificial Dance, Tsampikos Fronas aka June takes a departure from his dance orientated earlier work. Recorded between 2018 and 2020, Window of Time sees the Berlin-based producer explore sparser arrangements than his previous releases. The record unravels like a dystopian cyberpunk novel, something akin to William Gibson’s Neuromancer. Both the title track and ‘Stratagem / Predator’ create an increasing tension that builds through repetitive sequences. The arpeggiated synths on ‘Year 2092’ evoke images of sprawling metropolitan city scapes, while the claustrophobic mood of ‘The Master of Electricity’, the first track written for the album, wouldn’t go amiss on a soundtrack to a sci-fi thriller like Blade Runner. Created using modular synthesizers, analog sequencers and analog polyphonic synths, Window of Time eschews melody in favour of cold, pulsating rhythms. Combined with haunting choral toplines and minimalistic flourishes, such as those on album closer ‘Elegy’, June invites the listener on a free dive into their subconscious; to navigate boundless, unexplored territories.

Oráculo Records presents “This Modern Slave” by Lola Kumtus from Finland. This is extracted from 2017 “The Leftovers Tape” and 2016 “Mirror Use” cassette recorded in Helsinki.