


Houndstooth presents 4 remixes for Second Story by Marcel Dettmann, Radioactive Man and The Exaltics.

The free will of Struments has led them to concentrate in one 12inch the encyclopedic knowledge of Marc Pinol, a duo of kids that present themselves as T.A.L., and the responsible for all that, Spastor, that appears in a remix signed by Florian Kupfer. Lliure Albir sounds as if Pinol was dazzled by the light of a lantern in a chill out while Paranoid London resound in the next room. In his remix, Palms Trax bet on tom toms and certain tribal groove, adding soft eighties keyboards, deep atmosphere, speeches and dub deliriums that perfectly fit in the freak universe of Pinol. Florian Kupfer remix made of Spastor’s Death In La Paz: a hit made in the German musician style whose groove is created by a fold in the sound and the apparent imbalance it has with the bass drum. If after this dawn breaks, it will not be small thing. T.A.L. are guided by a retro-spatial pulse to open a fan of sounds that expands and contracts threateningly, and delicately form what looks like an EBM hit stripped of the hammers.

The last Klasse Wrecks release of 2017 comes from Alphonse. The four tracks on the ‘Tribes of Atlantis’ EP display an acute and developed knowledge of all things House and Techno, fizzing with bonafide analog production the EP goes on a journey of warm deepness, clunky baselines and loose grooves.

Acid Fourniture is a journey into the darker recesses of Ceephax’s acidic mind. Simple 303 lines pulsate alongside sinister chords and detuned synths. Berlin Trip is a classic acid 4 to the floor track along the lines of Flow Coma by 808 State. Alligatored is a tight 808/303 groove made for the dancefloor. The Zone is a slower more introspective Acid, conjuring up lost warehouses and derelict minds. Alien Beacon takes a more electro acid slant, inspired by sinister lights in the sky and paranoia.

‘Macht Macht Zement’—what does it mean? 80s drums, synths and vocals, almost without context. Fallbeil, two soon-to-be men (aka boys), finish tracks at the rate of butchers kneading meatballs. Due to laziness and a lack of technique, everything gets recorded on one track and immediately thrown into the frier. Nothing is planned. First up, school detention followed by rough LoFi rap. The album contains a wide variety of themes; from mailmen to warthogs, from latecomers to sensible conversation, every track is created out of spontaneity. Two very short tracks on this album date back to 1999, when the boys performed as ‘Funky Granatos’ in the local youth centers. Sadly, their performances weren’t successful. Nobody wanted to listen to them and almost every concert ended in mass brawls. The track ‘Postman’ comes from the duo’s side project Grand Malheur and was recorded in 2015 in Bronxfeld. More output from this project will appear on various EPs in the near future.

Three tracks previously available only on cassette compilations, now re-mastered by Rude66, expect a load of dark electro / wave / acid madness.

Alessandro Adriani’s debut EP for the Stroboscopic Artefacts label, Enter the Fire, is the first evidence of a new mutation in the Stroboscopic DNA, as can be seen by a shift in Ignazio Mortellaro’s design work for the label.

Ukrainian producer Vakula, whose name is linked to the early days of Arma, re-emerges with Techno Game. The double vinyl features seven confidently-carved tracks that reflect Vakula’s current exploration of techno landscapes. As the cover suggests, it is a game. The author does little to nothing to explain the rules, throwing the listener into an elegantly structured space that feels alarmingly material.

Over the last 10 years Token Records has grown steadily, both in size and stylistic breadth. The aptly-titled Momentum comes as a celebration of the close-knit family of artists amassed throughout the label’s running. The record is a fitting collaborative project, with every track on the album produced by two longstanding and well-respected artists from the label’s roster and especially commissioned for the release. This type of collaboration is intended to showcase the specific sound of the label, developed through 10 years of careful curation, as well as bringing out the individual identities of the artists involved.

New chapter on Nonnative series. New Semantica artists Cosmin TRG, Samuli Kemppi, Opuswerk and Refracted featuring Nonnative 09.

Geat electro compilation out of the city of Leipzig. Tracks by Robyrt Hecht & XY0815, Varum, Perm and Credit 00.

CPU and dance music’s polymath Neil Landstrumm share a love for classic bleep techno, hence Landstrumm has brought to the table four superb reminders of the criminally short lived genre. With spine tingling melodies reminiscent of 808 State’s best work, and sub-bass worthy of LFO’s bass-bin shaking reputation – A Death, a Mexican and a Mormon perfectly encapsulates not only Landstrumm’s influences but also his deep seated love for bleep. A labour of love which the Sheffield based imprint has been only all too happy to encourage and hopes will keep the genre alive for generations to come.

The third self released EP by mysterious Transilmania. Expect lots of Lfo’s.

New York City based Further Reductions is the live project from husband and wife Shawn (aka Vapauteen, 400ppm, Let Er Est) and Katie O’Sullivan (aka Rose E Kross, ppG). Back in 2014 they released their gorgeous debut album on Cititrax records. The album was an adventurous trip, where they pushed forward a unique sound. After all those years there will be a follow up to this EP on Knekelhuis. Expect a fusion of different sounds, grimy and pretty at the same time.

Highly anticipated full length album by Australian producer DyLAB. Heavy duty analogue acid and techno with a distorted and sometimes industrial edge. Some lengthy tracks that are made to play in your car and drive 140.

Driving the tractor from the very south of Sweden to the more juicy lands of watermelon. Its going to make you sweat and it’s going to make you smell. Get ready for this muddy trance dance.

Plugged into the mainframe of the power station, Antonio returns to the label with a barrage of loner panzer funk and mechanised thrash metal from the shadows of Frankfurt’s industrial district. It’s a record fed and nurtured among copper coils, rusted voltage boxes, plasma and ionised sweat coming out to breathe among power surges and industrial smog. Four tracks from the heat of the machine. A total submission to your new electrical system.