The Dutch artist releases music at a rate of knots – there’s been at least nine albums under the Legowelt name alone now, and he has over 30 different aliases, all of which interact in weird, wonderful ways. His music has appeared on labels as Creme, Clone and Bunker bringing that original Dutch West Coast Flavour. Here Institute Of The Overmind, which was made live in a session filmed for FACT TV,gets the vinyl treatment backed with a monster 90s trance re-work from Photonz.
Great techno/electro compilation on Science Fiction Recordings featuring Spoiled Drama, Chris Mitchell, Dj Nephil, Hinode, Moonknight, Jaymond, Arcarsenal, Rawmance, Jared Wilson & Dj Richard.
A fusion between Maoupa Mazzocchetti, DJ Coquelin and PD Cloarec.Dark, guttural, noxious analogue filth and noise experiments here loosely held together with some kind of nod to the dancefloor.
Berlin’s Kobosil made his debut on the Ostgut Ton off-shoot, Unterton, back in 2013 and the 12″ was received with mighty praise both within our headquarters, and from the techno community as a whole. He has now earned a spot on Ostgut’s main catalogue with the 91 EP – surely named after his year of birth. On the A-side, “Avernian” grumbles and punches its way through heavy kick drums and a sea of distortion, but “Athtar” ditches the beats and heads down the inevitable ambient-drone wormhole. Flip onto the B-side and you’ll find the alien-like sounds of “Konvergent”, alongside the more straight-laced slice-and-dice techno of “Per”.
John Heckle is back on Mathematics with this 4 track EP. Bringing back some serious textures and sequence in sonic mentalism. “It’s a Chicago thang don’t be confused or afraid.”
Signal Code release number eight comes from the Romanian outfit Romansoff, including a remix by Privacy.
Next on Raw Tools is Irish producer and Signal Code label owner, Costelloe, delivering two tracks much in the manner of his previous works, both of them at the fine line between techno and house music. While the title track, “Infiniti” is definitely a dance floor track, with its rave pads and solid bassline, “Pheta X” shows a more darker side of Costelloe’s music. Both of these cuts get special treatment from two of the most prolific and respected producers out there, Lerosa and DJ Overdose, rounding off the EP with two amazing, yet diverse remixes.
The second Egyptian Eyeliner release on KäfTen is just as tearful and sentimental. Ecstasy on the housefloor.
“I Know U Have Wings” EP feats 4 tracks from one of Mathematics’ main artists, Giorgio Luceri. A serious deep textured beating EP for the serious dance floor movers & shakers.
Part 2 of the Future Jack Programs To Respond serie, bringing even more future jackers and deep & deeper techno tracks.
J. Tijn makes a welcome return to the Cassette Library for his second EP on WNCL Recordings. Once again, the boy wonder explores musical worlds outside of his perceived comfort zone (”HEHF”), gets his bleep on (”Fat Controller”) whilst ensuring the die-hard raving crew are kept happy (”Malaria”). To round things off, we’re also treated to the next installment in the beat-heavy Decimated series (”Decimated #8”).
French producer Anetha delivers four hypnotic techno cuts in her debut EP on Spencer Parker’s Work Them Records. ‘Black Widow’ begins with a syncopated kick and chugging synth line, before ‘Orchid’s Curse’ delivers piercing percussion and an infectious 303. ‘Last Evening’ then ventures into mesmerising territories with its tantalising atmospherics, until ‘Drive With A Dead Girl’ conjures a sullen vibe through the use of arpeggiated notes and poignant moans.
DJ Overdose heads over to Unknown To The Unknown for a spot of techno-jackin’. Thrillingly, “Housejam Freaker” combines fizzing, upbeat machine drum rhythms, deep space chords and wild, sped-up Motor City electronics to create something that sounds like the bastard offspring of Jeff Mills, Drexciya and Phuture. Willie Burns provides the obligatory remix, offering something that retains the original’s energy whilst increasing the beauty factor tenfold. Elsewhere, he wanders into deep acid territory on the straight-up jacker “Dikzak”, and delivers a surprisingly funky dose of intergalactic electro on the cheery “Vinca”. A string of handy locked grooves complete a tasty package.
