Weith returns to Brokntoys with “Intimate Entropy”, a new exclusive album comprising sixteen tracks. The result of two years of composing and research, “Intimate Entropy” traverses a wide sonic landscape, ranging from drone pieces to tension-filled meandering journeys. Dense and rich in details, Weith presents an introspective, melancholic, and immersive listening experience.
Already in the second quarter of the year, the time it’s well passed to have a look back at what happened in terms of music production by Romanian artist in last year and what to expect in 2023.
2022 was pretty dry and chill year for the Romanian producers, with not many impressing achievements. We are still revolving around the same few figures, with very little coming forward besides the rominimal scene, but 2023 is looking more promising.
With a long overdue, we finally managed to find the time to compile this list, so with no further comments here is the best electronic music created by Romanian artists in 2021, according to our opinion.
Continue reading “Best Romanian Electronic Music in 2021”
Regular label contributor, Sergiu Juravle AKA Weith goes the long distance with Sanity Rituals. Across 5 tracks, the EP explores a rich palette of sounds mixing taut, acidic basslines with electronica soundscapes.
The 10th compilation on the label, Cold Readings, brings together an array of international producers. Greek sound designer Pera Sta Ori returns to the label with the trippy Passive Concealment, followed up by Foreign Sequence bringing his own brand of shiny electro.
Omnidisc regular Shokh closes the A side with the head-down-take-me-back-to-the-rave Torotam. Opening the flipside, Weith returns with the breaks excursion Cognitive Dissonance and Scarlit Port wraps up the EP with the jungle-fuelled Layla’s Acid.
“Should you still have any additional good fortune left, we have put together a second Aid EP, to help support the artists in our community and on our label, currently under financial pressure due to the massive amount of DJ gig and live set cancellations within our scene – and to keep the lights on in our collective, which is heavily dependent on income from event production. All sales will be split 50/50 between the artists and ourselves, after production costs have been recouped.”
The Hipodrome Of Music 