Glasgow’s Seated Records return with more archival Scottish New Wave material; this time, in the form of Pop Wallpaper’s disco-not-disco interpretation of the Shuggie Otis classic, ”Strawberry Letter 23”. The Edinburgh band first released ”Strawberry Letter 23” in 1986 as a double A side 12” alongside original song, ”Nothing Can Call Me Back”.
Sticky Plastik returns with its second release featuring a Prince de Takicardie solo EP. The French artist known for his distinctive raw and acidic, yet full of melodies and baselines tech/electro analogue sound won’t disappoint you with these 4 gems.
A hard to find sci-fi Detroit techno classic gets a timely reissue complete with a new, super solid Delano Smith remix. It’s hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline – imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation.
Neapolitan producer Partenope certainly wears a big Underground Resistance influence on his sleeve in the case of ‘Odysseya’ – it’s even mentioned in the press release, and we’re not going to argue either. But it’s no bad thing, especially as it’s a general love of the soulful, uplifting, musical end of the techno scale rather than a creative plunder of any UR track in particular. The label has pulled out the big guns with a Gerd Janson remix to accompany it too, and Janson certainly delivers with his warm production bringing out the best via three way acid trance techno hybrid.
‘Advanced Process’ presents itself as a distinguished LP, oozing with Marcello Giordani’s innate talent to evolve the classic Italo Disco sound into consistently ear catching productions of the future. Crisp, analog drum machines and glistening synthwork are a constant. Giordani captivates you with compelling arrangements and considered hints to electro in the likes of ‘Metamorphosis’. Powerful vocals from Fred Ventura and Ready In LED feature on the two alluring singles ‘Mysterious Calls (In The Night)’ and ‘Fase Rem’. Encapsulating, intelligent acid work is heard in ‘Forbidden Pleasures’. Marcello’s clear love for analogue authenticity is at the forefront of this LP. Crisp, analog drum machines and glistening synthwork are a constant.
Cyrk with some fierce ruling electro tracks on Cultivated Electronics. The title track Attack of the Blow Up Dolls is a robotic electro cut, while the other three tunes are smooth and at times remind us of some of the classic I-f releases with bubbly analogue basslines, frantic synths and relentless electro beats.
The K Lost Acid Dub series makes it come back with the third output with more reinterpretations/remixes of inspiring tracks from the past. This record challenges the trainspotters for a game of sample hunting. Of course, like the earlier ones, there is loads of acid.
Around the year 1990, a group of producers gathered regularly at a space called „Blaues Zimmer“ (Blue Room), located at Bergheimer Strasse, Heidelberg. The Blue Room was the studio of Dirk Mantei aka Dman and David Moufang (Move D) calls it the one of the ‘Keimzellen’ (seeds) for what would happen in regards to the electronic music movement within the Rhein-Main-Area during the following 10 years. The 90s were roaring, with a lot of mid-sized cities located relatively close to each other- Heidelberg, Mannheim, Ludwigshafen, Darmstadt- and Frankfurt was easily reached. Various highly influential clubs and parties happened around that time and Dirk and David had their parts. Between 2011 and 2021, they both found themselves in David’s Studio from time to time, Dirk was living in Mannheim and some sessions resulted in a bunch of yet unreleased tracks that slept on hard drives ever since then.
Body Musick presents ‘Abductions’ split EP by Antonio Barbetta & Filmmaker. Frankfurt-based Antonio a.k.a Raw Ambassador, who previously released on labels like Natural Sciences & Mannequin Records, unleashes four tracks with his signature rawness and minimal synth approach that has been sounding with plenty elements that Filmmaker also resonates with. Like two brothers from different but close worlds, they finally meet in this electro junction that resembles some of the classic sounds from Detroit type beats in their own analogue vision and interpretation.
‘Enter My Lair’ is an ode to cinematic aesthetics. Whether through slomo doom techno or raw EBM, it recounts tales of blood-drenched dungeons haunted by evil spirits, over-the-top police chases, and epic battles from the Viking and Roman eras.