
Brand new 12” from BLD on his own imprint. 3 highly effective cuts of stomping break beats combined with 303’s, hypnotic basslines and mellow chord synths.

Brand new 12” from BLD on his own imprint. 3 highly effective cuts of stomping break beats combined with 303’s, hypnotic basslines and mellow chord synths.

Here are some recordings from this year’s Dekmantel Selectors festival.
The highlights for us were Mick Wills, who opened the festival for us on Thursday, Solar, who we are really happy to finally hear live for the first time and the b2b between Intergalactic Gary & Pasiphae which marked the closing of festival for us on Monday. Another premiere for us was listening for the first time live the Romanian duo Khidja. They really rocked the place and the chilling rain made it even more memorable. Also Rabih Beaini‘s three hours ritualistic performance at sunset was one of the best performances from the festival.
One of the highlights of the festival was the IFM Boat Party with Identified Patient & Pasiphae, Intergalactic Gary. There is a special vibe on these boat parties and IFM one was one of the best so far. Unfortunately there are no recordings from this party, yet.

Andy Stott’s first release since 2016 and first EP since 2011, ‘It Should Be Us’ is a double EP of slow and raw productions for the club, recorded this year and following a series of EP’s that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. Recorded fast and loose over the summer, these 8 tracks harness a pure and bare-boned energy, melodies subsumed by drum machines and synths; slow, rugged hedonism. It’s all about rhythmic heat and disorientation, pure dance and DJ specials rendered at an unsteady pace, from percolated house and percussive rituals to moody tripped-out burners.

Italo-Disco, (at times abbreviated as Italo) is a music genre which originated in Italy and was mainly produced from the late 1970s to the late 1980s. The origin strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982. The genre faded in the early 1990s. Italo disco evolved from the then-current dance music (including hi-NRG) and developed into a diverse genre. The genre employs drum machines, synthesizers, occasionally vocoders and usually sung in English. This compilation contains some of the long lost tracks of the genre restored for the first time on CD. Vivien Vee “Remember” and Capricorn “I Need Love,” are early work by Italian pioneer Claudio Simonetti (Goblin). All tracks digitally remastered along with its booklet, the original artwork and the original recording and extended versions.

Remastered re-issue of this Italo classic. Written and arranged by Claudio Simonetti and produced by Giancarlo Meo, both known for their Easy Going, Goblin and Vivian Vee fame.


‘A Pastime For Semi-Gods’ is an evidence to a new mythology, is the genesis of a collisions. Of waves to a statement on the static, extending in perpetual change. With this album, Ekman is describing the chaos of erotic imagery that is unbroken. On the border of mythology and science fiction. ‘A Pastime For Semi-Gods’ is Ekman’s fourth release on Bedouin Records and his album debut on the label.

Greetings from Sucksonia! This is Rat Life number 17 – straight from the arse end of nowhere called Saxony. Westlake & Hayter dedicate their debut EP to this not so special part of Germany. Moving here voluntarily from the western sector pissed off their parents and friends, so they had to join the local freak music underground. Apart from this, what other option do you have as a free spirit, in a place that is controlled by crazy old men and their weird ideas? Right! You deal with the messed up reality by making some beautiful messed up music. And the two did very well! Spreading their Mutant Freak Funk over four tracks that will make your nice little suburban homestead collapse, this way it will fit in perfectly with the industrial ruins in the neighborhood!

Stroboscopic Artefacts releases ‘X – Ten Years Of Artefacts’, a 13-track album curated by Lucy aka Luca Mortellaro. It celebrates ten years of his label by boldly confirming its raison d’être: a continual redefinition of modern techno. X – Ten Years Of Artefacts’ is a various artists album in which the label’s key artists respond to its tenth anniversary with fresh compositions. Artists with divergent perspectives and MOs are equally at home expressing themselves. These tracks’ timbres, tempos and moods differ greatly yet—somewhat improbably—they seem together, ideologically unified. The compilation features tracks from Lucy, Rrose, Zeitgeber, Lotus Eater, Shifted, Efdemin, L.B. Dub Corp, James Ruskin, Denise Rabe, Adriana Lopez, Chevel, Alessandro Adriani and Serena Butler.

Token readies the third installment of the Ø [Phase] Versions series, that pays homage to Ashley Burchett’s illustrious discography, reissuing new mixes of classic material. On this third edition, Burchett turns in new, peak time interpretations of tracks Espresso, Obscura & The Crossover – alongside a stunning remix from fellow UK Techno auteur Steve Bicknell, who reworks Token classic Xylo 3.

For its second release, Russian label Analog Concept brings you four powerful and floor-ready electro tracks from rising stars in a dedicated genre. On Side A, we have Reedale Rise with a track that can easily work out at 5 am as well as at 5 pm, joyful and broken rhythm promises it will shake your body properly, while Nullptr delivers a strong and vibrant track. On Side B, Datawave delivers a tune that keeps the atmospheric idea of the label and experiments with driving rhythms and acid lines. Ivna Ji’s track isn’t focused on dancefloors but instead entices the listener into a slowly progressing story, heavily loaded with dreamy synth lines.

L.I.E.S. go in on the archive. DeeCoy aka Daryl Cura the man in Chicago you should have heard of part of The Dirty Criminals (with Traxx).

L.I.E.S. go in on the archive. DeeCoy a.k.a. Daryl Cura the man in Chicago you should have heard of part of The Dirty Criminals (with Traxx).

Necare Disko EP is the debut original release from, Thomaas Banks and also the first release on his own imprint, Sinahti. The 4 track EP delves into his love for EBM & the slower side of Techno. Necare Disko rocks with low slung future vibes. Gnarly metallic synths and apocalyptic Vatican orchestration meld with a rolling beat to provide a sleek burner with plenty of grind and glimmer. Vital Claret ups the tempo with a rousing trip to the chasm edge. Ring modulated arpeggiated leads clash with insistent embers of modular rebellion. A background hum rises throughout to reach a punishing crescendo. TYVYT|IYTYI on the first remix of the EP’s title track and he pushes the swamp funk button for a syncopated noise workout, with a hot as hell detuned noir melody around the halfway mark. Magma! The EP closes with a loose open electro remix of Necare Disko from Hymns. Open and lighter than the rest of the EP, nevertheless it still has a taut, Germanic vibe with distorted bass funk dueling hard towards the end.

For their second release Syntetyk brings Chino – the Cracow-based jack of all trades. The Cave, with all its dirty drum work and heavy basslines, makes you feel as if you’re going down through a dungeon of clockwork machinery.

After years of terrorizing the Polish underground scene Syntetyk is kicking off with their first release made by their partner in crime – Dyktando. With his debut EP Dyktando brings you the story of Warsaw night life covered with a thick fog of paranoia.