
Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

The eight release on Hizou Deep Rooted Music comes from Chicagoan Spirit Of The Black 808. Title-track Infroduction is a shuffling, slo-mo jam laden with atmosphere and groove in the mould of the great Mahogani Music and KDJ, a little more Detroit by design perhaps then, whereas by contrast Electronic Love is downright and unashamedly classic Chicago. Layers of melody and a super-deep groove are stamped all over I FunKd Up, whilst ethereal uptempo tool Rough Joint completes the package.

Inouno is 7 minute house groover that nods to the classic house sound of the 90s, while keeping it modern, soulful and funky.

Benedikt Frey heads this latest offering from the Batti Batti label, teaming up with jonas.san for “Girl From Venus”, which pair the former’s signature raw drums with the latter’s outtakes of muted trumpet. Complementing this, Batti Batti’s own Owen Jay & Melchior Sultana lay down a typically deep atmospheric houser with a few twists and hidden melodies in the shape of title track “Tribal Roots” and the 12″ is further embellished by productions from debutant Lars Behrenroth and Mexican duo Romeo C & Alhan G.

Population One, the legendary project of the Detroit Techno legend, Terrence Dixon, arrives at 30drop to present his new work and unveils the 30drop guest artists release series under the name of: 30drop ExoPlanets. “Time Will Tell” is a conceptual work that exceeds standards. The hypnotic and elegant minimalism of “3.26.2013@11.40pm” harmonic complexity and surrealism jazz of “11.18.2013@1:41am” and “5.26.2012@5.59pm” and the sonic and spatial reverie “12.1.2008@5.48pm” are the four tracks of the EP. Deliciously transgressor, imaginative and ambitious, the work gets into an unexplored territory to the delight of the most avant-garde dance floor.

Gauss Ltd presents the third release called Quadratic Forms EP, produced by Natan H & Owen Jay.

SHOP EXCLUSIVE – NO ONLINE SALES! Only available for purchase in-store, not for ordering online. No exceptions made! Clone Store Only Series 007. Support your local record dealer and ask him to get it for you!

Mojuba sub label a.r.t.less welcomes another addition to the label roster, dutch Techno boss Darko Esser. In more recent time he showcased his talents under the acclaimed Tripeo moniker, but now it’s time to unleash a powerful and very emotional EP under his original name. He turns in two tracks for his label debut that will catch your attention right away, being capable to maintain any crowd from sunny festival ravers to lost in a moment underground clubbers.

“A recontextualized hybridization of that which is familiar to create the foreign….
Using classic Chicago, Detroit and New York as a reference, I sought to explore new sonic possibilities while limiting myself to the classic machines and sounds of the era that inspired me to dedicate my life to this art-form.
Revivalism was not my intent. Perhaps neo-futurism if any ism’s must be assigned. That, and a strict code of minimalism. I aspire to use time, space, and absence, as well rhythm and sound, all in equal measure to create suggestive music (pun intended). Defined as much by what is not there as by what is. Music for travel. For Dance. For Contemplation. In a club among hundreds, or at home in bed.
An album. Along player. A fantastical voyage through the soul and mind via abstract, minimalist etudes exploring the range of emotions that are joined to a particular year in my life. Using as few elements as possible to create the most emotive material I could, these studies are recorded documentation of one student’s pursuits to master the craft of creating raw, yet elegant. Rich and sonorous, yet stripped down modern electronic music. For the club, at home, and everywhere between. Modern music for modern living.
I hope to contribute to the progression of the form and create excitement in the next generation so that some of them will also be inspired to expressively create and add on to the culture. Peace”

The secret to John Heckle’s impressive productivity is probably his admirable commitment to jamming with analogue hardware. Certainly, there’s a loose, all-action immediacy to this outing on Midnight Shift. Tinged by acid throughout, and with more than a few nods to both Detroit futurism and vintage British “intelligent techno” (most obvious on the early Orbital style, stargazing shuffle of closer “Frozen Planet”). The title track itself is particularly potent, offering a surging combination of stomping techno drums and intoxicating acid lines, while the bleaker “Alpha Deux” sounds like the musical foretelling of some kind of post-apocalyptic future.

First release in a series of two by the bad boy from Saarbruecken, Roger 23, bringing 3 crystal clear future jackers and deep & deeper techno tracks.

Raw and 90’s influenced effective house tracks on this Wilson sublabel from London. Including cool acid cut on the b2.

Contort Yourself returns with “Events at the Fatal Party” which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. Hamburg duo Fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary French industrial band Die Form from their 1985 tape Hurt. Here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. The mysterious Slugbug starts the flip with “Goback”, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. Any calm is then shattered by IBM a.k.a. Jamal Moss whose remix of Die Form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums.

Marvin & Guy with 3 tracks that push boundaries between disco culture & techno spirit. Ranges from hypnotic warm analog bass to pumping Italo-disco to obscure trip built around psychedelic synths & rolling bass topped w/spooky vocal samples.

Jean-Louis Huhta aka Dungeon Acid with a new release on Borft. 4 Dark acid stompers by this percussionist & electronic music veteran.

Steve Poindexter & Jamal Moss here with Thanks 4 The Tracks VOL 2 from the lost track series. This will not leave you guessing what this whole series is about and what’s to come. Not for the faint at heart of newbies.

LAB.OUR 05 showcases tracks by 4 different artists, displaying a diverse spectrum of deep sounds. Lab.our Music co-owner J-UL’s first ever release, Tempest, is a moody, beat driven track with layered synths. Maxwell Church returns to the label with Elastic Ban, a rolling rhythmic journey with tense strings. Newcomer, and Toronto native, Xavier Gonzalez drops Praise, a dancefloor burner with a barrage of beats and energetic vocal snippits. Last but not least, veteran Chicago Skyway brings us Vase Mix 3, an atmospheric and melodic jackin’ track.

Barcelonian underground BLD hits us with a new EP straight to the Club. Two versions of the monstrously acid and beautiful dub building track Crawling on the A side and the epic break beat Twisted on the flip side.

Inaugural release on the new imprint Gnosis comes from Myriadd. This four track EP remoulds the template of vintage Chicago house, acid and deep house into his vision of modern house music.

Next up on Titanic City is Nigel Rogers AKA Perseus Traxx. He has been a staple part on most record bags, a man dedicated to performance outside the box. There’s a rough and raw DIY feel to this music that makes it jump out of the speakers and arrest your attention, as is always the case with Titanic City.