
Brussels’ own Altinbas returns to Token with a second release entitled ‘Spirit Moves’. Recognisably full-bodied tracks, riddled with classic techniques yet designed for the modern dancefloor, Altinbas offers intention in the age of impulsivity.

Brussels’ own Altinbas returns to Token with a second release entitled ‘Spirit Moves’. Recognisably full-bodied tracks, riddled with classic techniques yet designed for the modern dancefloor, Altinbas offers intention in the age of impulsivity.

Germany’s Dircsen has a solid track record of 303 infused releases across labels like We’re Going Deep and Soundtravels, but this is his first full-length vinyl outing. Across these two slabs of wax he slips and slides between electro, deep techno, jacking house, and psychedelic live workouts, but throughout the eight tracks the silver boxes work their indefinable magic.

Tom Carruthers on his own Data Sync, sub-label of Non Stop Rhythm. A 6 track EP loaded of stripped back cyborg temperature tracks.

Raw Chicago flavored house track from Tony Price. 14 minutes of stone cold house music spread out over several tracks and interludes.

Vibraphone presents another huge release. This time it’s Silicon Minds – IHY (Interstellar Hypnotic Yama -Biko), with an timeless Mayday Tribute Mix by the one and only Derrick May.

After releasing heavyweights like Patrice Scott and Dego, Forbidden Dance Records continues its story with a new release from Chicago don Specter with a 4-track EP.

Prolific producer Felipe Gordon back on Royal Oak with his signature deepness. Joined on remix duties by Byron the Aquarius for two versions of ‘No Words’ for different vibes.

After two years of silence, Downbeat comes back with an old friend of the label. DaRand Land releases a new vinyl on the label from Madrid and he is fit as a fiddle. This underground music hero presens 4 synthetic deep house tracks with all those elements that are already an original brand: Hypnotic vibes with warm and smooth synth lines, silky pads and dubby basslines, This whisper from the lake EP will be immediately loved by the label followers because is exactly what the label is. Atmospheric and erotic midtempo house that represents perfectly the sound of Downbeat.

Avidya continues with EP#3, offering tracks, tools and meanderings from a coterie of individuals whose relationship is phylogenetic, presenting their music for dancefloors. Tracks from 53X, Odopt, Remotif and a collaborative remix by Full Circle (Alexis Le Tan and Joakim project) & Khris Baha of N-Tropic (Alexis in youth)

FR Fels and Interviews join forces for a collaborative 12” entitled The Adventures of Helmut Muten. Comprising four tracks, the duo navigate across genres with ease. Opening the EP with the late night bloom of Passage, followed by the rollicking groove of Drift, the scuffed beats of V5000 and, closing procedures, the beatless, brooding 3 Years.

Co-founder of art space and label Ortloff, FR Fels debuts on Brokntoys with Planet Fear. The Leipzig based producer presents five tense, melodic electro tracks drenched in reverb.

The “Edge Of The Visible Universe” is a 24 tracks album by Terrence Dixon. The album was recorded in Detroit and Amsterdam and is only be available exclusively on band camp in digital format only.
The album will be followed soon by a vinyl release with the same name featuring four club oriented tracks under the Population one alias.

‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XIII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer. This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a brew of mutant raga, neofolk and tripped out celtic fantasies.

Delodio label’s managing duo (Fafane and F.M), have been piling up tonnes of tapes and cassettes in their studio for many years. The tracks compiled here, by an as of now unidentified artist, come from one of these cassettes. One thing is certain, the artist who made this instrumental cosmic music loved / loves soaring synthesizers with arpeggiators and drum machines. Throughout the 8 tracks on this album, you get the impression of wandering through a planetarium or listening to an early 80s sci-fi movie soundtrack.

Vacanze di Natale! Four party jams by Alberto Melloni, Luca Bacchetti and Modula feat. Carmen Lubrano from Italy and Red Woodchuck, the Dutch cherry on top.

Zaratustra is a young French producer strongly inspired by indie dance, italo disco, EBM, new beat, acid and ethnic music. This track symbolizes the perfect mix of rock, italo and EBM and STOLT strikes the blow with one of his finest vocal performances. Comes with a Lauer rearanging.

A hard one to put in a box when it comes to genre, floating somewhere between italo and synth pop, originally released in Switzerland in 1985. “Underboard” is very cool paced downtempo number that builds up with layers of subtle percussion lusciously adorned by some heavy saxy reedsmanship and mysterious vocal accents with no real message – 100% chill o’clock served on ice. “Cedar Of Lebanon” picks up the tempo a notch, once again setting the scene for the reeds to shine as the catchy melody is presented, beautiful 80’s instrumentalism from a golden age, clearly not made in Ableton. B side features a respectful DJ tool style remix by Anatolian Weapons.

Miss D. used to work as a model in New York. That she ended up in Vienna was sheer coincidence. That she became a recording artist was never planned, either. She moved to the Austrian capital with a well-known commercial producer in the mid-1980s, and soon she found herself recording TV ads for ice cream manufacturers. One day in the recording studio, someone had the brilliant idea of producing a proper record with her. The outcome was the highly sought-after disco oddity “Moving”, which was originally released in 1986, but most copies were destroyed due to a lack of commercial success. Now getting a second chance, “Moving” is as strong as Austrian disco productions from that era come: slow, bouncy, full of personality and consistently surprising.