DirtybLends edition 9 is a Deep Concentration release…if you’ve been really paying close attention Deep Concentration just dropped on LA Club Resource for their 6 track homage ep even though the text reads for the artists as The Kid n Cliff, put 1 & 1 together.
the A-side of ‘Don’t B Alarmed’ is truly definitive!! the musical journey speaks volumes..the B-side is an instant BEATDOWN with ‘Heavy Thump {beat dat shyt}’ that is focused entirely on a CHICAGO style of GUTS, pianos and damage!!
dirtybLends edition 8 is a 3 track INFERNO-SMACKDOWN combining 3 different ideas of new age/oLd scHooL Jakbeat inspired from a significant hero in the Chicago Underground scene of the early nineties dropping crucial releases on record labels: Saber, Dancemania and Relief.
The Falcon kicks the A-side into madness with ‘Sound The Alarm’ made 2 Jak 4 Crazies that’s completely bezerk n twisted!!
B1 introduces this nU cOhort to the label on this release comes from Grizzly Knuckles (a thuggish menace) bringing his weapon of choice musically in a hypnotic spell of mental riddims wit ‘Mad Bell’
this is chicago pit-tripping for those who are aware!
B2 brings The Jak as the final nail in the coffin to complete this 12 inch with ‘Aftermath’ that is for those who have any idea of SLaM dance body blows..this is that level of crazy!
Juan Atkin’s masterpiece compilation, the blueprint of Techno albums…. the 1993 Model 500 ‘Classics’ compilation with some of Juan Atkins’ biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12″ reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs”, ,,The Chase”, ,,Techno Music”, ,,Night Drive (Time, Space, Transmat)” or ,,Off To Battle” are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, ‘Classics’ is still as gritty and timeless a statement as ever.
Berlin, Funkhaus based electronic record label and music studio Bright Sounds enters their 10th year of business in 2023. And this marks the perfect occasion to team up with another long going techno institution, Skudge. Starting as a record label curated by two Swedish gearheads releasing their own studio jams in the late 00’s, Elias Landberg is now recognized as one of the most steady techno producers of modern times. For Bright Sounds he crafts another batch of his impeccable flawless techno grooves. Stripped down and warm at the same time, it’s another masterclass delivered by the inexhaustible Skudge lab of functional techno.
French production duo and live act Atomic moog debuts on the Delsin Cameron series with their Programm EP, a new chapter of their vibrant modular quest, sub heavy and sparkling at the same time, sparsely arranged subtle techno jams.
After 11 releases in 14 months , MoPo EP brings Rod20 to an end (for now). Conceived during the Covid19 lockdowns, ROD’s hardware-only project brought us 53 analog machine jams recorded in a single take. Pure & raw high energy (minimal) Techno tools for those who prefer mixing instead of posing, and for those who prefer dancing instead of filming. Mo/Po EP presents a proper weird send-off with a bleep.
Acid Jerks return to Refuge with another acid weapon. Staying true to their sound, with chunky acid lines and percussive grooves, they link up with hypnotic vocals of Brillstein alongside two remixes by the legend, Alden Tyrell & Dick Johnson.
Since 2014, Brighter Days has been a part of the rich tapestry of Amsterdam nightlife – a semi-regular party promoting positivity and inclusiveness run by resident DJs Kamma and Masalo. On the back of the platform provided by the party, the duo has notched up a string of memorable club and festival appearances, a regular Brighter Days show on Gilles Peterson’s Worldwide FM, and a memorable Boiler Room set streamed live from Dekmantel Festival. Now Kamma and Masalo have taken the next step and curated a Brighter Days compilation for Rush Hour, a collection that does a terrific job in offering up slept-on and unreleased gems – including a clutch of their own tried-and-tested re-edits – while also accurately representing the sound, style and ethos of the event that inspired it.
Chiwax presents another outstanding release by Boo Williams. “Tribute To Chicago” is Boo’s hommage to the Capital City of House Music, their artists and his hometown.
The first outing of the new label Way to France records comes from none other than Robert Johnson legend Lauer with some analog sounding nu-disco stompers. The release is rounded with two remixes by Charlie and Janthe.
Scannoir & Sneaker, aka “GOTT”, explore, transform and mutate. This unique collaboration embodies the perfect symbiosis of passion. “Die Deutsch-Schweizerische Freundschaft” is still profound and continues to have an effect. Now the two artists present their latest work: GOTT – Mutatio on the Zurich based label Mattoni Pazzi. The release includes an edit of a goth rock song by Fields of the Nephilim and one from the industrial band Sonic Violence.
Sonic Transmutations is an extended compilation album celebrating over three decades of Clone Records. Marking the 31 years – which is coincidentally the national Dutch telephone code – the 8×12 inch box set draws together veteran talent and emerging iconoclasts, transmitting a frequency rooted the imprint’s signature blend of essential dance music while journeying off into territories unknown. In a constant state of unfolding, morphing across phases of matter, Sonic Transmutations purveys an elemental energy that stands in testament to Clone’s enduring legacy and explorations of sounds and structures.
After a long and forced break, In The Dark Again returns to record stores. On “In The Dark Again 12”, Aaron J. Cunningham, Gestalt, Night Caller and Lectromagnetique deliver five mesmeric tunes between tough Electro and bitter sweet Electronica.
Juan Manuel Cidrón, hailing from Almeria (Andalusia), is a legendary Spanish synthesist who embarked on his musical journey in 1976. A veteran of analog electronic sounds, his early influences come from the Berlin School of the seventies (Tangerine Dream, Klaus Schulze, etc.) and American Minimal music. ‘SLG3’ is a long-awaited double album with four lengthy tracks (one per side). It’s the first release exclusively on vinyl in over a decade, considering that Cidrón has mainly released his recent works on CD.
Alpenmarmot – Unheimliche Landschaftsgestaltung (translates as ‘eerie landscaping’) is my new power electronics industrial acid ambient noise project, Recorded at 1500 meters above sea level on the slopes of the Wildhorn mountain in Switzerland. Unfussy sewer-synths mixed with field recordings of the local Alpine nature and infrastructure. We hear mangled rusty cable cars, crumbling mountains, unknown nocturnal creatures and ofcourse the ever so cute Alpen Marmot.
Robert Hood’s techno and Femi Kuti’s Afrobeat intertwine in a new form where jazz-grooves reign supreme. For the fourth season of La Compagnie des Indes & Sourdoreille ”Variations” live series of creations for France TV, they unite around James Brown, performing a tribute to the legendary Godfather of Soul. This album is the live recording of this unique collaboration and performance, capturing a very special moment in time.
After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is back with Volume 2 of the compilation. This new release too features five exclusive 7-inches, housing a total of 10 seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late ‘70s – sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades. Alessandroni’s music rises above the films’ flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.
“Strange World” is not merely an album; it’s a sonic expedition that probes the aberrations of a society shaped by the strange and transformative influence of technology. The music industry, a microcosm of this surreal universe, has become an intricate web of formatted reactions and impersonal interactions. Foreign, the musical observer, takes the audience on a solitary journey through the night—a time of introspection where raw feelings and emotions are eclipsed by the numbing shadows of social media and the relentless march of technology. The album resonates with an unmistakable romanticism, shrouded in a dark, mysterious atmosphere. Each track is a testament to the disquieting beauty found in the synthesis of opposites—the warm, pulsating beats of EBM intertwining with the ethereal melodies of synth-pop. The result is a musical landscape that is simultaneously haunting and alluring, much like the strange world it reflects.
Eighteen years ago, Oppenheimer Analysis made its indelible mark with the iconic track ‘The Devil’s Dancers,’ heralding the birth of the Minimal Wave label. Founded with a singular mission, the label set out to share this musical gem with the world. This historic release graced the world on December 6th, 2005. Remarkably, this EP has been elusive for a decade now. In an exciting development, the fifth edition of the Oppenheimer Analysis self-titled EP, is presented as a loving tribute to Martin Lloyd (1950-2013 R.I.P.), one half of Oppenheimer Analysis. The EP showcases select tracks from the 1982 Oppenheimer Analysis cassette titled “New Mexico,” the original remastered version of ‘The Devil’s Dancers’, along with two previously unreleased gems.
Dunkeltier is back on wax, this time on the German label Reach Another System aka RAS Records. It comes as no surprise that it’s a surprise box drawing from the bottomless pit that is the 80s. And again, these edits are closer stylistically to his dark side project boldly named GOTT than to his more gleeful mainstay alias Sneaker. The sources of these four obscurities are only revealed to the third ear of the knowledgeable digger, but let us give you a hint – gathered are Teutonic Titans, a Bauhaus offshoot and a digital symphony orchestra.
The Hipodrome Of Music 