Four peak-timers incl. a special club edit of the popular ‘Rawhide’ track, and Degiorgio’s ‘Dread’ appears on vinyl for the first time after it’s inclusion on Sims’ Fabric Mix CD. Funky and uncompromising as always – this will be a mainstay in Techno sets.
Killer debut release from Jared Wilson on his own label 7777. Wilson states the album draws inspiration from the literal underclass. “Ghost Miners is influenced and dedicated to all those who have worked and lived underground, from gold miners in South Africa, copper miners in the 1800s in northern Michigan, the mole people of NYC to orphans living under Bucharest.” Raw acid and techno of the highest caliber.
Two tracks each from Delft label boss LA-4A and comrade Matrixxman with a featured appearance by Vin Sol. LA 4A’s lead cut “Sweat” it’s acid techno that straddles the perfect temperature between lukewarm and too hot. The A2, “Harness”, still has an acid vibe, but this time around it sounds more like Plastikman beaten down and remixed by the Restoration crew. Meanwhile Matrixxman delivers gritty flexes of rave in a track that fluctuates between something like Yello’s “Oh Yeah” and Claude Von Stroke’s “Who’s Afraid Of Detroit”, while “Acid City” sounds like Steve Poindexter’s “Work That MotherFucker” with DJ Pierre on the 303.
LAHJ on the Crow Castle Cuts label. The four tracks here more than match the calibre of previous CCC output, with title track “Miller SC” a wonderfully dark yet playful groover with some blinding organ stabs. “Womb” finds LAHJ dip into acid fried techno that feels like it was recorded straight to tape, whilst “The Tinley Effect” strips things back to a more minimal thrust that allows more of the analogue feel to seep through. This leaves “Gears & Greas” to close proceedings in a jerky, rhythmically unpredictable fashion that would appeal to the Pudel crowd.
After ‘Saffron’ and ‘Fox’ stormed the clubs last year Eric Duncan and Dean Meredith unleash another double headed monster that will detonate the dancefloor.
As fantastic as anonymous Marvin & Guy deliver another amazing Marvin Gaye sample Italo edit.
Reissue of one of the most wanted records on Discogs and being one the most expensive items sold on Discogs.
Reissue of 1990 NYC house record. Ben Cenac aka Dream 2 Science with a master piece African influenced house LP. This sounds somewhere in between NYC band No Smoke (Koro Koro) and the Dream 2 Science’s signature sound.
Classic re issue of ‘The Best Of Ron Hardy Vol. 1’. Remastered from original DAT’s for 2014 and re released in original Streetfire artwork. Released in conjunction with Streetfire / Trax / Harmless.
Anopolis are a collective of four Thessaloniki based producers (Dimitris Evagelopoulos aka DimDJ, Drum Machinee, Lowjac, Oldman Talkin’) coming together for their first release on Lower Parts. The EP starts with Anopolis 2, a long, disco flavored track, built up gradually with phasing pads , lead melodies and an arpeggiated square bass line. The hypnotic feeling of Anopolis 5 is up next taking things deeper and textural while Anopolis 11 stands strong with it’s relentless acid loop juxtaposed with sharp drums washed in reverb. The final track of the EP arrives in the form of a remix of Anopolis 2 by Elec Pt.1 creating a mysterious and sinister atmosphere.
Randomer aka Rohan Walder on the Russian Torrent Versions. Of the three productions, lead cut “Side Crack Lung” is the one the more adventurous selectors will gravitate towards, with a complement of vocal samples and degraded synth lines getting racketed around the channels by a tunnelling gutter techno rhythm. “Fun In The Sun” is pure screwface techno whilst the delicate sounding “Odd” ends matters on a suitably strange note.
Mephisto Frequency Oscillator (MFO) is a dynamic production duo made up of Italians Dario Di Pace and Massimo Di Lena. Here they release their first of a two part EP series, Future City Traffic, on Dutch label Dekmantel having only previously released on Early Sounds Recordings. Across three tracks they lie out some fine space funk and dirty deep house and prove they have a great understanding together.
Baroc launch their imprint with two slices of tough, analogue house and techno from L Neils. Heat treated drums crack and thump underneath layers of ethereal synths and rolling, bubbling basslines.
Anthony Naples hooks up with Bankhead again for what looks and sounds like a sequel to last year’s much loved El Portal 12″ for The Trilogy Tapes. Apparently named in honour of the hospitable reception young Anthony received whilst playing a party in the Columbian town of Zipacon, this four track release opens with “Perron” which sounds like previous Naples hit “Busy Signal” hollowed out. From here, “Zipacon” feels like a real high point with fizzing, intricate drum patterns and a warbling pad line that really captivates. Flipside cut “More Problem” offers a undeniably booming interlude before Naples gets really bugged out on the excellent “Crazy Spirit”.
