Mule Driver’s annual 303-day treat presents a dirty, hard-rocking EP. The A-side, ‘What We’ve Become’ features a gloomy and gritty electro-acid track, while “Cues of Danger” provides a classic, stripped-down acid techno experience. As in recent years the 303 day EP will be released as a limited edition transparent lathe cut 7″ shipping starts in may, pre order is already on. All music was made using TB 303 alongside other machines.
The mysterious Frenchman Poperttelli returns to deliver two stunning melancholic leftfield techno cuts, for those who like slow and trippy. Released by Pinkman.
Recorded and produced by Marco Segato, one-sided lathe cutted by brokntoys.
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP – only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink.
Fashion Cult is a darkwave project formed by T.G.T.B. and Satellitstat members. This is their second cassette release on Detriti Records.
Hypnotica Colectiva Records welcomes the English creator from Manchester Mark Wilkinson aka Kid Machine with ‘Terminal Phase’, an album of 12 songs on vinyl and 4 digital bonus tracks.
Few artists have done as much as Heinrich Dressel to rekindle the genre of soundtracks. Even fewer are as capable as the Italian at writing such silver screen scores. Yet, Valerio Lombardozzi is much more than just one style. He has shown this time and time again, doing so once more with The Obscure Cities. Works of fiction, rather than film, are the fount of inspiration with tracks drawing on the likes of J.G. Ballard, Francois Schuiten, Benoit Peeters and Valerio Mattioli. The listener is transported to worlds of Dressel’s own making, landscapes of melody, textures of bass punctuated by drums. “Galatograd” opens. From understated beginnings, the track expands into a symphony of strings as columns of warmth descend. Tempos rise for “Eden Olympia”. A different tone is set. Juddering arpeggios and clean snares are elevated by bright and hopeful keys that sparkle with an enthusiasm and innocence. Deep unctuous bass gives way to gliding notes for “Remoria”. A piece where melodies and memories melt in the morning dawn. “Mylos” is the last visit of the EP. Delicate, almost fragile, notes are buttressed by drum patterns in this hazy dreamlike finale.
For the 4th chapter from the definitive days of house music, as the previous 3 chapters is education that a lot of alleged “House” DJs and Producers are obviously lacking.
Traxx plays again from the early 80s, 90s and today from vintage and out of print record labels: Westwood, Trax Records, Bright Star, Rockin House, Dancemania, Alleviated, Subscape and Neroli….
to productions from: Ron Hardy, Boyd Jarvis, Virgo, Tyree, Marcus Mixx, Pharris Thomas, Mr Fingers, Kenny Dope, Nightwriters, Deep Concentration and we have arrived..
a new joint from {3MM} as 3 musical minds bridging and building blocks of the early dance music scene honoring a legendary institution landmark still standing with selections of today and yesterday incorporating musical blueprints of Chicago, New York and the UK’s timeless heroes we admire, honor and inspired by their education.
We hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind with vinyl turntables, a vintage mix console…effects box and 2 cd players.
First official reissue of one of the most sampled Turkish records in 45 years, a psychedelic masterpiece from 1980. Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz’s Don Cherry Trio touring and his own band Oriental Wind’s sensational debut. Mentioned distinctive elements have elevated the record to cult status among record collectors, sample enthusiasts, and diggers around the world. `Drummer of Two Worlds` is a star map of Okay Temiz’s musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind.
The track ‘Abyadh Aswad’ is a manifestation of Ali’s self-described Middle Eastern beats with Southeast Asian twists, specifically influenced by Indonesia. It offers tropical cruising vibes and tranquil melodies, incorporating Arabic lyrics and repetitive desert-like riffs. Floating melodies and background vocals inject a psychedelic element into the track. The lyrics themselves translate to ‘Black and white in one vision.’ On the B-side, there is an instrumental track titled ‘White Stallion.’ It’s a simply cinematic funk track with psychedelic elements and hypnotic repetitive riffs. This track aims to capture the adventurous landscape of Indonesia through music, offering a flat, chill, and contemplative vibe that would suit a cinematic soundtrack.
Timothy J. Fairplay finally lands on Pinkman, furthering his sonic excursions into raw, jacking, yet evocative house music. ‘Convictions’ rattles through drum-machine workouts topped with soaring synthlines, inviting you to spiral in the club’s darkest corners. Between the shuffled claps, ominous melodics and delay-laden syncopation, ‘Convictions’ playfully evokes both the mechanical exploration of urban space, and the claustrophobic intimacies encountered within it. There’s even a nod towards 1980s’ cult cinema hit ‘The Bronx Warriors’ at the end. Naturally, these six tracks find a perfect home on Pinkman.
‘Let Them Know’ is the debut EP by Bobby Dreams, marking the inaugural release of All Nice Records. This record is a groundbreaking introduction to the label’s ethos, characterized by a raw, distorted, and authentically underground sound, paying homage to the gritty energy of Chicago’s underground house scene.
New Betonkust release featuring melody-focused underwater house and electro on Innershades’ Altered Circuits imprint. ALT010 is a collection of four tracks that owes its name to Tropicana, the infamous subtropical swimming complex erected in 1988 on the outskirts of Rotterdam. Although it has long stopped serving its initial purpose, the huge, outlandish building remains an inescapable relic, reminding everyone of its faded heyday. Back then, next to welcoming thousands of families for a swim, it occasionally hosted mega raves – and thus also played a small, obscure part in the then equally burgeoning Dutch dance scene.
Luminous Machines, the eighth album by UK based Emile Facey recording under his Plant43 alias, is made up of eight dancefloor tracks and eight cinematic interludes all of which are inspired by visits overseas to play live in 2023.
The 11th release on Curtis Electronix comes from one of the most influential figures in the history of electro, Dopplereffekt. Infinite Tetraspace EP is a mind-altering combination of ambient beauties, ice cold machine-funk and spaced out 4/4 kickers that play with the concept of space and time, as expressed almost clearly in the title. Four next level cuts that push their electro even more into the future. We are very much glad they are back.
Syncrophone presents ‘Proceed with Caution’ by Detroit’s Filthiest. This 4-track catalog masterpiece is a rhythmic exploration, featuring infectious funk-infused beats and a distinctive style that pays homage to the city’s illustrious musical heritage. Detroit’s Filthiest seamlessly blends tradition with innovation, creating an electrifying experience that echoes the Motor City’s iconic sound.
“The ‘Kashkaval EP’ marks DJ 3000’s fourth vinyl release, stemming from his acclaimed ‘Mezë’ album. This EP encapsulates DJ 3000’s evolution, weaving a narrative from his Albanian heritage to his current thriving career. ‘Kashkaval EP’ stands as his most intimate and comprehensive work to date, embodying a profound musical odyssey. It extends an invitation to all, urging them to partake in a celebration of diverse cultures and a symphony of sound that transcends geographical boundaries. Through meticulously crafted tracks, it guides listeners on a shared and cherished voyage, forging connections through the universal languages of music, culture, and food.
Dark Machine Funk welcomes the first guest producer into the fold, Head Front Panel aka John Heckle, with a superb well rounded 4 track EP titled ‘Tactile’ for DMF’s 5th release.
Taken from the Clone Records Sonic Transmutations compilation the trippy ”Darkheart Energy” by Orlando Voorn in his Frequency guise comes in the original instrumental and 3 remixes from Marcal, the Lady Machine and Lenson. Three different heavyweight techno bunker interpretations, all worthy of the Repetitive Rhythm stamp.
The Hipodrome Of Music 