Kitjen’s fifth installment comes in the form of three floor-friendly cuts by Melbourlin’s Fantastic Man. This Swiss Army Knife of a 12? gracefully knocks on the doors of Italo and Acid House and is filled with trippy drums that create a perfect pool for you to drown in.
Matt Whitehead makes his debut on Super Rhythm Trax, giving us ‘Crosstalk’, ‘Seeing Red’ and ‘Birdland’ channeling classic Detroit and Chicago House/Techno that’s heavy on the analogue and all recorded down to tape for extra warmth.Make sure you don’t miss Matt’s Electro opus; ‘We’re Bombing’, a love letter to the 80’s Street Sounds that have influenced much of his catalogue to date. Then as a special treat for ‘A is For Acid’ lovers, we have the raw 303 workout in all it’s solo glory so you can ‘make your own’.
A debut release on Fina White from one of the most influential UK acid pioneers, Affie Yusuf. Hailing from Southampton on the south coast of England, Affie has been producing techno, acid, and house music for over two decades. The lead track, ‘Roland Hardware’, builds in energy from its intro of dark distorted vocals into trippy, acid fueled masterpiece. With its looping hooks it steadily increases in intensity to a crescendo of the kind of distorted bliss that makes the hair on the back of your neck stand on end. An underground floor filler that harks back to a golden age of acid house. Taking things a little deeper, ‘Shinkantuiisu’ beautifully combines infectious funky grooving percussion with a dream esque melody. An elegant track with an enticing refrain and a rhythm that will have feet tapping and get any party started. ‘Spirit Acid’ rounds off this EP in fine style. This is acid house in its purest form with 909 beats, piano and a driving baseline. A psychedelic journey that is bound to get a great reaction in peak time sets.
Steve Poindexter and Jamal Moss return as The Faces of Drums banging those classic Gherkin style vibes and deep chaotic sound motions with a twist of off-kilter acid to finish you off in the classic Mathematics way.
Dimdj of Audio Atlas comes with 5 fresh tracks on Mathematics. Ranging from the acid attack of ”Crash 3” to the downtempo funk of ”Temple Of The Mountain” and covering lots of territory in between.
Rest In Peace Andreas. Your music will live on forever. Andreas Gehm, before his untimely death, announced on his Board he wasn t coming back on stage but he had releases in the pipeline of important labels. Two of these tracks were meant to Involve. Tribute to the master of German acid.
“Chord Memory” the hymn for the widely used feature in 80s hardware synthesizers got some individual rewiring done. If ten fingers ain’t enough Hyboid uses his Galactic Memory for punchy disco purposes while Robyrt Hecht reaches for a swinging Pivot Memory to sweep and swipe your electro habits. On the other hand Milium likes the exposed wires of his Mutiny Memory to revolt whereas CCO simulates his natural Echoic Memory with floating acid sparks. Completing the mechanical rewiring the duo Nachtzug added delicate software to Execute the algorithms and installed a Memory Loss button, if you are in need of a reset.
Points label owner Dona (AKA DJ Plant Texture) returns with three killer Acid tracks for More About Music.
Legowelt, as Nacho Patrol, is back on MinimalRome with the single Panter 777, already included in the limited edition tape of his LP The Maze of Violence, produced in 2008. The track is an explosion of wahwah funk riffs and juicy analog synthesizers and it comes on the B side with a powerful acid remix by Jared Wilson from Motor City. Don’t miss it, it’s on MRX – Patiendum Est limited series.
London label Of Paradise marks its inaugural release with the Incipience EP, the debut 12-inch from Melbourne based producer Shedbug. Four dusty, tough and emotionally driven house jams born out of sun drenched hardware experimentation.
Africans With Mainframes return with ”Faces Of Africa Pt. II” in the series of Deep House and Acid Chicago sounds. Think Guidance or Large records from the mid-90’s.
“For the 11th release 7777 presents the Ghost Miners Remixes. For these remixes I offered each producer samples from different songs from the 2 Ghost Miners records. Instead of doing straight forward remixes of a single song, I put forth the proposal for each artist to make their own version of a Ghost Miners song from scratch or using any samples they feel like. Contributors include 3 of my favorite producers. 2 in demand artists; FIT Siegel and Andreas Gehm and one new comer; Brian Thrash. Andreas Gehm’s version is a standard acid Gehm gem. Calling in the chords from the originals mixed with standard Gehm acid brilliance. In FIT Siegel’s version you’ll find the perfect pure underground dance sound. Featuring Ray-7 on hand drums FIT constructs a remix that combines elements of classic Detroit and Chicago sound while keeping the attitude and acid aesthetic of the original material. On the B side Brian Thrash, controlling his analogue arsenal, takes you on an epic acid journey traversing through the underground and space.” Jared Wilson
Four raw acid cuts created and performed live by Lithuanian producer, Audrius Vaitiekunas also known as IJO. The artwork image was generated by feeding audio signal through a custom built analog video synthesiser by London based artist and designer Tom Jef.
Next up on Titanic City is Stephen Lopkin, serving up five new cuts on The Strategic Reserve EP. Stephen makes his mark with a release firmly influenced by his passion for Detroit and Chicago’s House and Techno scenes. It’s a release layered with strings, soaring pads and an abundance of hats and snares.. everything we love at Titanic City. There’s a rough and raw DIY feel to this music that makes it jump out of the speakers and arrest your attention, as is always the case with Titanic City.
Temple’s third release presents R Wong’s debut EP influenced by acid trance and new age. A record for self reflection.
Matteo Pepe aka Uabos returns to Bitter Moon. Building on his first outing, A Point of View opens with the warming 303 grooves of “A Point of View.” Clean beats and lush notes weave in this playful house encounter. Those same crisp rhythms are present in the funk filled “Groove Is A Mystery” before slow burning beauty of “Piano Fights”, a track that will simply ignite anything it comes in contact with. Bright and energetic, “Semen Without Touch” ends the EP, shimmering bars and playful twists wind together for a colourful close.
Andreas Gehm is known for his fierce, unapologetic acid style. But the Cologne man does have a more mellow side, a smoother side, and that’s what this three tracker is. Of course, smooth Gehm still has some rough edges. “Yellow Flowers” combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. Malice and menace rear their ashen faces for the evil machinations of “Late At Night”, muffled vocals and sharpened snares glinting in the streetlights. Safety arrives in the form of the aptly titled “Less Violence.” Rhythms are still rough edged, melodies still have an underhanded element. Yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out.
‘Crystal’ is Justin Cudmore’s debut 12inch single. Raw, rough and ready to rumble, ‘Crystal’ marries snaking acid lines and bouncy grooves to a sample from cult underground film classic ‘The Queen’. On the flip is Detroit-bred and Bunker resident DJ Mike Servito’s “730 Reshape”, that gives the wiggly worm vibe harkening back to the early days of Transmat, Warp and the minimalism of Dan Bell’s DBX project. L.I.E.S. mainstay Gunnar Haslam provides his ‘Dekalb Avenue Remix’ made while living in New York, a modular synth cruise with the top down.
The Hipodrome Of Music 