Tripeo – Antipintiros [TRILP001]

Since adopting the Tripeo alias back in late 2012, Dutch techno producer Darko Esser has been in inspired form with the project showcasing his more direct approach to the medium across a succession of 12″ releases. First announced earlier this year, this debut Tripeo album Anipintiros allows Esser the chance to explore the project in more extensive fashion, and listening to the album demonstrates the Dutchman clearly enjoyed the process. Consisting of eight tracks of purist techno executed with both software and hardware, Anipintiros bristles with dancefloor intent at times sounding alien (“Anipintiros #3” & “Anipintiros #5”), others stripped back and hypnotic (“Anipintiros #4”). It’s hard to pick out highlights, but the busted, bleep laden “Anipintiros #6” and the subsequent acid bathtub that is “#7” have been causing the Juno office turntable some damage.

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Tripeo – Antipintiros [TRILP001]

Fabio Frizzi – Paura Nella Citta Dei Morti Viventi [SEM85003]

FRIZZI, Fabio - Paura Nella Citta Dei Morti Viventi/City Of The Living Dead (Soundtrrack)

It’s a scarce limited edition of the Italian soundtrack ”Paura Nella Citt Dei Morti Viventi” produced by Fabio Frizzi in 1980. The high quality vinyl record features sought after unreleased tracks which are missing on the earlier pressing on Beat Records and includes a beautiful poster.

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Fabio Frizzi – Paura Nella Citta Dei Morti Viventi [SEM85003]

Architectural – Secret Chapter [ARCH006]

Architectural returns with a very special album: Atmospheric, darkness, emotional, deep and organic. A musical piece with a soundtrack essence that transport to the darker and disturbing forests. The CD edition has a second CD with a previous tracks compilation released on Architectural recs.

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Architectural – Secret Chapter [ARCH006]

Edit Select – Phlox [PRGLP006]

Scottish producer Tony Scott graces Prologue for the first time with a debut album under the Edit Select guise – now as established a name as his old Percy X work was. The Munich label is cultivating quite the reputation for techno album projects, with excellent longplayers from Mike Parker, Echologist, Dino Sabatini and of course Voices From The Lake in recent times and we can add Phlox to that pile. The Scotsman’s collection of mesmerising and sometimes big-room techno productions is a perfect match for the Prologue aesthetic, pitched perfectly between moments of emotional ambience and “hypnotic monsters for the dance floor”. Look out for a new rendition of “Bauer”, which appeared on the Berghain 03 Mix CD and the Dino Sabatini collaboration “Survivors Of The Pulse”.

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Edit Select – Phlox [PRGLP006]

Lewis Fautzi – The Gare Album [SOMALP107]

Soma welcome the debut album from the ever-growing roster of youthful talent as Lewis Fautzi drops The Gare Album, named in homage to The Gare Club, Porto, where Lewis made his discovery of Techno. A bold 4 track single debut gave rise to the album process midway through 2013 and under the careful supervision of Soma, Lewis has provided a definitive peak in his sound cultivated on the back of years of studio work. A collection of deep, dark and twisted techno awaits.A definite maturity in production shines through on this fantastic LP from Fautzi as he creates a cold and calculating output, clearly focused on the future. The Gare Album has allowed Fautzi to express himself fully through electronic music, a task that he has taken to whole-heartedly.The Gare Album will be released on limited double LP.

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Lewis Fautzi – The Gare Album [SOMALP107]

Francesco Clemente & Heinrich Dressel – Il Faro [MR026]

CLEMENTE, Francesco/HEINRICH DRESSEL - Il Faro

Francesco Clemente and Heinrich Dressel cross the sea of sounds where everything is permitted. The outcome is an album that’s rich in fascinations, and divided in two parts: in the first one the Canadian composer plays some suspended and gentle sounds, while in the second one Dressel brings the listener to an eternal struggle between darkness and light, comfort and despair.

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Francesco Clemente & Heinrich Dressel – Il Faro [MR026]

The Midnight Episode – The Midnight Episode [OMLP008]

Over the course of its intermittent output, Gunnar Wendel’s Ominira label has cultivated a reputation as a platform for intriguing cross format output that sits in the fuzzy nether regions between house and techno, complementing the Leipzig-based producer’s own work as Kassem Mosse. Typically for the label, Ominira’s first full length album release comes right out of left field with a long player from The Midnight Episode. With just a handful of prior releases to their name, there’s definitely an element of mystery and intrigue to the project from Nicola Cunningham and Karl ‘Kaneda’ Skagius, with the self titled eleven track set fully living up to its billing as a “selection of dark and glittering late night tunes drawing on the legacy of British horror”. Fans of Demdike Stare’s Tryptych series will definitely enjoy this.

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The Midnight Episode – The Midnight Episode [OMLP008]

Anom Vitruv – Nihil [TABR025]

Anom Vitruv continues to go against the tide with his second Mini LP on Tabernacle Records. It’s been almost two years since anonymous producer Anom Vitruv first appeared on Tabernacle, with a self-titled debut 12″ that effortlessly joined the dots between a myriad of crusty, hardware-heavy house and techno styles. This second outing for the label – like the first, a kind of mini-album of untitled tracks – continues in a similar vein, variously exploring bleep-heavy dream techno (“Track 1”), distorted experimental textures (“Track 6”), intoxicating Arabic techno (“Track 5”), spooky but melodic futurism (“Track 4”) and distorted post-electro (the standout “Track 3”, which sees cascading, 8-bit melodies riding a hissing wave of fuzzy drum machine percussion).

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Anom Vitruv – Nihil [TABR025]

Stellar OM Source – Heartlands Suite [ZORN012]

Christelle Gualdi’s second vinyl release as Stellar Om Source from 2011. The LP compiles little masterpieces from the same time period when her acclaimed “Trilogy Tapes” collection was released. With influences ranging from new age to experimental electronic music Christelle creates a wonderful and carefully layered album.

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Stellar OM Source – Heartlands Suite [ZORN012]

Jorge Velez – Territories [LIES046]

Jorge Velez returns to L.I.E.S. with his first effort since 2012’s Hassan LP. Through this six track LP we see the ultra versatile Velez weave seamlessly through numerous strains of electronics. From menacing drones to EBM influenced floor tracks to Sakamoto-esque melodic experiments, he creates an atmosphere equally suitable for home listening or adventurous club play. All of this very much reminding us of the days when Mute, Factory, Cherry Red, or Fetish Records were at their best.

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Jorge Velez – Territories [LIES046]

Arrrgh – Gilga 2 [HHG002/6]

This is the second release and second album for the Gilga series which seems to be proliferating on Felix K’s Hidden Hawaii label. The first LP came from Legowelt, last year’s uber-rare and slept-on Gilga 1, and for all we know Gilga 2 could come from the Dutchman too if we base our findings on the Danny Wolfers-esque track names. Synths and musicality play a big role right across Gilga 2 with dubsteppy drums and other elements effecting tracks like “Reversed Shell” and “These Are My Thoughts”, while there’s a Livity Sound-feel to “Purple Jude”. For something a littler deeper and rhythmic check out “Maschine Series” and “Slow Depression”, while “Harmony Korine (Happy Jungle mix)” ends the LP on a trippy note. Gilga 2 is intriguing machine-made music to say the least.

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Arrrgh – Gilga 2 [HHG002/6]

HTRK – Psychic 9​-​5 Club [GI204]

Psychic 9-5 Club marks the beginning of a new chapter for HTRK. It’s an album that looks back on a time of sadness and struggle, and within that struggle they find hope and humour and love. It’s Jonnine Standish and Nigel Yang’s first album recorded entirely as a duo. Though the record is instantly recognizable as HTRK—Standish’s vocal delivery remains central to the band’s sound, while the productions are typically lean and dubby—they’ve found ample room for exploration within this framework. Of all the themes that run through Psychic 9-5 Club, love is the most central. The word is laced throughout the album in lyrics and titles—love as a distraction, loving yourself, loving others. Standish’s lyrics explore the complexities of sexuality and the body’s reaction to personal loss, though there’s room for wry humour—a constant through much of the best experimental Australian music of the past few decades.

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HTRK – Psychic 9​-​5 Club [GI204]

Efdemin – Decay [DIALLP030]

Dial regular Efdemin returns with a third album of a respected career, with the autumnal theme of Decay inspired by the German producer’s three-month artist residency in Kyoto, Japan. Sollmann immersed himself in the local culture while in Kyoto, attending ceremonies with monks at temples and visiting local instrument makers. This results in a ten track set that canvasses the sort of poignant, introverted house music that’s characterized much of Phillip Sollmann’s work as Efdemin to date. There are however a few stylistic surprises along the way – the stripped back, jacking “Transducer” or the fusion of jazzy licks and noisy bursts of percussion that makes up the title track – but overall you’d be hard pushed to think of a better label to house Decay than Dial.

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Efdemin – Decay [DIALLP030]

Mike Dehnert – Lichtbedingt [104DSR]

Three years after his last full-length album on Delsin, tireless techno producer Mike Dehnert is back with another one. The 104th release on Delsin, entitled Lichtbedingt, counts 12 tracks and is yet another subtle evolution away from the chord driven, functional sound he has championed before now. The album starts off with a suitably sombre intro that features cold, slowly shifting synths. They set an uneasy and moody tone before ‘Construction’ settles into a fat, swaggering. From there you get lost in broken, ruptured, malfunctioning bits of hardware that spit out random hi hats, bleeps and gurgles and then eventually get spat out the other side into a cantering bit of dubwise techno with paranoid vocal snippets. Moving along, the album throws plenty of diverse influences into the mix: ‘Movement’ is freaky and dynamic, skipping and pumping, ducking and diving through all sorts of occult synth sounds and shadowy vocal loops then ‘Single Action’ is like a sledge hammer groove run through with harmonic elements that glint and glisten like diamonds in the rough. Classic sounding Dehnert tracks like ‘ReRe’ remind us where this producer has come from, whilst the breezy house swagger of ‘Emlo’ show us where he might be headed. Key to this album and Dehnert’s output as a whole is, besides the killer grooves, the production: crisp and clean, full blooded and always outstanding, it makes his tracks leap out of the speakers and into minds, bodies and souls without relying on the usual tropes or same old cheap tricks.

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Mike Dehnert – Lichtbedingt [104DSR]

Tobias – A Series Of Shocks [OSTGUTLP016]

Second solo album from accomplished Berlin based producer Tobias Freund. Continuing his exploration into ‘non-standard’ electronic music, and expanding on the rich sound palette charted in his first LP, ‘Leaning Over Backwards’, this new chapter presents 10 versatile tracks taking us ever further into the purist, evolving sonic world of Tobias. ‘A Series of Shocks is Tobias’ is an impressive return to longtime home Ostgut Ton. Beginning with the beatless melodic pulse of the Steve Reich-influenced “Entire”, Freund works his way through a range of clandestine techno compositions, touching on claustrophobic acid and intense late night thump (“Testcard”, “Ya Po”), scratchy Chicago jack (“Instant”), deeper moods (“The Scheme of Things”) and, most thrillingly, early ’90s influenced intelligent techno. It’s in these moments – “If” and tactile ambient breaks of “Cursor Item Only” – that A Series of Shocks really flies.

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Tobias – A Series Of Shocks [OSTGUTLP016]

Seven Davis JR. – The Lost Tapes Vol. 1 [IZWID002]

The Lost Tapes Vol. 1 draws together material spanning some twelve years of unreleased four and eight track recordings from Houston-born Seven Davis Jnr. “once lost in storage via a lengthy hiatus due to drug addiction and depression”. Plucked by Kutmah to appear on the Worldwide Family Vol 2 issued on Brownswood last year, Davis Jnr. has subsequently self released material via bandcamp, dropped a killer house focused 12? on Jay Simon’s Must Have Records and has a record with Funkineven on the way . Brandishing a rough and rugged mastery of drums and a truly soulful vocal, Seven Davis Jnr has the capacity to cover a broad range of styles (a cover version of Prince’s “Controversy” that can be found online is a notable highlight). This much is more than evident on the newly issued collection of works for IZWID, with the bugged out mutant soul of “Sorry” being a stand out track.

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Seven Davis JR. – The Lost Tapes Vol. 1 [IZWID002]

Video Look – Kall Lycka [FLEXI011]

Straight from the Gothenburg harbour comes Video Look. They were featured on flexi009 (Flexivåg), Fact mag 004 and has remixed Roladex, Love Surgery. 11 tracks of the finest working class synth-punk with harsh lyrics in Swedish.

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Video Look – Kall Lycka [FLEXI011]

:Codes – All The Tragic Heroines [FIR006]

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After 10 years of existence, numerous live gigs and great contributions to various compilations (on such labels as Kommando 6, Enfant Terrible, La Forme Lente and Pneu to name a few), :codes has become such an evident part of the minimal synth / cold wave revival that it is hard to believe this is only their first album. Featuring Chris behind the machines and Najah (of Dolina) at the vocals, the French/Belgian duo crafts delicate synth jewels, dark as velvet and cold as ice.

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:Codes – All The Tragic Heroines [FIR006]

Vril – Torus [FORUMII]

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Vril debut LP on Giegling sublabel Forum. After appearances on other labels like Semantica and Delsin, Vril has now returned home to Giegling to release Torus, a surprise eleven-track LP with track titles that seemingly combine HTML-speak with Roman numerals. Vril’s productions combine elements of booming dub techno with murky reflections of rave with his own patented and progressive synth sound. Torus sees Vril deliver more of this, but he’s also extended the remit on this album to include other elements of dance music, with what sounds like Clone-inspired (west coast) electro, Chicago house and flashes of Adam X-industrialisms.

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Vril – Torus [FORUMII]