An inspired collaboration from two veteran producers on top of their game – Kassem Mosse and FIT Siegel. Three well-crafted techno and house tracks created from sessions recorded at Omar-S’ FXHE Studios and FIT’s studio at Submerge in Detroit in 2016, then mixed down by Siegel in 2018 after a few years of playing rough versions in his DJ sets in clubs around the world. Diverse EP with sounds ranging from tripping acid workouts to dubbed out electronic excursions.
Far out trip as collaborative effort from Beatrice Dillon and Kassem Mosse. Dillon Wendel is a place for the two respected artists to explore soundscapes, aesthetics and synthesis in pastures aeons away from the dancefloors they’re most familiar with. Both compositions weighing in over 15 minutes, they’re experiences which challenge form and convention; “Pulse” ripples with its namesake, a texture that buzzes and drones in endless waves while “High” mutates a warmer, grainer tone with dizzying effect.
Subtle music, radically strange and unafraid of the deep, but with a killer understanding of rhythm. Lush drum-machine nocturnes, gnarly electronica and glorious flowerings of zoned-out dubspace: an evolutionary music, continuously engaged with experimentation both in the studio and the club.
vinyl / CD
With ‘Songs For Tova’ Dolly introduces a brand new producer called Afik Naim. This rough diamond was pulled out of a cave near Jerusalem. He has a cinematic experimental take on what you would call Techno but he is rather hard to classify to be honest. Exactly what we like, somebody who stands out with his typical sound pallet. Another perfect player on this ‘Songs For Tova’ team is the never disappointing Kassem Mosse with a killer remix to wrap up this high class 4 tracker.