Manu Dibango – African Voodoo [HC63]

Fantastic and rare album by Manu Dibango, the Afro Soul Maestro. These files were recorded in 1971 at Pathé-Marconi studio (Boulogne Billancourt) for professional sound illustration intended for the cinema, television and advertising. The jazzman experimenting with all genres was then beginning to convert solely to what soon to be called “Rare Groove” somewhere between Soul, Jazz and Afro-Funk, with a hint of Latin clave. In 2019, these tunes have not aged and the sound can be considered as “Huge” by many crate-diggers. These recordings were not supposed to reach the club or radio audience, it was more free sessions, a moment during they can open their imagination and test their “Afro something”, like Manu Dibango call it. Theses recording sessions included the best of the french soul scene at this time, Yvan Julien (Trumpet), Slim Pezin (Guitar), Jacques Bolognesi (Trombone), Lucien Dobat (Drums), Emile Boza (Percussions, Manfred (Bass) and the conductor himself at the vibraphone, marimba, saxophone, organ. This album is a wonderful return to the future and should satisfy the need of the Afro-Soul
aficionados.

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Manu Dibango – African Voodoo [HC63]

John Shima – The Lonely Machine [FS019]

Hailing from the heartland of British techno, Sheffield’s John Shima is one of the leading lights of UK electronics. Now Shima is returning to FireScope with his long awaiting debut album, The Lonely Machine. John Shima is a master melody weaver, with this first LP attesting to his deftness of touch. Celestial chords and star gazing synthwork permeate this ten track odyssey. The musical heritage of Shima’s hometown, the elegance, majesty and subtlety of British electronics, is invoked from the needle drop. A range of influences come to the fore in this 2LP. Skirting around the edges of astral ambience and tonal texture are nods to industrial history, the rasp and resonance of rhythms in “Empires”, with the inspiration of Detroit surfacing in the future funk of “Phase Distortion” and “Linear.” Dreamscapes are painted in delicate hues, the fragile movements of “Accepting”, with brooding works adopting thicker basslines and ruffled notes as with “Distrust.” Nevertheless, it is the incandescent brightness of Lonely Machine that truly shines. Radiant pieces of elating electronics, complex and joyful compositions that chime with unbridled hope and open-hearted optimism.

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John Shima – The Lonely Machine [FS019]

A Sagittariun – Return To Telepathic Heights [RBINC004LP]

A Sagittariun’s third album chronicles the journey back to Telepathic Heights; an expedition that encounters many obstacles along the way. The feuding parties of the two planets make for a journey of determination and self-discovery for our techno lone ranger that will ultimately deliver him to the sacred site on which Telepathic Heights stands. Conceived as a space western soundtrack to the cinematic interpretation of this tale, Return To Telepathic Heights delivers ten chapters that journal the ultimate mission to reach the imposing tower of Telepathic Heights, where dream telepathy has become the primary communicative tool amongst its peaceful and harmonious community who have opted out of the planetary war that continues to rage, seemingly with no armistice anytime soon. The score fittingly winds its way through the trials and tribulations of this journey, blending minimal and harmonic rhythms, industrial funk, dreamy synthwave and transcendental techno into the rich tapestry of music that documents the ‘Return To Telepathic Heights’. The album features original artwork by Johnny Bruck, fully licensed, and taken from the legendary German science fiction novel series, ‘Perry Rhodan’, which ran weekly from the early 1960s, and was the most successful sci-fi book series ever written.

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A Sagittariun – Return To Telepathic Heights [RBINC004LP]

Broken English Club – White Rats II [LIES136]

Broken English Club presents the second part in the White Rats trilogy, a full-length double vinyl album that focuses heavily on the dancefloor with droning techno, head banging acid and cinematic synth noise. This album continues Oliver Ho’s musical journey, fusing techno with industrial post punk and textures of death metal producing a unique electronic vision. Ideas and influences that went into the writing of the album was the dark soul of Wormwood scrubs prison in west London and the obsessions in the JG Ballard book Crash. White Rats II stands as a relentless and personal portrait of techno and all the things that feed into the creation of it.

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Broken English Club – White Rats II [LIES136]

Anatolian Weapons feat. Seirios Savvaidis – To The Mother Of Gods [BIS37]

Aggelos Baltas is a veteran of the global electronic music scene, responsible for a handful of celebrated EBM 12”s as Dream Weapons, and a particularly heady and open-ended brand of krautrock as Fantastikoi Hxoi. His newest project, Anatolian Weapons, was conceived as a way to bring together these two seemingly mismatched concepts, with the polyrhythmic percussion and wailing tones of Greek folk music serving as their unlikely bonding agent. “To The Mother Of Gods” is Baltas’ debut album for Beats In Space. Created in tandem with Greek folk musician Seirios Savvaidis, it is a work of simultaneous collaboration and subtraction whose meticulous construction becomes more apparent with every listen. An album-length exploration of what happens when the principles of dance music are applied to pre-digital musical modalities. Savvidis contributed stems of ten songs, which Baltas deconstructs and rearranges with appreciation of the ancestry of their lineage and of the deceptively ancient eerie, droning qualities inherent in the style. Occasionally augmenting Savvaidis’ recordings with his own, Baltas treats these elements as if raw materials for an architectural process. It is a record of psychedelic folk music.

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Anatolian Weapons feat. Seirios Savvaidis – To The Mother Of Gods [BIS37]

E.M.U. – Electro Music Union, Sinoesin & Xonox Works 1993 – 1994 [BLOW02/AVA.LP007]

Reissue of rare UK ambient techno from ’93-‘94. Cold Blow has joined forces with Berlin’s AVA. Records in unearthing some of the finest ambient techno from the Artificial Intelligence era in a beautiful double LP package. The compilation covers essential cuts from the back catalog of J. M. Adkins’ releases and includes 2 tracks available on vinyl for the first time. Aside from Descent, a previously unreleased track, the material was previously released on the short-lived Metatone Recordings which was founded by Adkins himself together with Damon D’Cruz known from his preceding Jack Trax label. Compiled from the original DAT tapes and remastered by Andreas “Lupo” Lubich at Calyx Mastering, “Electro Music Union, Sinoesin & Xonox Works 1993 – 1994” reintroduces Adkin’s work as some of the era-defining classics from the early years of techno.

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E.M.U. – Electro Music Union, Sinoesin & Xonox Works 1993 – 1994 [BLOW02/AVA.LP007]

Dimitris Petsetakis – On Shores [ITL011]

Into The Light Records has worked with the Greek composer Dimitris Petsetakis to compile a follow-up album that takes an even deeper dive into his archive of previously unreleased material. Like its predecessor, “On Shores” draws on music recorded in the 1980s and early ’90s. It contains just two previous released tracks, the humid ‘Clearance (Part 2)’ and poignant ‘On Endless Shores’, both of which first featured on Petsetakis’s cult 1991 album Missing Links. “On Shores” offers another unparalleled insight into the picturesque and atmospheric soundscapes created in the Piraeus-based composer’s basement studio using a mixture of electronic and acoustic instruments, a wide range of global influences and a keen interest in both minimalism and new age ambience. Listeners will encounter a range of stunningly beautiful and beguiling compositions, from the creepy, slow-burn exoticism of ‘Pythia’s Dance’ and rhythmic, otherworldly escapism of ‘Violated Asylum’, to the gentle bliss of ‘Like a Knife’ and sun-bright joy of ‘Nearxi (Minimal Marimba Edit)’.

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Dimitris Petsetakis – On Shores [ITL011]

The Bees – She’s A Witch [AAFS042]

Little-known trio The Bees put out only one full album, 1988’s She’s A Witch (Tikoloshi). Its six tracks all offer dancefloor-ready, distinctively South African grooves that show how bubblegum in the late 80s embraced house music. Produced by Steve Cooks, who would go on to work with heavyweights Senyaka, Spokes H and Umoja in the years that followed. Searing vocals and percussive synth basslines are best on ‘Hlabalaza’ (already a DJ favourite) and the title track, it lyrics telling the spooky tale of an evil woman who rules the night – ‘Tikoloshi’ being the mischievous creature of Zulu folklore (usually a man) who is still widely blamed for all manner of mysterious happenings in the middle of the night.

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The Bees – She’s A Witch [AAFS042]

Jason Letkiewicz – The Reflecting Pool [ITLINTL03]

Over the last decade, we’ve come accustomed to Jason Letkiewicz releasing material under a dizzying array of aliases, each utilized to explore a different side of his multi-faceted musical persona. Now, some 14 years after he made his recording debut, Letkiewicz has joined forces with Into The Light Records to release his first album under his real name. ‘The Reflecting Pool’ sees Letkiewicz exploring the uncomplicated and uncluttered in the pursuit of pure aural beauty. The album is stripped back, quiet, melodious is drawing more on Letkiewicz’s love of crystalline ambient, slow burn synthesizer soundscapes, early ’80s library music and the kind of obscure electronic new age music. The set’s 12 tracks gently ebb and flow, with Letkiewicz making great use of dusty old drum machines, effects units and a range of vintage analogue and digital synthesizers. With ‘The Reflecting Pool’, Letkiewicz has provided us with a much-needed dose of stress-free musical escapism, at the same time offering hope that in these troubling times, love may still save the day.

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Jason Letkiewicz – The Reflecting Pool [ITLINTL03]

Rhythmic Theory – Mechanised Dreaming [CRLP14]

Bristol based Rhythmic Theory, known for working the dark and mysterious edges of bass heavy techno and drum & bass, returns to Creme Organization. After his first work for the label in 2017 he now brings a fulsome nine track mini-LP ‘Mechanised Dreaming’, exploring the dark corners of ambient and synth based intrigue. Atmospheric sound design is at the fore here, with cinematic soundscapes crafted from broad synth smears and plenty of subtle little motifs. The music paints pictures of a metropolis during the dead of night, or a former industrial factory reduced to a hall of echoes and shadows. There is subtle tension built from sustained chords and plenty of suggestion of weird lifeforms in the icy ticks and scuttling footsteps of thew a-side. Side b is less dark and dank, with slightly brighter synths and wider horizons all explored. This is a truly immersive and emotive listen that always keeps you absorbed.

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Rhythmic Theory – Mechanised Dreaming [CRLP14]

Kyriakos Sfetsas – Greek Fusion Orchestra Vol. 2 [TBLP023]

Teranga Beat presents Vol.2 of Kyriakos Sfetsas’ 1976 ”Greek Fusion Orchestra” project. Sfetsas’ vision behind the formation of GFO, was to create a piece of work that would expand the boundaries of Greek traditional music. The result was a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, performed by Athens’ best musicians of the day. Following the success of Vol.1, Vol.2 is still reflective of his ambition of bringing together progressive jazz and traditional music, but it does so in a different manner. Although the element of traditional music remains present, it does not provide the compositional foundation for the songs (e.g. most pieces are no longer based exclusively on traditional musical forms). More jazzy and more complex than Vol.1, Vol.2 has a darker feeling, presenting Sfetsas not only as a musical experimentalist, but also as a demanding and distinctive composer, who truly puts his musicians through the test.

vinyl / CD

Kyriakos Sfetsas – Greek Fusion Orchestra Vol. 2 [TBLP023]

Medline & Stéphane Carricondo – A Quest Called Tribe [MBLP05]

“A Quest Called Tribe” begins with a series of portraits drawn by Stéphane Carricondo in 2017 dedicated to Hip-Hop legends. As close partner in art Medline proposed to create a soundtrack for them, and first interpreting ATCQ’s classics with elements of the past, present and future. The best way to materialize this multidimensional tribute was obviously a vinyl. And it’s the one we unveil today. On the visual side, ATCQ’s portraits are composing the front cover and, assembled into a great scene, are printed on a colorful A2 poster. Stéphane Carricondo’s natural lines are highlighting each member’s soul map. The alchemy of the dark ink on emptiness gives to them an impressive sparkle of life. On the musical side, the classic themes are transformed into a polymorphic fusion, were jazz, funk and soul from the original sample sources converse with Tribe’s characteristic beats. Medline added a hint of his magic, unique rhythms, improvisations, arrangements, original orchestration and inspired melodies. The album is an ode to the band that marked both artist’s life and mind. A cultural print and school of sound that designed Hip-Hop foundations. With a blooming expression Medline and Stéphane Carricondo are going to the roots of ATCQ in a quest for the tribe.

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Medline & Stéphane Carricondo – A Quest Called Tribe [MBLP05]

Dennis Young – Primitive Substance [AOTNLP026]

Dennis Young is best known as the marimba player and percussionist for Liquid Liquid. After Liquid Liquid disbanded in 1985 he continued to record electronic music. He composes his own music, which combines influences from rock, jazz, dance, electronic and world music while incorporating unique rhythms and colorful musical textures. The “Primitive Substance” album’s timeframe ends in the year 2004 and the recordings have a jazz feel to it, yet still had dance music elements mixed in.

vinyl / CD

Dennis Young – Primitive Substance [AOTNLP026]

Alan Parker / John Cameron – Afro Rock [BEWITH058LP]

‘Afro Rock’ was recorded at Morgan Studios by John Cameron and Alan Parker in London in 1973 as a collection of stripped-down African rhythms, virtuoso jazz instrumentation, fuzzed up wah wah guitars and spaced out library breaks. The percussion is effortlessly funky, and those flutes so melodic, it’s as if the LP was crafted with the beat lovers of the future firmly in mind. As Cameron himself described it in Unusual Sounds, this is “heavy duty drum-and-bass salsa music”.

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Alan Parker / John Cameron – Afro Rock [BEWITH058LP]

Gruppo D’Improvvisazione Nuova Consonanza – Niente [ROMA111LP]

Founded in Rome in 1964, ‘Il Gruppo D’Improvvisazione Nuova Consonanza’ was a collective of noted and noteworthy composers who challenged the very structure and performance of music itself. Today the most celebrated of its members is the renowned film composer Ennio Morricone but each contributor has an intriguing history in Italian music. Drawing on Jazz, Serialism, Musique Concrete and other extended techniques, the group performed on many of Morricone’s experimental soundtracks of the 1970s including, A Quiet Place In The Country and Gli Occhi Freddi Della Paura). The collective improvised live (according to strict exercises) and in the studio (recording for RCA, Deutsche Grammaphon, General Music and others). In 1970 ‘Il Gruppo’ (as ‘The Group’) recorded The Feed-back (for RCA Italy), an insane amalgam of avant-improvisation and motorik Krautrock-influenced beats that understandably has become one of the most collectable ‘Library Music’ related LPs ever issued. In 1971 ‘Il Gruppo’ returned to the studio to record a sequel. This is that record. For reasons unknown Niente was never originally issued but one listen will convince that not only is it the sequel to one of the most sought after LPs of all time, but it is also by far its superior. Brain melting jams collide with unhinged intensity in a hothouse of Italian avant-improv. You have been warned.

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Gruppo D’Improvvisazione Nuova Consonanza – Niente [ROMA111LP]

Terkel Nørgaard – With Ralph Alessi [WJLP12]

Danish drummer Terkel Nørgaard presents his trio consisting of some of the key players in the Copenhagen scene and American star trumpeter Ralph Alessi on the lineup. Not merely a ”feature”, Alessi and the Danes form a coherent band unit capable of producing memorable and highly inspired contemporary jazz which links to the Nordic tradition of dynamic sound ranging from delicate minimalism to powerful avantgarde eruptions. The album Terkel Nørgaard ”With Ralph Alessi” is released by Helsinki’s We Jazz Records. On the new album, the Danish trio plus Alessi achieve something that can always be regarded a remarkable feat. They deliver a highly inspired set of music which links the album onto the ever-evolving lineage of jazz music, and at the same time introduce a new band capable of stunning the listener in the here and now.

vinyl / CD

Terkel Nørgaard – With Ralph Alessi [WJLP12]

Giovanni Damico – The Boogie Tracks [SC1215]

Star Creature continuing it’s pursuit of bold LP’s, this time teaming up with Italian disco don, Giovanni Damico. With recent major dance floor releases on Lumberjacks In Hell & Kalakuta Soul, Damico shifts gears to his Italian roots to give us a modern funk twist on Italo & space time boogie.

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Giovanni Damico – The Boogie Tracks [SC1215]

Artefakt – Monsoon [SEM107]

Artefakt returns to Semantica to present their second album entitled “Monsoon”. It would be fair to say that Artefakt have not succumbed to the pitfalls of “difficult second album syndrome”. In fact, “Monsoon” is arguably an even stronger and more entertaining set than their lauded 2017 debut on Delsin, “Kinship”. Its genius lies in the Dutch duo’s ability to craft atmospheric, dancefloor-ready techno cuts that prioritize mood and melody as much as bustling beats and rhythmic intensity. While their inherent grasp of atmosphere is best personified by the album’s opening and closing ambient cuts, it can also be heard in the broken techno hypnotism of “Inverted Forest”, the trance-influenced grooves and dreamy electronics of “Monsoon” and the yearning, early morning throb of “Vertigo”.

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Artefakt – Monsoon [SEM107]