
Albert Van Abbe signs to Danza Tribale with ”The Blackest Orange Turns Purple Green”. Including Rrose and Adiel remixes.
Albert Van Abbe signs to Danza Tribale with ”The Blackest Orange Turns Purple Green”. Including Rrose and Adiel remixes.
Since launching in 2011, James Healy’s Air Texture label and compilation series has become something of an institution within the ambient scene. As with its predecessors, the seventh volume in the series has been jointly compiled by two artists with an existing musical relationship, in this case Rrose and Silent Servant. Their selections are on point, drowsily drifting between academic ambient compositions (see Rrose and James Fei’s “For Bass Clarinet 8.97 (Rrose Version)”, uncomfortable electronic explorations (Ron Morelli, Anthony Child), modular movements (Not Waving), jazz-flecked deep space soundscapes (Luke Slater), horror-influenced throb-jobs (Phase Fatale, June & An-i) and 1990s style ambient electronica (Octa Octa, Function).
Stroboscopic Artefacts releases ‘X – Ten Years Of Artefacts’, a 13-track album curated by Lucy aka Luca Mortellaro. It celebrates ten years of his label by boldly confirming its raison d’être: a continual redefinition of modern techno. X – Ten Years Of Artefacts’ is a various artists album in which the label’s key artists respond to its tenth anniversary with fresh compositions. Artists with divergent perspectives and MOs are equally at home expressing themselves. These tracks’ timbres, tempos and moods differ greatly yet—somewhat improbably—they seem together, ideologically unified. The compilation features tracks from Lucy, Rrose, Zeitgeber, Lotus Eater, Shifted, Efdemin, L.B. Dub Corp, James Ruskin, Denise Rabe, Adriana Lopez, Chevel, Alessandro Adriani and Serena Butler.
“Hymn to Moisture” is Rrose’s first solo album, and it unfolds with the scrupulous care and patience that defines all of Rrose’s auditory experiments. The album explores embodiment in natural phenomena by playing with microtonal and unstable tunings, shifting overtones, and integrated modulations that make it difficult to separate tone from noise. Evoking wind, water, rock, and flesh, the album occupies multiple spaces simultaneously: abrasive and tranquil, propulsive and meditative, familiar and alien.
Function & Inland’s Infrastructure introduces its next milestone – Facticity. A 4×12” vinyl box set, CD and digital compilation featuring 15 tracks by key artists, label colleagues and new faces. Function, Inland, Campbell Irvine, Post Scriptum, Cassegrain & Tin Man, Rrose, Efdemin, Vatican Shadow, Silent Servant, Blue Hour, Steve Bicknell and Cleric all feature, spinning a narrative ranging from lush, ambient electronics and post-club diversions, to contemporary club techno and back again. Carefully curated as an album, Facticity represents the foundations of what Infrastructure stands for – a manifesto for 2016 and beyond.
Perception Through Dissonance features a collaboration project from Giorgio Gigli and Obtane. Each production is filled with deep philosophical undertones creating a very nostalgic experience. This release also features a remix from the illusive stateside artist Rrose. This three cut journey starts with “Industrial Assaults” showcases a circadian rhythm style production reminiscent of an old John Carpenter film filled with scattered decaying elements, unearthly soundscapes and brutal baselines. Next in line is Rrose’s interpretation of “Industrial Assaults” which highlights deconstructed elements, warping aquatic molecules and erratic eccentric builds. Ending our journey is an experimental tool that embraces the feeling of solitariness in some alien landscape playing true to the name “Ambient Drama”.
New mixes from the Pacific Blue / Avian camp. Rrose and Silent Servant pull no punches with these insistent takes on the brilliant original.