Emotive & gloomy synth-scapes that sound like a score to a movie that never was nor will be. Played and recorded on an Ipad. Analogue mastering by Guy Tavares.
Mandrake – Bunker 4025/4026 [B4025/B4026]
bunker records
MANASYt vs Sam Lowry – Bunker 4024 [B4024]
MANASYt vs Sam Lowry. A clash, mashup and/ or battle between two minds yet one and the same face. Hailing from the twilight zone, Bulgaria. The currently Xiamen, China, based Petar Tassev has joined the forces of his alter ego’s on this 9 tracker. A side 4 celestial and daring Electro tracks followed by the more eerie B side. An experimental, future horror movie-like sound.
Avé Eva 369 – +/- [BUNKER4027]
+/-, a modern version of the yin/yang symbol, is the title of the debut album by Avé Eva 369. It’s a nine track journey, seen through the eyes of a spirit who has landed on planet earth and makes a labyrinthine trip through its dualistic nature. Worlds of sound arise from subtle electronic textures, transitions and rhythms. Vocals overlay these worlds creating dreamscapes. The songs examine the balance and friction between opposites like heaven/hell or male/female. Avé Eva 369 embodies archetypical and mythical figures, like Eve (from Adam) and the Greek goddess Aphrodite. It’s as if these Goddesses are channeling their ancient wisdom to the artist as a form of coping with modern life. As the album gradually comes to an end, a balance between opposites is found and a long lost paradise becomes visible.
Alavux / Gallus – Bunker 4021 [B4021]
Split release from Serbian-born, Macedonia-based Alavux on side A and The Hague’s Gallus on side B, each with their own interpretation of the more harsh and heavy industrial machine-driven electro-robot alienation, perhaps of some modern hidden ‘Deus ex Machina’?
Low Standard Deviation – Bunker 4018 [B4018]
This very one Lost Boy from Brazil washed ashore the Lowlands’ ‘Finis Terrae’, a produce of first-generation ‘Shock Doctrine’ and a real ‘carioca’ borne on the New World’s ‘Bossa Nova’ and ‘Esplendor Geometrico’ of old ‘Ancien Regime’ para-military junta that delivers quite some maximally dark and manic minimal wave of late, at times even slightly reminiscent of Siouxsie and the Banshees and of Joy Division, and all sung through old and charming, slightly dissonant ‘Samba’ melody lines vaguely hailing from certain sinister up-hill ‘Cidade de Deus’ margins of a distinctly distant ‘Vagamundo’ Purgatory past in either the Portuguese, the English or the Spanish tongues, rendering the paranoia ‘facsimile in Limbo’ of the coming Futurist Global Orderly State, this deep-state ‘Novo Estado Novo’ within the current ‘Nova Bossa Nova’, this ‘Guerra Nova Prometheida por uma Terra Nova Prometida’, the World’s Electronic New Wave ‘Fado’ of Digital Panopticon and similar forms of purely A.I.-bot-generated (nothing personal!) Totalitarian Torture ‘Technique du coup d’Etat’ in genuine random numbers as already foreseen and shown to all some long time before in the Magic Green on that ‘Funky Dollar Bill’, ‘Novus Ordo Seclorum’.
Rogue Frequencies – Vol. 3 [B4019]
Bunker returns with the third volume of Rogue Frequencies. Selected from Mike Hellboii’s archives, a whole set of predominantly heavy ’80’s-and-’90’s-Bruxelles-and-UK-styled electro-wave-synth-poppin’ EBM and other ever-tragically ‘New Romantic’ techno ‘massive-rave-and-lonely-dance floor classics.
David Vunk – Bunker 4017 [B4017]
David Vunk’s mini album vinyl debut on the most legendary cult The Hague record label Bunker records. Expect the true techno acid.
Mantra – Third Mind [B3085]
Pantser Fabriek – Du Bist So Jung [B4011]
Romans – Valere Aude [BK020]
Valere Aude, the debut album from Romans, a collaborative project between New York techno producer Gunnar Haslam and Vienna-based acid evangelist Johannes Auvinen (aka Tin Man). Featuring 12 tracks of hallucinogenic, psychedelic techno, Valere Aude is an acid-etched trip to the outer reaches of the mind. The finished product is a steamy, moody record, experimenting with atmospheres, tempos, and sounds, designed for blistering hot days and cold, rainy nights. We couldn’t be more excited to share it with you.
Damcase – Bunker4008 [BUNKER4008]
Ian Martin – Seer [PZ1016]
Rotterdam’s Ian Martin has brought his own brand of dark ambient and unsettling electronics to a stellar clutch of labels. Of these, it is the Bunker/Panzerkreuz crew that Martin has become most readily associated with, perhaps due to the fact label and artist reside in the Netherlands. Wright Seer finds Martin back on Panzerkreuz for his first release of 2016 and features five more untitled tracks of subtle drone-electro hybrids that sound all the more mind-bending with each successive listen.
Sparkwave – Dystopian [PANZER1033]
Elec Pt.1 – Untitled [PANZER1032]
Unit Moebius live @ Bunker, Arma 17 (Moscow) 20.12.2014
F. Mavelli – Special Brigade [B4003]
The Special Brigade – one of Legowelt’s best fictitious classic-italian-late-’70’s-police-horror-cult-movie electronic techno music soundscape. Florenza Mavelli’s Special Brigade soundtrack (aka Uomini Brigata Specialle) an obscure italian tv-series tells the story of an elite special government police unit formed to counter terrorism and organized crime. It first surfaced on the legendary CBS blog late 2007, only to fade into obscurity again after the old CBS’s foreclosure. In 2009 it was remastered from vintage reel to reel tape and released on Danny’s Strange Life label on a CD album. Now Bunker brings it back! It’s great to taste six of those dramatic cuts on vinyl finally.
Ekman – Panzer-1015 [PANZER1015]
Very dark and menacing and heavily-pounding industrial techno/electro planet rock by Ekman on Panzerkreuz.
Ghetto Gem vs Black Sites – 1029 [PANZER1029]
More fresh new talent from The Hague (Baz Reznik) vs more fresh new talent from Hamburg (F#X in cooperation with Helena Hauff), acid house ghetto tech jam retardedness vs heavy-pounding and brain-crushing acidic darkcore techno insanity.
Klankman – Klankman [B4002]
The Bunker 4000 series with its 3rd release! The Hague’s new young talent debut for crazy acid house and retarded acidic techno, with the same sort of ‘gospel feeling’ as ’90’s’ Chicago’s early ‘Green Velvet.
Helena Hauff – 1028 [PANZER1028]
Hamburg’s saviour of the Reeperbahn darkness, ‘la belle dame sans merci’ from the notorious ‘Golden Pudel’ club, her menacing and ruthless sound strongly reminiscent of ‘Beverly Hills 808303/Interr-Ference’ from The Hague’s sinister ’90’s
The Hipodrome Of Music 