Charles Webster, Todd Sines, Zed Bias remixes. Charles an Zed both deliver stunning soulful house music takes that will ravish dance floors worldwide while Todd creates an analog techno journey around Randolph’s classic Eda Mae.
Chicago’s Specter is welcomed into the Sistrum family with the Bionic Being EP, featuring three cuts of raw depth and sonic purity.
Past Present bristles with tough analog energy as a pushing solid state drum pattern opens into a rousing bassline-led theme. Moody, utterly deep and shining with reverence for the classic days of Chicago.
Sometimes moments of a catastrophic emotion in himself determines how the writer is bringing his words to the paper. Enjoy another mysterious session by the caretaker of haunted sound. It sure is sending shivers down your spine. Spooky!
Mysterious producer under the name June, composes a three track EP ranging from trippy acid house to chicago. Apparantly all tracks were composed on hardware machines.
Four rough tracks by this new Amsterdam underground jacking crew, consisting of MOS label boss Aroy Dee, G-String, known from the infamous Intergalactic FM and Amsterdam’s best kept production secret known as Marco Spaventi! Four times pure old school house beauty & energy!
Panorama Bar’s most respected residents go toe-to-toe on two tracky new cuts for Ostgut, backed with a rare remix from Oliverwho Factory! Chicago influenced techno tracks.
Dirty, sleazy, mean and in your face pumping Chicago electrotechno jack from upcoming The Hague talent Baz Reznik on the ever impressive SD Records label. It has that beloved La Haye roughness that makes it essential for sweaty, hypnotic dancefloors and dark afterparties.
Darren Cunningham’s eagerly‐awaited new album is an adventurous, ultramodern, thoroughly British affair, rummaging about in the inner lives of house and techno, and brilliantly elaborating the accomplishments of his debut, Hazyville.
After a two-year wait since Tadd Mullinix’s last release as James T. Cotton, the man storms back with “On Time”, on Spectral Sound. Four tracks packed with more music than any EP has a right to. The EP includes also a Rick Wade remix.
Here is the starting point for the podcast series. The first mix is from Toygun, a young dj from Hermannstadt , Romania. He delivers a 2 hours mix with more than 40 chicago, electro, disco and italo tracks.
I hope you enjoy it, I certainly did.
After more than a decade of being out of the music industry, Jamie Read is back in business. Jaime Read had a few solid releases in the ’90s and a trickle of collaborative material with Felix Dickinson as L.H.A.S. Inc. (short for Larry Heard Appreciation Society). “Never The Future” EP finds Read picking up on a diversity of sounds that his solo work afforded him.
Deep and raw, at times retarded and industrial edged emotional Jack Trax that are firmly rooted in the Detroit/Chicago tradition. Toronto based Basic Soul Unit (aka Stuart Li) is back on Creme with a 4 track EP.
The fourth in a series of twelves highlighting the diverse and pioneering sounds of the amazing, off-kilter electronic music label, Mathematics. Another solid addition to the Mathematics institution: Le Matin, Kelton Prima, Takeshi Kouzuki, and Stabil Elite. A mix of industrial, r&b dance, acid house and Italo disco.
During the 1990s, and before the Jamal Moss explosion, HB was creating an arsenal of work that was just waiting for the right time to be heard. Here for the very first time, and rediscovered from the archives of his Galaxy Studios, are 3 tracks from 1997 – a project that was wanted by some of the biggest dance/electronic labels of the time, but was “too ahead of its time”. So now 12 or so years later, they finally come to light and are here for the world to hear!
Analog is in. If ever there was a consensus across lines in dance music it is this new religion of the raw. Every week a new storm of analog based productions is unleashed, records giving loyal salute to the forefathers of house and techno, whether it be the jacking sound of early Chicago, the alien visions of Detroit’s finest moments, the captivating trance of Basic Channel or the innovative deep house explorations of NY and well beyond. This much is certain: our gaze is focused backwards. But does this fascination have the integrity to turn forward again with the revisiting of these anachronistic methods, to employ the time-tested warmth & inherent funk of old-school studio gear and update it’s use to realize the potentials of latter day electronic music?
With W.T. Record’s latest release from totally unknown newcomer Entro Senestre, we find a definite answer in the affirmative. “La Caccia,” the title track from this innovative new E.P., redefines & repositions the relentless repetitive insistence of early house & techno, imparting it with a definitely haunting, post-apocalyptic vision of four-to-the-flour experimental reiteration. Favoring the simplicity of direct expression over intricate over-production, “La Caccia” demolishes its way through 3 decades of dance music & continues trudging forward undeterred, creating a new classic of ancient means without relying on the base “minimalism” of early dance music, refusing to sell itself short with the dogma of “rawness” that has encouraged much inane gimmickry. With the impeccable application of Senestre’s muddy, moody chords, simple-yet-devastatingly-effective percussion, and sheer momentum-building, “La Caccia” (re)convinces us that there are still ancient secrets of yore, beautiful mysteries hidden amongst the dying rubble of the past that can be re-animated, revived & retuned to deliver a stunning blow of exceptional creativity & direct visceral appeal that sets this breathtaking work above the rest.
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