
The mysterious Italian producer 2030 is back on CLFT. Here – with these four tracks – comes another deep and refreshing breath, still full of these unique retro-futur-rhythms.

The mysterious Italian producer 2030 is back on CLFT. Here – with these four tracks – comes another deep and refreshing breath, still full of these unique retro-futur-rhythms.

Machine soul Hi-techno funk rooted cuts from the Berlin based Analogue Cops as Xenogears. Included a space acid solid remix by Mattia Trani.

To coincide with the twenty-fifth anniversary of Berlin club Tresor, Juan Atkins and Moritz Von Oswald have released a second Borderland album together. It begins in ominous mode, with the title track’s brooding bass tones casting a long, dark shadow, but the pair soon find a way to break away from the gloom with the mesmerising chords and heavy rhythm of “Lightyears” and the wonderfully spacey Detroit techno of “Riod”. Both “Odyssey” and “Merkur” push the tempo back down but keep an emphasis on hypnotic, woozy textures, snappy drums and jazzy tones, while “2600” shows that Van Oswald hasn’t lost his ability to craft dub-heavy, dreamy techno.

Johannes Volk returns to Polytone with his debut EP. Two excellent techno tracks are in place and a spaced out ambient piece called “It Could Happen” describes the mysterious view from a spacecraft cockpit into the wideness of the universe. On the A-Side Volk blows the whistle of the EP’s title “Asteroid Riding” with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. On the B-Side “Earthbound” pounds with a broad hollow kick, arpeggiated synth’s, alerting sounds and a harmonically settled type of string-line that eases the element’s diversity like the blue planet’s gravity. Within the tracks that have been built to transport the feel of time and space, Johannes Volk again pushes himself on the cutting edge of electronic music.

A key artist in the shaping of electronic music, Dan Curtin has explored many styles in his career and now he has come full circle. The hardware repopulates the studio, bringing with it the inventive, organic techno sound he is most fondly known for, this time with a modern twist. These tracks take you to the heart of the man and are some of his best work.

For the 5th installment in the Planet Rhythm White series, Spanish hardware icon ”Eduardo De La Calle” returns to Planet Rhythm with his ”Adept to the light EP”. ”TR3B Conspiracy” serves as the opener which combines odd rhythmic arps and subtly placed drum sequences to make a somewhat uncanny atmosphere. On the B side we find ”Ranchor Will Cut The Mood” which is a repetitive techno cut that should be useful for after hours. The Doubt Of The Unknown (B2) has a somewhat foreboding title. It’s a FX heavy synth jam that uses oddball synthesis and nicely placed FX chains that evolve throughout.

The Motech label has been building a high reputation of late but it’s actually been three years since co-owner, Detroit’s DJ 3000 (Franki Juncaj) released a 12inch of his own. Putting that to rights, he delivers ‘Take Me Away’ and featured is a deadly remix by Truncate.

Detroit native MGUN aka Manuel Gonzales returns from a two year break from releasing to unveil his debut LP for Don’t Be Afraid, marking the UK-based label’s first artist album. In drawing from these recordings and methods developed over such a long period of time, Gentium captures the growth of a modern electronic artist in a way few albums do, charting the evolution from an unknown quantity in the birthplace of techno to the DJ & producer widely admired today for the fresh immediacy of his approach.
”About half of these tracks were made in my childhood home between 2007 and 2010. Most were recorded on cassette then digitized on a Windows millennium edition PC. I would record these to the standard WAV recorder you can find in the sound preferences, which from there it was possible to use primitive effects to manipulate the audio file.” ”The other half were produced in my current home studio, using somewhat of the same system I used back then, one take for the most part. There is hardly any multi-tracking involved with any of my productions. I use a basic WAV editor to manipulate recordings as well as various analog recording mediums beforehand.”

Unreleased tracks from the vault of the Dutch techno pioneer Stefan Robbers under the Terrace guise.

This new Transmat release from Karim Sahraoui displays typical elements from Detroit‘s classic sound. Finely Intricately and wonderfully worked orchestrated sequences and string sounds take the audience on a voyage through space. Thanks to the songwriting‘s depth of the songwriting, the tracks don‘t lose contact with the ground.

Conceived to offer dance-floor friendly techno music, created to conceptually unite rhythm and mathematical theories, Rhythmath is back with his third release taking inspiration from the well-known mathematical Fibonacci sequence. Rhythmath #003 is set represents the audible base of the aforementioned sequence through three swinging, functional but versatile techno tracks appearing onto the usual mathematically-related artwork.

Never one to sit still, core Delsin artist Conforce is back with a brand new EP on his most regular label. North To South Part 1 is the first EP in a two-party story featuring four fresh cuts, it is another deep exploration of musical subtlety and rich sonic design that comes tied to some of the Dutchman’s more propulsive drum work.

J.C. with part 2 of his Rebellion of the Overman project dropping some physical techno tracks that will work the body and mind/ J.C. communicating through his machines and laying down solid grooves and effective machine rhythms topped by vulnerable contrasting synths.

Heavily 313 influenced tracks from Mattia Trani for honorary Detroiter Orlando Voorn’s Nighttripper Records. Comes with excellent remixes by Juan Atkins and DJ Stingray.

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness. The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.

Debut release from Lamaze on Bliq, featuring 3 deep detroit techno tracks and a remix by the prolific producer Conforce.

Spell PETS backwards to get STEP. Spell STEP forwards to find PETS going back to basics. STEP is the new concept vinyl only label from the founder of PETS, Catz ‘N Dogz, that highlights the rawest forms and root functions of quality club music. STEP finds the fundamental groove with undertheradar house and techno that is isn’t afraid to be rough around the edges. STEP is limited promo and all about the music. Each new STEP will be released every four months on vinyl only.

One of a set of new 12”s from Derrick May’s prestigious imprint – this one featuring a stomping and heavy techno track, based on hypnotic rhythms and somber patterns and that is guaranteed to move everyone on the dancefloor.’ Featuring classic looking cover illustration from the myth that is Abdul Qadim Haqq. Azimute is a new musical project combining the energies of Italian Cesare Marchese and Swiss Philippe Quenum.