
Four monstruous tracks straight from the basement feat. one of the original house music creator Ron Hardy. Connie case – Get down, R.E.M. – Computer communication, Electronic Drums#3 & #4.

Four monstruous tracks straight from the basement feat. one of the original house music creator Ron Hardy. Connie case – Get down, R.E.M. – Computer communication, Electronic Drums#3 & #4.

Light Sounds Dark’s steady plummet into the 5th dimension continues in earnest as the label reach their 14th release. A rather special unit, certain to dissipate as cleanly and as smoothly as a 150mics dose of Sandoz’ finest; best to pay the admission and take the trip now if you want in. Fortune favours the brave and fearless exploration is surely required. Gone are the boogie, cosmic and Balearic coloured fractals, replaced now by dark industrial menace, no-wave bleakness and post-punk tribal space music. Painstakingly sequenced and arranged over three discs to give you a truly immersive journey; fasten those seatbelts and take a trip on the rainbow super highway.

For the fourth release the Salamanca label offers a more possessive synthesized disco sound. Three unknown classics made suitable for dance floors from Mothball don Hysteric, Mike Burns and Afrobot.

‘This Is How It Started’ focuses heavily on the early days of the Chicago sound, especially in the formative years at Ron Hardy’s Music Box. Vinyl Sampler 4 of a comprehensive journey in the essence of Chicago House Music is set too feature Mach, Robert Owens, Clandestino & Eli Escobar.

The fine folks at Moton, that’ll be Diesel and Jarvis, with a 7’s of edit delights… Krypto is deeper than deep with an uptempo space disco number alive with expansive synth lines, funky clavs and intergalactic fx. Flipping it over Exotiq drops down a few gears for an Eastern influenced synth trip in the true wonky cosmic style – all dub fx, off kilter melodies and chanted vocals.

Coming from a cultural landscape that is still yet to fully form can instil in a person an unusually strong force of will. Autarkic is the latest representation of Tel Aviv’s cold wave scene. The leftfield movement through an Eastern lens. Holding up a mirror to the current state of his world, Autarkic (assisted by Red Axes) has provided 4 tracks which manage to be thought provoking, compelling, and even anthemic, in equal measure.

Disco and funk injected house release that will see new light through the nice Fasaan imprint. Released with the spiritual and physical approval of Dusseldorf – Malmo Love Association (DMLA).

Emotional Rescue returns to the post war music of West Germany and the work of Dominik Von Senger and his cohorts based around the Dunkelziffer project. This special “Sampler” EP of recordings was produced as their part in Cologne’s Stollwerck art complex, that acted as a home and inspiration to their musical experiments. Based within the disused industrial warehouses spaces of Stollwerck, a mix of post-hippies, punks and anarchists created a community within that fed off each other’s artistic endeavours.

Turning back the clock, before fast forwarding it, comes Giovanni Damico as G-Machine. A new virtuoso of space boogie. Buckle up, destination: Primo Contatto. Across eight tracks the Italian astronaut traverses the sounds of the cosmos. Warbling reverberations introduce “Flying Objects”, with thick bands of synthesizer throbbing in its veins. The ultra slick “Contact” follows. Electrofunk bars float beneath stratospheric synth. Styles co-mingle. Patrick Cowley melts with Afrika Bambaataa. Disco Magic meets Tommy Boy. An overarching groove permeates the album, a heady funk that courses through tracks like “Body on the Ground” and “Transmission”. The moon based mirrorball sounds flex and flow, “It’s A Shame” cutting floors with sleek vocoders and addictive analogue riches. If you’re waiting for re-entry think again, there is no return ticket. G-Machine will only be taking passengers further and further on his cosmic odyssey with tracks like “In My Arms” and “Boogie Down”. Buck Rogers in the 25th century breakdowns and rollerskate goodness from needle drop to the run-out.

Mystic Jungle’s tribe lands to Solaria planet with a sound inspired by craters, solar wind and obscure presences who are probably responsible for the hieroglyphics found in an abandoned cavern.

Bath House Etiquette Vol. 8 continues the devastation from Gay Marvine: totally transformed Donna Summer, a Prince disco edit that removes all the vocals, his Liaisons Avant Apres Mars master edit, and Iggy Bowie Eno Sister Midnight.

Light Sounds Dark travels through space enclosed within a case of its own building, surrounded by a mass of the forms created by our habitual thoughts. Through this medium we look out upon the world and naturally see everything tinged with its predominant colors, and all rates of vibration which reach us from without are more or less modified by its rate.” This is what is meant when they say that another person’s vibes are “on my wavelength…”

Mark E makes a rapid return after the hugely successful E-Versions series, we now embark E-Work. While E-Versions celebrated the full, dazzling shimmer of the Disco ball lit dancefloor, E-Work turns down the lights, and turns up the system for some pared down sonic sorcery. Emotive, muscular machine jams then, in Vocal and Instrumental versions.

After a year in the making Giallo Disco presents GDLP002 the previously unreleased soundtrack to fictitious writer/director Joel Hughes controversial 80s teen drama Wild In Blue. Featuring tracks from label heads Antoni Maiovvi and Vercetti Technicolor as well as the maestro Umberto, Canada’s Kindest Cuts, Italy’s Queen Of Coldwave Mushy, Germany’s Mirror Talk, the legendary HORD and Fever Dream. Halfway between The Breakfast Club and Gregg Araki, with influences ranging from Gothic Electro, HiNRG Synth Pop and Cosmic Melancholy, this Various Artist affair tugs the heartstrings and warps the mind.

The My Rules imprint was set-up by prolific re-editor Justin VanDerVolgen as an outlet for his wares, whilst retaining an element of mystery. This occasional NYC outlet has unearthed two more hidden gems and rewired them perfectly for modern dancefloor destruction. ‘Closer’ is the pure, distilled essence of the Disco strut, powered up and laid out over an unrelenting, insistent groove. ‘Dig Dag’ keeps the energy levels high with a pulsing, sci-fi, Euro Disco extravaganza.

Pure badness all over this 1979 Jamaican Disco-Funk odyssey. King Sporty should be no stranger to those of you with a keen ear for esoteric underground Disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970’s & his Konduko label has dropped many a left-field bomb on unsuspecting dance floors. “Fire Keep On Burning” is one such bomb, an LP crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the OG version of “get on down” for starters. An essential & extremely rare record & one that deserves a spot in any self respecting Disco lovers collection. %100 heat on here, party jams from start to finish.

Food Pyramid align with Especial for a remix EP based around “Oh Mercy”, a track from their 2012 album Mango Sunrise. The warped breakbeat jam-fusion of the original is ripe for reinvention and gets the remix treatment from Especial in-house team Apophenia (aka Piers Harrison, Stuart Leath, Tim Fairplay), Inhalt and Jamie Paton.