“Sing Me Something Sinister” is like a cinematic sound document from outer space, featuring a collection of European underground artists from the coldwave/industrial scene such as Das Noir, Sololust, Bragolin, Adam Tristan and others covering a wide range of coldwave, electro, post-punk, and EBM. An ultimate overview of the European dark underground scene pressed in limited edition by Seja Records
The second volume of Elementa Obscura moves with even greater force toward the dancefloor: six tracks straddling the lines between industrial, electro, and wave. From FIUMEs cold, pounding opener to Memorexs spacious analog explorations, Nyxloids metallic EBM visions, and Ole Mic Odds razor-edged electro workout, the compilation spans the full spectrum of the underground. Spanish newcomer Thai Lady Boy brings chaos with a fractured industrial techno cut, while RNXRX closes with a ritualistic music excursion.
Between 2023 and 2025, L.F.T. split his time between Hamburg and Berlin, slowly piecing together what would become his most ambitious work to date. The result is ‘Hell Was Boring’ a double album that plays like a fever dream, unfolding as a dark, mythical tale about life, death, and the strange spaces in between. L.F.T. – the alias of German producer and multi-instrumentalist Johannes Haas – has always thrived on tension: between punk urgency and electronic precision, between raw emotion and mechanical repetition. On Hell Was Boring, those tensions are amplified. Drawing on the spectral drama of Bauhaus, the melancholic minimalism of Linear Movement, the futuristic romanticism of Gary Numan, and even the sly swagger of Falco, the album feels at once deeply personal and part of a much older musical lineage. The sound is stripped down to its bones: drums snap and rattle from a Roland TR-808, TR-707 and Korg KR-55; basslines growl from a Roland SH-101 and Korg MS-20; shards of guitar cut through clouds of tape hiss. Everything was tracked to a Teac Tascam 80-8 reel-to-reel, giving each track a lived-in, imperfect warmth. Nothing is overpolished – L.F.T. wanted the listener to hear the edges, the grit, the moments when the music almost comes apart. Along the way, he invited friends and long-time collaborators into the fold – Das Kinn, Rosaceae, Felix Kubin, Children Of Leir, and Konstantin Unwohl – each leaving their own fingerprints on the record’s world of shadows and static.
Samo Records celebrates its 20th release with a special vinyl from Sintex Bortexx. The Argentinian duo present three original tracks, crafting a distinctive sound that fuses elements of New Beat, EBM, Acid, Dark Wave, and more. For the occasion, Samo Records has invited three heavyweights to complete the package, with remixes from Tutto Vetro (aka Curses), DC Salas, and Charlie.
New Beat swagger meets EBM menace on the latest Kri release. New York based producer, DJ and Samo Records owner Facets channels the raw spirit of late ’80s New Beat and EBM into a modern club context with stripped-down rhythms and tense electronics lock. Four original tracks are bolstered with two heavyweight remixes courtesy of Marcello Giordani, the Italo Deviance maestro, and the iron-fisted British techno icon Broken English Club / Oliver Ho.
Jennifer Touch releases her next LP ‘Aging at Airports’ on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: “It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.”
ULTRA SUNN, the Brussels-based EBM/coldwave duo, unleash their highly anticipated sophomore album, The Beast In You, on Artoffact Records. Building upon the success of their impactful debut, US, the new record promises to delve deeper into the raw, primal energies that define their signature sound. Drawing heavily from their Belgian heritage, The Beast In You is a potent distillation of classic electronic body music and the hypnotic rhythms of Belgian new beat. Listeners can expect the unmistakable throb of analog synths and precisely programmed industrial drum machines. ULTRA SUNN expertly channels the aggressive power and driving force of their influences, infusing them with their own contemporary edge.
With the album ‘Dunkelheit’, Grey Gallows have experimented exclusively with the electronic sound using analogue and digital synthesizers and tried to expand their musical boarders into different genres and styles, keeping their artistic signature in every composition from the early 80’s EBM to the modern electronic sound.
Berlin, 2014 — Dj Nephil sparks the label. A few breaks, some chaos… but guess what? We’re still here.
To mark the decade we drop a 25-artist compilation — no genres, no borders, no bullshit. Just raw energy and noise tearing through the system.
This compilation is not just a release — it’s proof that the underground never dies. We do this for the music and for the love that keeps us all connected.
Stay wild. Stay free. With love from Gravitational Waves.
The German-Swiss friendship is further established with BiGOTT, the collaborative project between Berlin-based Sneaker and Zurich’s Scannoir. After their previous releases as ½GOTT and GOTT on Uncanny Valley and some remixes, the duo returns with a third solo EP, marking their first appearance on the Berlin-Basel-based label Reach Another System. Their passion for EBM, Synth Pop, and New Beat comes to life with a fine array of classic drum machines and FM-synths, topped with Teutonic lyrics and archival samples.
“Crisis Del Nuevo Siglo” is the first installment of a conceptual EP produced by Impakto 83. Inspired by the rhythmic harshness of new beat and the mechanical of EBM, this work reflects the industrial impact of a fractured era – the crisis of a future past. A distorted criticism to the age of mass production. Here, an endless workday.
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts. Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love – ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4×4 rhythms.
Mystery Friend is a DJ & Producer from Argentina who lives in the west of Buenos Aires. His search and musical selection delves into the origins of House, Techno, New Beat, Italo Disco & HI-NRG, reviving the nostalgia of the club sound of the 80’s, but maintaining that youthful freshness of the new generation. This is a collection of 13 edits of New Beat, EBM and early Techno.