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Jonny Rock is a familiar face on the London house and disco scenes and the dude playing the guitar in the ”Freaks” project. Rock skill-fully joins the dots between the old school house, underground disco and boogie vibes in a party setting.

Four monstrous tracks straight from the basement featuring one of the original house music creator Ron Hardy. Chicago Music Syndrome – Work It, Chip E – M.B. Dance, Bou Khan – Magic and B Rose – Hey DJ.

Dar Disku release their fourth installment of middle eastern records flipped for the dancefloor. Composed of two club-ready edits of popular music from the MENA region. These two new edits re-imagine what life on an 80’s gulf discotheque feels like.

More heat from the legendary Edit & Dub. Featuring lost mixes of dancefloor classics “Movin On” and “Express” performed by Gino Dentie & The Family. The B side goes into another world with a rare euro disco cuts such as “Voodoo Man” by Biddu Orchestra & “I’m Gonna Dance” by Suna Yildizoglu.

Discos Capablanca are back. Loud-E is back. Cherry Chocolate Chaud edit series volume II is a double A sider with two mouth watering, instant classic floor melters from the maestro.

The first Devastating Records release comes with 4 kller jams. Italo, disco and wave flavours across 4 amazing edits.

The second volume of Italo Moderni edits comes with 8 italo-disco edits from Adrian Marth, Louis Moorhouse, Katmandü and Power Disco.

After a long hiatus the elusive LIES-BLK series returns, this time with a wild five tracker sliced and diced by Brasilian dj, Millos Kaiser. As with all LIES-BLK series these are one time pressing promo only affairs for use in the club. Total floor burners.

12inch release of highly sought after Colored Music edits by Tokyo’s, Chee Shimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of ‘Heartbeat’ that featured on the Japan only “Individual Beauty” LP of 2018 (also compiled by Shimizu).

Awesome Orientalists From Europa is an edits project dedicated to awesome music and new politics. Inspired by record labels and DJs that specialise in reissuing ‘world’ music, A.O.F.E. turns the tables on the perception of exoticism by rediscovering obscure and forgotten western dance floor tracks. The music published in the project fantasises about the foreign, tribal and oriental, but was in its whole created in the west, for the west. The third release on the project features three edits by Aaron Maple.
All profits from this release are donated to NGOs that fight Islamophobia, antisemitism and racism in Europe.

Hello Sailor Recordings is back with its first (and last) release of 2020, this time with another excellent addition to the beloved 7” series. The chaotic sounds and lyrics of ‘Sera que eu to Pirada’ originally released in 1995 by short lived band Silvanna & A Maquina do Tempo, feels current amidst the challenging times we face and it’s accompanied by ‘Vem Viver Pra Mim’ on the flip side. Both songs were elegantly edited by Sao Paulo mystery producer Hotaru for this Brazilian holy grail of early electro and proto-house.

The Edinburgh band Athens Of The North are back as East Coast Love Affair and their soulful and emotive deep disco version “Don’t Be Afraid”, a version of a super rare Disco 45″ by Sky’s The Limit, followed by a low slung and minimalistic afro house workout titled “Taken For Granted” on the flip.

Chicago deknician Traxx delivers an epic 17:00 minute excursion into the world of “proto rhythm” Here we have a blueprint 80s style mastermix which touches upon tracks that may be considered “proto-house” material from a forgotten time when studio experimentation and creativity with the machines were the norm. When producers made music for the djs and the two were all intertwined in the process working hand in hand (we can think about Larry Levan’s “Night Dubbing” album with Imagination as reference”. This 17 minute trip is Traxx’s take on the early sound of New York, some of the records played then and some of the techniques used to “spice up” the records shall we say.

Artifact is again hot off the vinyl presses with a private edition, curated by stalwart editor Bottin. First off, “Manifesto Balearico” does exactly what it says: providing a blueprint of the Balearic Beat genre: thick layers of dreamy keyboards over a lavish mid-tempo groove, topped by a sparse macho voiceover and chanting sirens. With “Palmy Days” we leave the Mediterranean Sea for the ocean and the French West Indies: it’s not so much Latin music, but rather sophisticated tropical new wave. On the B side we cross the U.S. of A. for some naughty Californian Hi-NRG treat, better served straight into your ear channel: “Got Headphones?”. Finally we head back to Bottin’s homeland and explore an Italian city well after dark. “Ok Goodnight!” Buonanotte, amiche care.

The relationship between Calypso and Vilnius is quite strong. This is why this time they invited local talent Plot Pilot to share a release with label boss Thomass Jackson. The A side is Jackson’s time to deliver his two edits. First one is a bongo driven, afro robotic vocals, breakish trance extravaganza. While the second one goes straight for the chin with it’s vocals who command you to work work work! The Lithuanian boys, Plot Pilot, deliver a cosmic bomb full of psychedelic guitars and bleepy noises on their first one and for the second one the pay tribute with a to the Lithuanian seaside where every summer the famous Ant Bangos festival takes place.

A treasure trove of edit wonders from none other than the Turkish master and esteemed digger’s digger, Jonny Rock, released on the ever-dependable Orange Tree Edits. Four cuts, taking you on whistle-stop tour around the inner workings of Rock’s mind, from electro to new wave, with a slice of Serbian soft rock in there for good measure.

Awesome Orientalists From Europa is an edits project dedicated to awesome music and new politics. Inspired by record labels and DJs that specialise in reissuing ‘world’ music, A.O.F.E. turns the tables on the perception of exoticism by rediscovering obscure and forgotten western dance floor tracks. The music published in the project fantasises about the foreign, tribal and oriental, but was in its whole created in the west, for the west.
All profits from this release are donated to NGOs that fight Islamophobia, antisemitism and racism in Europe.