
Master of the ‘refined machine funk sound’ Cignol makes his return to UTTU with uplifting, euphoric electro.

Master of the ‘refined machine funk sound’ Cignol makes his return to UTTU with uplifting, euphoric electro.

Dutch producer Böhm with some eell crafted futuristic electro and early Detroit inspired techno on the latest Emotions Electric release.

DimDJ makes a welcome return on Gated for a second EP of acid-inflected hardware tracks, showcasing a range of sounds, from mid-tempo arpeggiated opener ‘Next On Next’, followed by the faster Detroit electro-influenced ‘The Path’, and low-end bothering ‘Cashe’ on the A side. The B leads with the rather lovely ’10th Of May’, which in our book is basically a summer-soaked Balearic house track, followed by the experimental acid techno of ‘Crash’, before ‘Ampi 00 Pattern’ winds down the EP in pensive ambient style.

Legowelt brings his legendary sound to the still-emerging Portuguese label, All Nice Records, launched in early 2024. Following their initial Chicago House-inspired releases, the label now shifts its focus to the vibrant Dutch West Coast scene. ‘Netherworld Sonomosis’ is a captivating and melodic electro EP that showcases Danny’s passion for his craft and his unique production style. This versatile four-track release is perfect for spinning at any hour of the night, inviting listeners to immerse themselves in its dreamy soundscapes.

Four killer Detroit inspired techno and electro tracks anthems from Die Gestalten, the multiplicitous moniker behind whomever it is that also operates the long-serving German label of the same name. Panther Schallplatten promise no repress, and yet also no “games, faces or bling bling”, offering a tempting tradeoff between limitation and candour. ‘Unsere Waffen’ and ‘Kaltland’ establish versatility enough on the A-side alone, the former track serving an acid aperitif backed up by joggling chord cuts and blooming arps, the latter following on via a nouvelle cuisine “heater” on ice; twinkly cubes inside a sonic seafood chiller, and steamup windowpane breaths in the surround mix. The B-side is a comparative voider , ‘Das Universum’ working in huge hooverish synths and the surprise ‘Vorort’ erring nervous breakdance tool.

Four techno tracks by Andrew Red Hand from Romanian released on Diffuse Reality Records.

‘My album follows this time an already existing other idea of Electro and will be therefore on my new Label “3MULATOR BOY”. It’s my attempt of a variant of Technobeat-Electro. The inspiration for this came after hearing DJ MELL G at the Mechatronica label night at the Human Club in Barcelona 2024.’

Another edition of Die Gestalten with heavy, deep and retro futuristic electro tracks in the vein of Red Planet.

Filmmaker presents a new album named ‘Great Tribulations’, selfreleased on bandcamp.

Umwelt and Parand join their considerable forces together for this last outing of the year on the New Flesh label. It comes on translucent green wax and opens with the collaborative ‘Time Paradox’ which fuses techno and electro rhythms into a thrilling, bumpy ride to the cosmos. ‘Spaceshifters’ is their second cut together and this one has more brutal drums and coarse, coruscated percussion. Parand goes it alone on the flipside for an acid-laced electro-techno monster and then Umwelt brings a little celestial melody to ‘Transmission From Hydra.’

Like the morning sun penetrating a Winter sky, a shimmering frost flecks the brightness of “Message to Nowhere”. The four tracker showcases the sound of Ruben Benabou’s Hyperstellar nom de plume, a sound that draws inspiration from sci-fi soundtracks and the warmer currents of electro. Refracted bleeps introduce the title piece, shorn beats cutting through glowing synthlines as the EP takes flight. Tight terse drum patterns are the launchpad from which melodies sail and swoop in “Words in a Void”, bittersweet strings and warbling pads bending and shifting above juddering basslines. Fellow Frenchman, and all-round electro virtuoso, The Hacker remixes “Message to Nowhere”. Pulling the track toward the centre of the floor, scissoring snares slice through echoing notes and silken shrouds in this machine funk remake. Temperatures rise for the close. Bold key changes and snapping rhythms gather in “A Thousand Nights”, a lively late evening close to a quartet of sheer quality.

Following her iconic and genre-defying EP ‘Spacewoman’, Charlie has joined forces with Italo heavyweight David Vunk and prolific label head Franz Scala for two remixes of her singles, “Let Go” and “Spacewoman.”

Two originals from the enigmatic producer pdqb: An übergroovy and supernatural disco track that could easily be the brainchild of Claudio Simonetti and John Carpenter, followed by a dark and dystopian technoid dancescape. On the flipside Danny Wolfers chips in 2 outlandish electro-eargasm Legowelt remixes.

Dalmata Daniel releases Redate IV, the latest chapter from synth jam mastermind J. Mono’s series of archival gems. This album brings together twelve previously unreleased tracks from 2014-2015, showcasing his playful, melodic style across electro, acid, and IDM landscapes with his signature uptempo beats, along with a few more downtempo tracks in this selection.

Over 25 years ago DJ Maaco and P Dog aka Detroit In Effect released the mean green “Only Time Can Stop A Dream” EP on their M.A.P. label. Tracks like “313 Frequency” and “Sike Yo Mind”, just to name a couple, banged dance floors from Detroit to Europe. Now with new generations of music lovers almost three decades later catching on to sounds some would now consider vintage, we feel it’s only right to pull out some throwbacks and make them available again. So here’s to old and new, the reissue of Detroit In Effect – Only Time Can Stop A Dream.

TLXCO’s music is rough, pure, imprecise and spontaneous. A lover of analogue jams, bizarre electro rhythms and underground club culture, Pietro Giubilato contains in his work a plurality of different musical perversions which, when exposed, will intrigue the most esoteric type of listener.

Release No.10 features ‘Everyday EP’ the first solo record by Hayter of the Dog Balls and Westlake & Hayter fame. The record seamlessly transitions from 2000ish Gigolo vibes to Detroit electro-funk and wave anthems. The release is spiced with an acid power ballad of a remix by Hayter’s fellow Leipzig electro poet Credit 00.

The second album from Noda & Wolfers on Nightwind Records is here. With “Evil Fades In Echo” the Japanese dub melodica virtuoso Takafumi Noda aka Mystica Tribe meets up with Danny Wolfers aka Legowelt again for an unique concoction of digital dub acid hall with raw lo-fi synth wave. Buckets of echo, crumbled tapes, mind altering phasers, luring spring reverbs, sloppy hythm boxes, heavy intense bass and the ever mystifying melodica playing from Noda bring this project to a new level.

Hexagon – the sixth installment in our yearly compilation series – is here, bringing together six tracks that explore a range of powerful and intriguing musical directions. Clouzer kicks things off with a driving EBM monster, setting a bold tone right from the start. Next up, Gunce Aci delivers a high-tempo, hypnotic hard-hitter. Then, Radondo takes us in a darker direction with a haunting EBM piece that blends atmosphere with intensity, creating a sense of eerie tension. Ton Globiter follows with a high energy of a track, infused with his signature vocals that give the track an undeniable punch. Dream Days maintains the momentum, keeping the tensity high. Finally, KMBN wraps things up with an electro-tinged, leftfield track, offering a surprising and experimental finish to the compilation.