
Nullptr returns to Fanzine Records with “Tides & Gravities”, a new chapter in the ongoing relationship between the artist and the label following several previous collaborations.

Nullptr returns to Fanzine Records with “Tides & Gravities”, a new chapter in the ongoing relationship between the artist and the label following several previous collaborations.

Among the projects that helped redefine European electro and EBM at the turn of the millennium, Electronic Corporation and heimelektronik remain essential references. Blending machine-driven rhythms, melancholic synth work and an instinctive understanding of the dancefloor, their productions captured a unique moment where classic body music was reimagined for a new era. Collecting four timeless recordings that move effortlessly between electro and EBM, this 12″ is driven by sharp sequencing, uncompromising drum programming and a singular vision of electronic music.

pdqb shows no signs of slowing down. Relentlessly productive and constantly locked into transmission mode, it delivers 13 tracks of its unmistakable electro-cognition sound. Sharp, futuristic, body-moving music wired straight into the nervous system. The remix lineup is equally heavyweight. Four elite reworks from four serious operators, each one twisting the source code into new dimensions; Egyptian Lover, Felix Da Housecat, Sniper Mode and Umwelt.

Clone West Coast Series presents Vaporwave part 1 and 2, a collection of electro tracks from dynArec.

Gladio Operations releases its sixteenth release, and bears the signature of Brice Kelly, marking the American artist’s return to the label. This EP, titled ‘Beyond The Singularity’ ,once again showcases the producer’s distinctive style, crafting his unique electro sound.

‘Practical Limits of Nihilism’ is a double album by Das Ding containing 14 brand new tracks. On the album, Danny Bosten searches for meaning in an incomprehensible world in which even nihilism does not offer a way out anymore. Created on self-built analogue synths and drum machines, Practical Limits of Nihilism sees the typical Das Ding sound evolving into new territory, including 4 vocal tracks. The atmosphere varies from dark wave to ambient trance and italo, while remaining true to itself. The artwork on the gatefold sleeve was also created by Danny Bosten and reflects a collapsing world, leading to the emptiness that is symbolised by the white vinyl the album is pressed on.

As part of the 13 years celebratory of broken gear and perseverance, New York Haunted compiled a compilation of heavy duty electro, electro funk, electro breaks for you. A top notch selection of dance floor oriented electro cuts from the likes of Cliff Dalton, Club Mayz, Jauzas The Shining or Nachtwald.

Introducing Cold Voltage – a new series wired for tension, circuitry, and raw machine emotion. This first volume sets the tone: cold, direct, and built for dark rooms. On the A-side, Elena Sizova opens with “The Balls”, an experimental descent of bouncing basslines and cavernous synth textures. Filmmaker follows, delivering his unmistakable dark wave electro signature – sharp, shadowed, and hypnotic. Violet Poison & Echo Protocol close the A side with “Into the Silent Blue”, an electro vocal cut designed to ignite the floor. Flip to the B-side: Jennifer Touch strikes with “Don’t”, a rolling, snare-driven machine track that hits without warning. Mr. Funghi pushes further into EBM/Techno territory with “Off for the Weekend”, a relentless piece built to tear down walls. Closing the release, The Spy delivers “Track Reaper”, a dramatic Italo wave finale that lingers long after the last note fades.

Ingo Hammer lands again on Industrial Lies with ‘Hammer to Fall’, the ultimate record for tough times. As the apocalypse approaches, the mysterious European producer drops the hypnotic techno of ‘Lucky’ and the pulsating, bass heavy ‘Tenth Gen’. Shifting focus, he delivers dubbed out sleazy disco on ‘Dirty Glow’ and explores gnarly, sewer electro with ‘Mind Control’. The world is burning and ‘Hammer to Fall’ is the soundtrack to the party at the end of the universe.

Estonian producer TigerMort joins Body Musick with ‘Trip To Vatican’ EP, a hard stomper 4 tracker of bass electronics and industrial electro.

“Anthony Rother presents DATAPUNK 20+ YRS” is a project that has been in development for many years and is now finally completed. Anthony had to leave Datapunk behind more than a decade ago and redefine himself musically. He now brings the Datapunk era to a reconciled and fitting conclusion. “DATAPUNK 20+ YRS“ features exclusively Anthony’s works. It includes classics as well as many previously unreleased tracks from his archive, offering a deep insight into the overall creative body of work of Rother’s Datapunk phase. Particularly noteworthy are Anthony’s carefully crafted hybrid reworks of his classics Father, Back Home, and Punks. “DATAPUNK 20+ YRS” can be described as a musical autobiography. The album tells the story of an initially naive artist, with all its highs and painful lows. It is a time capsule carrying a timeless message for those who were there back then, and for all those who are still emotionally touched by it today.

With Mystic Letter K, Cari Lekebusch steps into a parallel, more mature and conceptual universe—one where he fully explores a mental, tribal, deeply hypnotic and highly danceable strain of electro. His sound is built on constantly shifting patterns: elements that repeat, reconfigure, and sequence themselves in multiple ways, creating a continuous
sense of motion that drives the listener into states of trance and altered perception. ‘Occulimus’ captures this essence with surgical precision: an unmatched groove, raw yet refined, designed for the dancefloor but equally suited for full immersion. Each side of this double vinyl acts as a powerful and versatile tool, allowing any DJ to build, sustain, and transform energy with a single record in the bag. A direct, functional, and absorbing work that reaffirms Lekebusch’s forward-thinking vision and his unique ability to sculpt sound in motion.

Maman Küsters return to Oráculo Records with “Oniromancia Completa”, a third vinyl release carved from tension and precision. The duo—Gaël Loison and Cyril Pansal—refine their language into something sharper, harder to define: a rigid hybrid of EBM and electro where structure becomes intensity. Furious step-sequenced arpeggios cut through dense low-end pressure, while knife-edged drums lock the body into a mechanical trance. On “Dos Mundos”, Pedro Peñas (UPR) enters the system with vocals that fracture the surface, adding a human pulse to an otherwise relentless machine. Built for dark rooms and uncompromising floors, “Oniromancia Completa” is not just played—it is deployed. There is no ornament here—only function, force, and control. A decisive strike for both electro and EBM purists.

For the second Interdimensional Transmissions record from Detroit’s Andy Toth, he explores a sci fi fusion of electro and acid, with a remix by BMG of Ectomorph fame. Andy Toth has a long history in Detroit Techno, from an engineering and mixing background where he mixed records for the likes of Mike Huckaby and many others, to co-authoring “Sandwiches”. For this record, Andy had the songs mixed on hardware by BMG in his studio, to give them an even more 3 dimensional sound and an even greater weight. The result for the “Mind Lock EP” is simultaneously hypnotic, acid, sci fi, and electro. The depth of tone, density of sound and maturity of concept come through the 4 deeply compelling tracks that you can just get lost in.

Unsighted lands on KRI with Bodywreck – a four-track descent into shadowed electro, where fractured rhythms and cold synth work carve out a bleak, dystopian zone. Brooklyn-based Nicolás Sierra pairs sharp vocoder cuts with icy synths and heavyweight low-end across Bodywreck, Mental Models and Transfigured Time, while the aptly titled 1984 locks into a rigid 4×4 stride laced with bleep-driven paranoia. New York mainstay and electro OG Alonzo reworks 1984, tightening the screws with his unmistakable, hard-bouncing signature.

Luis Malon returns to Overthink Records with a 4-track EP. Four cuts rooted in his distinctive, functional sound. Driven by raw drum machines, acidic lines and precise sequencing, the release moves between techno and electro with a direct, dancefloor-focused approach — tight, hypnotic and built for late hours.

No introduction required for the the legendary ‘No Call From New York’ EP by the UK’s cult electro act Transparent Sound, the finally reissued for everybody that missed out previously is finally here. Transparent Sound repress this classics slap of forward thinking electro in its original format including remixes from Sync24, Mr Velcro Fastener and Larry McCormick.

Larionov lands on Tiger Weeds with ‘No Way Back’ with a direct, tension driven electro EP shaped by raw sequences, melancholic tones and steady forward motion. Throughout the release, Larionov balances stripped-back introspection with functional dancefloor energy. On remix duties, The Exaltics drags ‘Celestial Ocean’ into darker territory, applying his signature cinematic pressure to create a heavy, peak time version.

‘Undercurrents’ by Filmmaker is an interconnected body of work that drifts into moods and mind travel through the slower side that distances from prior dance/club-intended tracks, a new yet familiar exploration in search of emotional resonance, resemblance and tonal identity following the downbeat, hazy granular synthesis and low lit atmospheres developed on recent and not so recent releases.

“Orb Age” is a new electronic music release by Gavelman, released on Lifeforms.