Half of Indonesia’s Senyawa (the band’s sole instrumentalist, Wukir Suryadi) with a solo release for Morphine.
experimental
I.B.M. – Eat My Fuck [SYNSEN004]
Special limited cassette of I.B.M. aka Hieroglyphic Being’s ”Eat My Fuck” which was originally released on vinyl in 2014 & is out of print. Limited to 100 numbered copies worldwide. Includes 2 stickers. A demented sonic painting of rhythmic cubism & synth expressions.
Maoupa Mazzocchetti – Laugh Tool [MNQ080]
Mannequin Records announce ‘Laugh Tool’, the debut full-lenght of Maoupa Mazzocchetti, pseudonym of Florent Mazzocchetti, young and talented French producer based in Brussels. Maoupa Mazzocchetti is finally bringing back to life the earlier days of electro-industrial, in a mixture that is very close to the late 70’s/early 80s period of Fad Gadget, Throbbing Gristle, Portion Control, Cabaret Voltaire and Front 242, crossed with the more fresh and innovative deep electronic experiments of Beau Wanzer and Charles Manier. Strongly addicted to a DIY ethic, and so to a punk ideology and anticonsumerism, most of Florent’s releases are recorded in his bedroom without any professional equipment, using analog synth and sequencers, modified drum machines, tape loops and a load of pedal effects. Florent started to experiment with the rhythm since his early age. Developing a passion for the drums at the age of 10 years, soon after he was moving to rock records and guitar, which became his instrument and one of the keystones of his perception of music. Florent approach with rhythm and drums was never traditional, making him feeling more a researcher than a musician. To an audience of contemporary electronic music consumers, who had only closely followed techno, electro and disco, the sounds of ‘Laugh Tool’ will appear unearthly, entirely unexpected, withering comets of strangeness. A 10 tracks album ready to change their minds…
Nuel – Hyperboreal [FUR100LP]
Italian DJ and producer Manuel Fogliata hasn’t released a lot of records over the last ten years, but the few he has put out have always been worth tracking down. Perhaps best known for his work alongside Donato Dozzy in creating the much sought-after Aquaplano records at the tail end of the last decade, Nuel’s solo outings have been just as consistent and just as impressive. Whether taking on metallic electro or syrupy, bass-heavy ambience, Nuel’s attention to detail and his keen ear for a groove has made each release something to treasure.
Jordan GCZ – Lushlife II [RHD024JGCZ]
Jordan “Jordash” Czamanski doesn’t put out many solo records, but when he does, they tend to be rather special. Certainly, that is the case with Lushlyfe II, the Rush Hour released collection of ambient and experimental downtempo. He begins with the drowsy ambience and watery sound effects of “Sweet Dreams” – a kind of experimental, instrumental lullaby – before capturing the weary confusion of early morning stumbles back from the party on the soothing, guitar-laden “Yetghua”. Even better is the oddly exotic, jazz-flecked fluidity of “Sus”, while closer “Bol” is little less than a mood-enhancing horizontal treat.
Sova Stroj – Silent Earth LP [TTTB008]
Sova Stroj is the nom de plume of Luxembourg-based producer Michel Flammant. With a history in black metal, rock and synth pop bands, he has now ventured out on his own, delving into experimental and electronic music. Sova Stroj’s debut album ‘Silent Earth’ explores feelings of willful desertion through forty minutes of highly concentrated and almost teleologically dark ambient patterns. Musically the album is centered around an abstracted industrial music influence paired with precise and evocative melodic and harmonic explorations.
Nico Motte – Life Goes On If You Are Lucky [ATN024]
Nico Motte, the man behind the visual identity of the Parisian imprint Antinote, makes an impressive come-back on the label’s catalogue with Life Goes On If You Are Lucky. Each song seems to be the result of a long session of orchestration by Nico Motte, composer, arranger and conductor, who has been attributing to each electronic component a specific role to play in these 7 little instrumental suites, disturbed from time to time by human elements – a saxophone on Terra d’Amore, the voicefrom Syracuse’s Isabelle on Tacotac – only to reminds us that Life Goes On If You Are Lucky is above all about human fragility.
The Analog Roland Orchestra – Roden Crater Vision [ORN038]
A collection of tracks, skits and moods for James Turrell´s visionary Roden Crater project by The Analog Roland Orchestra.
Credit 00 – PHNCST240
DJ soFa – Pingipung Podcast 64
Xosar – Holographic Matrix [FREE DOWNLOAD]
Techno mystic Xosar witha self-releasing 11-track album on Bandcamp. Holographic Matrix is filled with some of the murkiest and most sinister tracks of her career.
Nomad Ninja – Avond Sluimer [NW006]
Fourth in the Nightwind Records Cassettetape series. Dozing snuggy amateur synth jazz for the serious psychonaut. Oozing cloudy Rhodes electric pianos and saturated trip synthesizers. Comes in the usual luxurious vintage c64/zxspectrum style microVHS video game box . Also includes free professional dome sticker and “Nomad Ninja” Microzine/map.
Barry Donovan – Theories Of Escapism
B12 – Orbiting Souls [113DSR/B12-1]
Delsin present a new EP by B12 aka Steve Rutter entitled Orbiting Souls, a name which comes from the fact the veteran artist has recently spent contemplating the loss of a friend and believes we are surrounded by lost souls and spirits. Orbiting Souls is a somewhat complex journey, a representation of inner Bi Polar opposites; isolation; sadness, but also acknowledging the great and wonderful things around that swirl and support and energise us.
Tarquin Manek – Tarquin Magnet [BLACKEST047]
Tarquin Magnet is an album by Tarquin Manek (F ingers, Tarcar, LST), his first full solo release for Blackest Ever Black, and a unique synthesis of time-dilating folk jazz romanticism, brittle chamber dub and plasmic post-techno electronics.
Petre Inspirescu – Vin Ploile [MULEMUSIQ192]
Romanian minimal techno hero Petre Inspirescu releases a solo album on Japan’s Mule Musiq and what a moment in a brilliant career thus far. This guy is a true innovator and many are curious to hear what kind of journey into the deep and bizarre he can take us on. Starting out with the exotic bongo meditation of “Delir 1” and the breathtaking immersive ambience of “Delir 2” or the sinister and unsettling “Lumiere” things start to develop more movement later. Such as: on the deep hypnotic vibes of “Delir 4” or “Delir 6” which feature sombre string arrangements, emotive piano passages and some of the most expressive and restrained drums and percussion performances. All nine suspenseful compositions seduce with a deep melodic sensibility, harmonic adventures and an overall rhythmic ambiance of freshness and laidback enthusiasm. Together they represent a challenging auditory experience that will resonate in your mind long after the music has finished.
Charles Manier – American Manier [BOP004]
Tadd Mullinix returns to the lesser spotted Charles Manier avatar for the second album release on his Bopside label, and the first under this guise following releases for Nation and Ghostly. The resulting 11 track album is mostly new material with a lineage of inspiration that can be traced back decades, from box banging EBM club trax to spectral beatless excursions. Drawing influence from a variety of sources but still a cohesive, engaging listen – ‘American Manier ‘ is destined to become a future underground classic.
Chris Alexander – Music For Murder [GDLP003]
Journalist turned producer Chris Alexander is something of a hive-mind of information when it comes to obscure horror film music, so it’s perhaps unsurprising that his new album sounds like a pitch-perfect tribute to synthesizer-heavy, Italian “Giallo” soundtracks, and the horror-disco style perfected by John Carpenter. It’s made up of tracks Alexander wrote and released – usually via obscure, CD-R only labels – over the last decade. More importantly, Murder Music is actually rather good, with Alexander offering a perfect balance between clandestine synthesizer motifs, panicked beats, clanking industrial textures, hypnotic guitar lines, and chords that seem to creep up from behind.
Hieroglyphic Being & J.I.T.U. Ahn-Sahm-Buhl – We Are Not The First [RVNGNL033]
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents ‘We Are Not The First’, an epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the JITU Ahn-Sahm-Bul. ‘We Are Not The First’ combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked as different personale patterns over a week of studio sessions in Brooklyn, said syntax translates into mesmerizing sound forms as the ensemble excavates sonic folklore and ancient music, employing spiritual-jazz’s welfare and health as an agency for balance. An album with an active brain, ‘We Are Not The First’ aspires to reprogram the mind, to transcend our expectations through bugged-out percussion, modular mayhem, flurries of free improvisation, and voices carrying through the air. Hieroglyphic Being & JITU Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. ‘We Are Not The First’ is an 11-part epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: ‘We Are Not The First’.
Marcello Napoletano Presents Ra Toth and the Brigantes Orchestra – Introspettivo EP [BH025]
The last time that Marcello Napoletano flew this far off the radar was on Jamal Moss Mathematics label back in 2012. Now the follow up release comes on another outsider label, Berceuse Heorique and again, Napoletano treats the listener to another freeform selection. While the Italian producer’s house grooves have always been unconventional, going all the way back to Listen In Dreaming, this is in a whole different realm of weirdness. “Introspettivo” kick starts the release with doubled up beats and mad percussive whirrs and clicks and deranged cowbells. “New Old Think” goes in a jazzy direction with sax squalls fused with Patrick Pulsinger-style atmospherics and “Sunplasemood” ends the release with dubbed out beats and space invader bleeps.
The Hipodrome Of Music 