
Fragil Musique with some analogue jackin’ acid jams from Acid Square Dance.

The explosive initiation of One Electronica’s “1210” series comes from Ann Harbours D’Marc Cantu. The series will consist of one twelve inch and one ten inch vinyl. The extensive palate of sounds available on this pack range from slower ambience influenced grooves, outright “jak”, industrial grit pursuing to intense, pace-ridden, electronic mayhem; as heard in “Microdots”.

Here comes the first release of the brand new label named Roze Balletten. The label’s first offering is a various artist EP with tracks from Creme’s Innershades, Belgium’s Raw Sketches and Hotflush producer Locked Groove. Innershades opens the label’s account with ‘Volksverheffing’, which is a classically inclined bit of house music with a prominent bassline that dances about with real elasticity. The kick drums are as weighty as Kerri Chandler’s and the singing synths bring some Detroit futurism to the table in classy fashion. Raw Sketches, who also works as Ekleltiker and Tunguska, goes for a much slower, deeper, more purposeful vibe on his track ‘Spilzucht’. It’s one that wanders mysteriously on lumpy drums as sinewy synths perform acrobatics in its midst and will tie you in knots by the time its finished unfolding and evolving. Last but not least, Locked Groove comes hard with his firm techno workout. Machines go wild at the heart of it all and the ticking percussion is angry and insistent: it’s somewhat freaked out and acid in the latter half, working both itself and listeners into a noir frenzy.

A nice mixed bag as ever, featuring label partner Prima’s first solo effort – grooves effortlessly and into darkest Africa , other half of LHT Alphonse brings the drama with – Acid Melody – youngest member Jamie Blanco makes a welcome return – with his trippy little Black Jack and finally newest recruit Asok crunches out this classic sounding piece of 4 to the floor goodness.

Chris Moss Acid returns to Mathematics after a 6 year hiatus with a manic furry onslaught of squelch & tweaks to rupture the mind. Hard hitting acid tracks and good old fashion four to the floor rhythms.
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D’Marc Cantu has long been a standard bearer for hardware revivalism, having first released his drum machine-heavy blends of vintage jack and starlight rave revivalism on Creme Organization back in 2007. Here, he pops up on Ansatz with a superbly varied trip into warehouse-friendly territory. There are a couple of rush-inducing doses of strobelight-enhanced rave revivalism territory (the frankly nasty “Heater” and brilliantly wide-eyed “Surface Dweller”, which sounds like it’s been ripped from pirate radio sometime around 1992), a Larry Heard-ish foray into tactile analogue deep house (the brilliant “Grey”) and a thrillingly industrial-sounding fusion of jackin’ beats and clanking bleep melodies (“Box Sound Scape”).

On a rainy late September day in the mid eighties, 7 year old Phillip Lauer didn’t know what to expect from that little new born G, who was referred to as his brother Jacob. On the other hand, Baby Jacob wasn’t very sure of what to make of this – back then still sporty – youngster either, who behaved like his boss. To make a short story long… it took them almost 30 years to finally find out – behind the helm of the infamous Pyramide 2 Studio when conducting this fine piece of home made dance music: the Brudis EP.

Slow Life’s first release from their label. Skittering, Jersey-edged numbers sit alongside Juno-acid bangers and a wailing sax Detroit cut

Versatil EP with strong tracks by Amir Alexander / Hinode / Samuel Andr Madsen / Chris Mitchell. Special Record Store Day 2014 release.


Michel Baumann has long been a steadfast measure of everything 4/4 electronic music should be, both as SoulPhiction and Jackmate and as a curator of Philpot Records. Coming up from the same hip hop roots that inspired Circus Company in the beginning, he channels a sample-fuelled, jazz-inflected sound that would buckle under the weight of the soul contained within were it not for the strength and presence of his rhythm section. Strong Patrice Scott remix.


Deep Space Orchestra’s Use of Weapons label has always been a reliable source of analogue-heavy left of centre deep house, with each split EP, featuring tracks from a variety of like-minded producers, featuring a range of must-have nuggets. This expansive sixth release, with eight tracks spread across two slabs of wax, is no different. DSO’s beautiful and surprisingly fragile “Mendoza” leads the way, with 7 Citizens calming, alien house groover “Fatum” close behind. Arguably best of all, though, is Other Worlds’ “Coldname ELD”, a sparse and bassy concoction blessed with some brilliant, Head High style pianos. It is, though, all good, with further impressive contributions from the Detroit-included Haku.

Meaty new various artist ep that features tracks by label head Soy Mustafa, acid man Jared Wilson, dubjack specialist XDB and relative newcomer City 2 City.

New release on Housewax featuring The Prince Of Dance Music aka eLBee BaD. I’m Old Skool I Got A Box is a co-production with Diego Morales.

Dutch label Dekmantel release the debut full-length album from New Jersey producer, DJ and Inimeg Records boss Joey Anderson. Entitled After Forever, the album is the natural next step for a producer who has turned out plenty of deep and intriguing techno EPs for labels like Latency, Deconstruct Music and Syncrophone over the last couple of years. Having been championed by the connoisseur likes of Levon Vincent and DJ Qu before the rest of the world cottoned on, Andersons style has proved to be truly idiosyncratic, where near bottomless techno grooves get run through with haunted piano lines, shadowy synth work or elegant drones. There are barely ever any claps or snares, instead just plenty of deeply hypnotic kicks and plenty of noir tension. “Every track on the album has its own take on my personality, my mentality musically and my vision of off-dancefloor music,” says Joey. “I find it very difficult to create something for people just to like. I’d rather pay attention to making them get close to the album and uncover the ideas within it. Being my first LP, it’s dedicated to my two daughters, Akatriel and Auset.”

This one is dedicated to Chicago. 707 as the master triggering the 101 and Juno 6 with some Alpha Juno 1 Chords thats it. No Midi, no editing, no software just the pure pleasure of a one-take-analog-jam.

Denmark’s Erosion Flow aka Henrik Koefed with his debut release on vinyl. Strong 4 track ep with nice lively cuts that go somewhere between the gritty and raw vibes of some current Detroit house productions and some retrofit club house vibes.