Metallic sequences, hypnotic pulsations, groovy rhythms and deep raw chords. Innerspace Halflife delivers with this three tracks Ep an authentic piece of Chicago’s finest electronic music.
house
Marquis Hawkes – Higher Forces At Work [DABJ1204]
Jacob Stoy – Redenswart EP [UV12]
Jacob Stoy and his very first solo EP for Uncanny Valley. Everything starts with Redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower.. Hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. Start is maybe the most conventional Deep House track on the EP and seduces with catchy synth chords and thrilling drums. Finally Gegenwart brings things to a jazzy end with tipsy synths and tripping percussions.
Intergalactic Gary & D Cosmo – We are still here Mix
A mix done 4 hands by Intergalactic Gary and D Cosmo to celebrate the upcoming party at Club Zukunft the 16th of February 2013.
Jacob Korn @ Boiler Room (Berlin) 12.12.2012
Credit 00 – Input Selector 120
Willie Burns – Made Like A Tree 75
John Daly – Pandora [1TRACK008]
John Daly dropping a monster track on his own 1track Records. Moving away from the previous deeper and chicago rooted tracks on the label he drops a massive peak time house track with massive chords and a pulsating sub baseline. Flipside has a more stripped and dubby Pandora Box remix.
VA – DJ Muscle: No Posers [WT014]
WT Records makes another turn. This time aiming back at the dj. A beautiful and functional 3 part vinyl dj series: DJ Muscle.. No posers. 3 records with 3 catalog numbers. Each part has a full color jacket & label art by Marion Guillet. The series starts with slow mo freaked out Pink Floyd makes dance music from Serbia and moves on to space disco, freaked out emotional outsider house, and all the way back to wild African influenced electro dance beat. Hand picked by label head and music lover, Dj Speculator aka Willie Burns, the 3 part series will be a solid addition to any djs record bag and good enough to satisfy the collector as well.
Levon Vincent – LWE Podcast 149
Sir Stephen – House Of Regalia [SILK032LP]
Nawlin Dahlin Sir Stephen creates a time-trippin’, style-hoppin’ virtual reality fantasy zone with his new LP House Of Regalia. 8 flava profiles to drop on yr tongue – from the Brand New Heavies-inspired, NDea-diva vocals by Fleur de Lis on One x One, to the cooltempo/rare groove take on New Order, Dance For Life, to the Underworld-weary born-and-raised slippy ripper Get Wet. HOR is a lux layer cake of sister-soul mantras (I ll be pushin on!), acid jazz latte lounge breaks, jackin-the-Black Box piano house holds, thrown shades, fashion plates, and dizzy dancefloor dee-lites. This is music for dancers, pure n sample.
Soundstream – Julie’s Theme [SOUNDSTREAM006]
Two discoid house cuts by Soundstream on his own label. On “Julie’s Theme”, there’s some unabashed delay rippling going on, but still that ever-loving disco groove sits underneath in the bassline on the one and the natural hand claps. On the flip, the disco is thoroughly loud and proud, with “Inferno” resplendent in searing Philly strings and slinky bass that was built for grooving.
Mango – Edits #1 [BLK001]
Two edits from Mango. A side is amash up with Paris Grey’s Don’t lead me, somehow made a bit more brittish with a broken beat and 90’s chill out zone, future sound of london strings. B side contains ‘Move’ which sounds like very early Chicago.
The Organ Grinder – Jersey Jam / My Rendition [CATAPULT006]
Two proper peak time house tracks here from The Organ Grinder blending UK Garage vibes with traditional US House. My Rendition is a refined and warm housey affair which kicks off on a light piano tip before the bass creeps in to disarm and charm dance floors. Vocal snippets drop in over the breakdowns and the tracks irresistible melody to lead it to an intense atmospheric peak. Jersey Jam is a svelte jersey style future groover which sticks to the basic principles of crisp drums paired with a melodic hook set around a simple and quirky arrangement with an infectious vocal gluing the whole track together.
Lektronikumuz – Skills Podcast 02
VA – Dead Cities Vol.1 [EYED001]
Portuguese duo Photonz curate Dead Cities compilation – whose title is inspired by the Future Sound of London album of the same name – which is the most articulate expression yet of their love of warped electronic music. Limiting the selection to a group of artists who are close, local Portuguese talent is prominent and due to this tightly-knit approach, there is a cohesive sound on the compilation, but it could never be called smooth or polished.
Antenna – Antenna EP [CIRCLE001]
Chicago jack tracks, early nineties Dancemania style inspired EP by Antenna, including a Legowelt remix.
Alan Hurst – Nzambi Remixes [ERS004]
After the tense and dramatic soundscapes of Jason Letkiewicz’s Nzambi LP under his soundtrack guise Alan Hurst, Emotional Response have put the tracks to the test for three appropriately oddball remixers. Fellow L.I.E.S. affiliate Terekke turns out a heavily sedated dub of “Nzambi” that rides a pacey house beat but buries everything in delay and reverb. Timothy J Fairplay brings some serious sleazy 80s electro tones to “Parallel Sensations”, complete with predatory vocal and thick ladles of synthy goodness. Finally, Jonas Reinhardt cools off the intensity with a blissful ambient version of “Before The Dawn” which plunges headfirst into a warm bed of melodic drones.
J Velez – MMT Tape Series – Home Recordings 1996 – 1999 [RH124LP]
Recently a series of very limited and mysterious 12”s by Jorge Velez popped up in stores around the globe – Rush Hour chased the artist and now offers a selection (which includes exclusive tracks) on this double LP. J Velez aka Jorge Velez recorded these tracks on various analog machines in the mid to late nineties in his home studio in Jersey City. The tracks never really left his studio until recently.
The Reflektor aka Gifted & Blessed – Las Ruinas Mayas [WO-2K12]
There has been much speculation about the significance of the Mayan system of timekeeping. Many researchers on the subject have verified that the Mayan long count calendar, which is only one of several advanced timekeeping tools devised by the Mayan people, comes to an end on December 21, 2012, with no real clear explanation as to what exactly that signifies. This musical offering is not meant to speculate on the meaning of this date. Instead, it serves as a tribute to one of the most astronomically, mathematically and architecturally advanced civilizations in the history of planet Earth. Each track is a tribute to one of the many Mayan spiritual sites known to date.
The Hipodrome Of Music 