
New release from Efdemin on Curle, including two tracks ‘Farnsworth House’ and ‘Blount’. The last one is a collaboration between Efdemin and his good friend and fellow Dial artist Kassian Troyer.

New release from Efdemin on Curle, including two tracks ‘Farnsworth House’ and ‘Blount’. The last one is a collaboration between Efdemin and his good friend and fellow Dial artist Kassian Troyer.

The first release on Black Catalogue is coming from owner Monty Luke. The “Tomorrow EP” contains three tracks and gives an eclectic glimpse into what just what Black Catalogue is all about. The A-side, “Tomorrow,” is a sub-bass driven snapshot one of Detroit’s possible futures. “The Next” is simply a message. And the double-A side, “Yesterday & Today” is a Detroit dancefloor record that takes a filtered disco hook into a future direction.

C-Beams’ debut artist EP on Uncanny Valley. For “Strollin’” they lend the vocal talents by Tina Slotta and the result is an irresistible House-jam. Easy vibrant beats are complemented by birds’ twittering, warm keys and Tina’s carefree lyrics. Jackmate’s remix toughen things up and transfers the tracks with mighty Detroit- chords into a real monster for the dancefloor. The slightly murkier “Scrapyard” takes its strength out of the interaction between its vehement beats and the C-Beams- typical sound excursions.

Sebastian Genz aka Moomin drops a teaser for his forthcoming album on Smallville Records. “Sweet Sweet” introduces the tenderness of Moomin’s deep diving sound and is supported by a Oskar Offermann remix.

Massimiliano Pagliara’s debut album “Focus For Infinity” gets some action. Phillip Lauer (Arto Mwambe) and Gerd Janson (Running Back) team up as Tuff City Kids, offering two takes on “A Wrong Chance”. Sweet layer cake of bass, synths, strings and for those who are faint at heart, an additional riddim version provides hidden acid fantasies. On the other side, Oliver Hafenbauer and Christian Beisswenger (Arto Mwambe) keep on exploring their sharp electro funk under their B.H.V.F moniker.

The second part form Simoncinos’s “The Warrior Dance”. On the A side, 2 brand new tracks : one cover of Marshall Jefferson as Jungle Wonz “Time marches on” & “Inga”s crème”, while on the B side, there are 2 remixes from Chez Damier.

Mark du Mosch takes you on his unique journey that glides perfectly between contrasting emotions. Sombre notes brush with warm melodies over four bubbling tracks that are as at home on the 4am shift as they are on the stereo.

The Opiates is the latest project from the “queen of electronic soul” Billie Ray Martin, together with Norwegian musician Robert Solheim. This is the taster of remixes and first single “Rainy Days and Saturdays”, from the forthcoming album ‘Hollywood Under the Knife’. Remixes by Hercules and Love Affair’s Kim Ann Foxman on ” Jalousies and Jealousies”, as well as all-time heroes Chris and Cosey of Throbbing Gristle on “Anatomy of a Plastic Girl”. The XHK Mix of “Silent Comes The Nighttime (Again)”, with its hard Dubstep flavour completes the picture and gives the song a completely new voice and vibe.

Benjamin Brunn delivers his latest EP via new label Ashes. 4 cuts of Clavia Nord & 707 heavy blissed out house music spread over two slabs of vinyl.

Words coming from Danny Wolfers aka Legowelt:
“Ok people here it is the new Legowelt album which is free to download for u all Its got a hella lot deep tape saturated forest-techno tracks on it and when I say Techno i dont mean that boooooooooooring contemporary shit they call techno nowadays with overrated tallentless pretentious douchebag cunt DJs playing a few halfassed dumb mongo beats and being all arty fartsy about it.
F*ck that, I am talking about: Raw as fuck autistic Star Trek 1987- Misty Forests- X-FILES,- DETROIT unicorn futurism made on cheap ass digital & analog crap synthesizers recorded in a ragtag bedroom studio on a TEAC VHX cassettedeck in DOLBY C with an unintelligible yet soulfull vivacity.
if you like it you can donate some $ or Euros, Any donation small or large is appreciated u can paypal to: wolfers@xs4all.nl so I can buy more crap synthesizers to make stuff like this and repair my Roland Juno 106 which stopped working during the recording of this album…probably cause this shit is tooo deep and it just couldn’t handle it…. doesnt matter, the bottom line question is CAN U HANDLE IT???”

Fourth Wave returns for it’s second poem from the dark abyss of change, this time from the mysterious 18 year old Gerry Read. Multi instrumentalist Gerry chops through layers and layers of samples with his own playing to create landscapes of rolling deep Detroit flecked house music.

Debut release of the new US. label Stolen Kisses. Hakim Murphy delivers the original version, a dark and moody track driven by salvos of cutting percussion that give rise to glowering synth progressions and ominous blooms of sub-bass. Its paired with two remixes from Los Angeles Santiago Salazar.