‘Red Line’ is a collection of four archival tracks by Periferico, a lesser-known alias of Italian producer Livio Fogli, noted for his activity in the 90s electronic music scene. Lovingly rescued from DAT and now released by Undersound, this is organically lo-fi acid trance to a T, blending charmingly undermixed elements with chimey progressions and tittilating builds.
This 3 hours and 45 minute selection showcases musical blueprints of all rare Chicago and New York like the days of old mostly from the radio shows with disc jocks playing music mixes.
The 1st chapter is from the definitive days of house music from Traxx playing from the early 80s, 90s and today from vintage and out of print record labels Trax, Jes Say and Dancemania to multiple Boyd Jarvis and Timmy Regisford productions but also material from Delroy Edwards, Steve Summers, Modern Analysis and new material.
Many thought this type of sound would never come again but we’ve been giving hints over the years that we hope this will give people the chance to listen to music many may have never heard on this side of sound that provides a provocative and thoughtful musical workout in your mind.
To celebrate the 5th anniversary of the label, Partout starts the Paris series with an ep of 4 tracks produced by the Too Smooth Christ
Optimo Music Digital Danceforce 49 comes with two thunderous discoid dub tracks from Al Wootton.
Tragic Revolution, a New Beat track from 1988, gets an uptempo edit by Lennart. The catchy melodies and dark vocoder voices caught his attention and inspired him to give this song a new twist. Lennart is a 25-year-old producer and DJ from The Netherlands who started working at Slow Motion at the beginning of 2021. This edit was made in the summer of 2021 in the studios of Sameheads in Berlin.
The 17th sonic tale on Childhood Intelligence is written, produced & mastered by German Electro artist E-Control. The debut album entitled “D.N.E.”, presents a lifetime legacy compilation of tracks, which were written and programmed throughout various years, ranging from 1996 – 2010. Inspired by the passion for 80s Electro, early Bleep, Techno and House – E-Control transforms sounds and rhythms into his own sequence – his own powerful & mystic D.N.A. engineered to the future.
DMX Krew announces his return to Peggy Gou’s Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’. Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record – before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip.
Upstairs Asylum Recordings is one of the many seminal Detroit labels run by local legend Norm Talley. It’s right in the middle of a busy run right now with no fewer superb run with three new EPs all dropping in quick succession. This one is a split EP with US duo Solid Gold Playaz taking care of the a-side. As always with this pair, their sounds are deep and dusty house with exquisite melodies tugging at the heart. On the flip, Gari Romalis steps up with the slick percussive skip of ‘Detroit After Dark’ then ‘Panties’ from Brian Neal brings jacked up analogue groves that lean into techno with a big fat bassline.
“The MidiVerb Chalice” is a new, entrancing mini-album poured out from the mind and soul of Danny Wolfers. Here he commands an arsenal of synthesizers and sound artifacts to guide us through the halls of a feverish supernatural rave, weaving together spellbinding sounds and hexing the hordes of EDM. Do you care to sip from the Chalice of MidiVerb? Awaiting you on the other side is a world of kaleidoscopic and hypnotizing techno with an esoteric soul. It only takes a small dose of Danny Wolfer’s concoctions to induce a state of total entrancement.
Beyond ecstatic to finally offer a glimpse into the world of Voertuig. Working on music for several years, purely for themselves in sheds and studios tucked away in the outskirts of The Hague, Tonal Oceans presents an album by the four piece act containing music embodying the true spirit of the city.
Halvtrak returns to Cold Blow with techno-romantic rave escapism, riding Chi House-leaning rhythms and intergalactic Techno sculptures. If his previous “Images By Night” dealt with things nocturnal, Digital Dawn opens the curtains to a blue-eyed retrofuturism, bursting with colour and spark.
As one of the finest and most stylishly eclectic labels out there, you never know where Emotional Rescue will go next. This time out they head into a world of Afro-cosmic. Bôkaye’s 1990 gem ‘Ethno Groove’ stands out as a classic of the genre and joins the dots between the early house and techno sounds that were sweeping Italy with new age ideals, Afro drums and chunky tribal percussion next to Balearic synths. It features syncopated analogue beats and live percussion and as well as the original, this 12” features two of the further mixes that came in 1994.
It’s been nine years since Antoni Maiovvi released Trauma on Bordello A Parigi and now, he returns with “Birds of Paradise”, his latest musical incarnation. This avian themed four tracker is beyond anything you’ve heard from this synthesizer wizard. Complex, deep and layered, the EP is testament to a talent rarely heard.
Last seen on Discogs in 2017, the mysterious Marvyn Don returns with a full release of his old Lilac Road & Swag related EP from the early 2000’s, with four UK techno and tech house inspired rollers that are fit for any dark club or afters. This EP has been brought back to life with some exciting additions to the series coming later this year.
Originally hailing from Japan but currently living Berlin, SJ Tequilla is known far and wide for his Teknobuskers project, a hardware DIY dance party hosted with friends and held regularly in ‘Max-Koch-Passage’, Berlin. The energy from these dance parties can be felt and lived through his latest ep, ‘GG Allien’. SJT’s skillful use of mind melting background tape textures and moody pads provide the encapsulating canvas for otherworldly acid lines, driving hardware percussion and enlightening melodies. An EP primed to transcend the listener to a place of communal acidic dance appreciation.
EYA Records label has scored another big one here with this old-school House and Techno flavored EP by UK producer Tom Carruthers. In the last couple of years, the Chesire music-making machine has impressed with a series of super solid releases on LIES and his own Non Stop Rhythm imprint. “In Grooves EP” is an ode to the 90’s dance music sound with a modern and refreshing perspective.
Much has been said about Nami Shimada’s JPop Bubblegum Deep House anthem. Produced by Soichi Terada in 1989, Larry Levan used to bang it in he Paradise Garage, ressurected by Creme in 2004, over a decade before the hype. Here’s all the versions that matter, including a beautiful and haunting Legowelt remix.
Awanto3 (also known for his work with Aardvarck and Kid Sublime on Rednose Distrikt) returns to Rush Hour with “Party” Volume 1. Moody and rolling MPC work outs with live accompaniment from a solid cast (Jos De Haas (New Cool Collective) on percussion and Stefan Schmid (Zuco 103) on keys).
The Hipodrome Of Music 