
Killer old school analogue hardware jacking acid tracks by Perseus Traxx. Expect those raw bunker/acid planet vibes on this new Barba release.

Killer old school analogue hardware jacking acid tracks by Perseus Traxx. Expect those raw bunker/acid planet vibes on this new Barba release.

From the jagged electro tinged ‘Seattle City Light’, through the drifting hazy levels of ‘Blacked’ and ‘Pisces’ to the kicked back paradise of ‘Untitled Monday’, Rudolf C serves up a masterclass in blissed out backyard house.

Dog in the Night staple Robert Crash gets back at it with a new EP of house madness. The Italian producer once again shows us why he’s the boss, clocking in with another four tracks of acid fueled beaters. Off kilter beat tracks that are sure to get the tweakers in a frenzy, this is what house is and should be.

Burbling basslines. Hissing hi-hats. Snapping snares. Soulful synths. Streams of machine currents meander and merge in The Red Hour, Mark Du Mosch’s debut EP for Pinkman. Four cuts of compelling and complex electronics, each track offering a different side of Du Mosch’s sound. Textured techno from the margins.

Following his acclaimed North Bend album of 2015, Chris Roman, known as 214, is back on Shipwrec with the third in their series of single sided odysseys. A haze of bass descends for “I See What You Did There”, a clipped drizzle of percussion falls before thick acid bars tremble into position. Echoes, reverb and decay merge, groan and bend as the preconceptions of ambient, electro and techno are pulled apart. In one breath dense and complex, the next grooving and future funk dipped. An epic example of 214’s talent. Single sided 12″ with a silkscreen printed B side.

Giallo Disco dark overlord Antoni Maiovvi delivers a sprawling italo beast that will conquer all your inhibitions. On the flip, Lucas Savidis of the Rattler Proxy delivers a remix reminiscent of Badalamenti on acid.

For the second part of his “Connection Lost” series Massimiliano Pagliara teaches a lesson in how to translate Disco music in a modern language of sound. Without further ado “Trying To Hide But Then I Cried” comes across as pure dance floor material. Above a drum-fueled foundation various synths swell up and down while the bassline is pumping steadily for an irresistible groove. “If You Were Here” on the other hand benefits from similar ingredients but has a rather dreamy feel to it. Thanks to its elegiac pads and pensive synth melodies. “Ukulele Groove” takes its time to build things up but when the bassline and those distinctive synth stabs come in you can’t help but hope for a never ending summer. The final word here is “No More Love To Follow” featuring the vocal talents of Matthew Morris, a slow progressing, gloomy Disco ode to the ups and downs of love.

DimDj has no control over his life. Machines, records and noise boxes took over years ago. This is more than confirmed by this 5-track journey from acid techno to the old-school electro and further to Kuno’s dystopia, who delivers a complete acidic rework over PTN1.

Little is known about Konstantin Tschechow, the first and last time we met was around the turn of the millennium in the small city of Koenigsbrueck in the far east of Germany. It was during one of my regular night strolls through the countryside, when I ran into him accidentally. He was standing there in the middle of nowhere leaning on the fence of a train yard where he was, as he said “recording silence”. I found that very interesting and we got to talk to each other. After a long conversation about everybody and his dog we found out that we were both Grandsons of Afrika Bambaataa. We planned to hang out more often so we exchanged phone numbers and he gave me a CDR with some of his recordings before he disappeared. A couple of weeks later I called him up to ask if we could meet, but he told me that he had to leave the country because the local authorities found out that he illegally immigrated from Aldebaran. Before I could say “to hell with this fascist state!!!” the connection was interrupted. I tried to call again, but he must have dumped his phone to make sure nobody could track him down. That was the last time I ever heard from him. A few years ago, there were rumors of him being the sound man for reincarnated John Lennon on various tours around Galaxy Mt23, unfortunately I could never afford tickets to find out. One lucky day in 2015 I found the CDR that he gave me on our first and only meeting ever. I discovered 5 tracks and instructions to release them in the year 2016 during a Penumbral Lunar Eclipse.

Vibraphone Records is releasing a record by the Italian DJ/producer, Nick Anthony Simoncino. For the production of this record, Isole Del Tramonto (Sunset Islands) Simoncino uses a selection of strictly old school analog synthesizers, and drum machines, which takes you on a charming magical journey through the Mediterranean Sea with pulsating minimal deep bass lines, oneiric harmonic textures, exotic tom tom patterns, hypnotic sexy and catchy grove beats. Isole Del Tramonto is a record that connects and combines the essential elements and spirit of deep house music along with providing its visionary future…

Pizzico Label head Billy Bogus is back on track, this time joined by Kasillen , mysterious producer and sound designer who comes from a hip hop and black music background, and is behind Italian pop projects. Bogus & Kasillen come up with two original tracks with the consistent help of a MPC 1000, blending old Italian horror soundtracks with dubby/cheesy analog sounds so to convey the sense of discomfort you feel while watching a thrilling Italian b-movie, but in a clubby way. The final punch comes from the acid psychedelia of a different version of the same track by In Flagranti and the 80’s space-like vibe of homeboy Ma Spaventi.

Electro and disco inspired modern club tracks with bubbling arpeggios, sizzling hi-hats and playful acid lines and tight percussion.

Module Werk kicks off proceedings with ‘On The Verge’, one of two tracks by the elusive Russian. Warm, yet brutal sound design underpins ascending chords, whilst percussion leaps in and out of the track to complement its narrative, before an acid-esque line, leads the way. A2 sees Drummond’s next outing on vinyl, with ‘Concentric Rinds’. Here the versatile producers track is centred around a bass line that has dynamic range from the playful to the wonderfully aggressive. Embedded underneath is a sonic remit that is as nostalgic sounding, as it is forward thinking. The second offering from Module Werk has more of a direct approach than his A1 track. A straight up acid line gets thrown around the track, while snares and kick drums dance directly with it. It’s tension never wavers. The B2 side is by Leeds and Mint Club resident Bobby O’Donnell. His track ‘Repartition’ is circled around a warm bass line while stabs, synths and hi pitched melodies happily jostle with each other throughout the track.

Second EP on Mathematics from Jamal Moss aka Hieroglyphic Being and Deviere ”Ghetto Sketches EP” is an experimental fusion of Jazz/Deep House/Black Noise Art Rebellion that will invoke mental incantations of fever.

Dutch Veteran Gerd’s return to Royal Oak. For the occasion he dusted of the classic gear and especially the Yamaha DX100. Four tracks from Planet F.M.D.X.

Ramona announces Benjamin Milz first full-grown EP. Being made by a Frankfurt kid with a mature sound signature, Basic Motions nods towards what once was and what could be one day.

Frenchman Arno Emilien Mathieu is the boss of Clima Records. On The Earth project, he shows us some really immersive and complex deep house arrangements such as on “Tears Of The Whales” which is just beaming with soul. On the flip “Terra” has that spiritual house vibe; with its mesmerising harpsichord melody and tribal rhythms, this one was absolutely sublime.