
Four monstrous tracks straight from the basement featuring one of the original house music creator Ron Hardy.

Four monstrous tracks straight from the basement featuring one of the original house music creator Ron Hardy.

Belgian producer Innershades giving it up for DJ Haus’ imprint. On the A-side, two house tracks for the upcoming summer and on the B-side 2 gheto-house gems.

“Electric Park Square” is Interstellar Funk’s debut EP on the Rush Hour label. The mystical six tracker takes you on an adventurous multidimensional journey. Part of a new breed of young Dutch producers and DJs, Interstellar Funk crafts magical melodies and textured tracks that look to the future whilst taking cues from the past.


For his second chapter on Crowdspacer, Crackboy aka Krikor, the king of French dirty analog techno, digs deeper into that Detroit melanchol-epic vibe with Weapons Of Steel on the A-side before going bonkers on the B-side with 2 naughty stripped-down beat-centric DJ tools for the sweaty late night crowds. Made me think of some Gemini tracks when I first heard it (that’s a compliment).

Anopolis are a collective of four Thessaloniki based producers (Dimitris Evagelopoulos aka DimDJ, Drum Machinee, Lowjac, Oldman Talkin’) coming together for their second release on Lower Parts. Three tracks of electro acid tinged techno with some serious drum machine tinkering. Also comes backed with an incredible Hieroglyphic Being remix.

Layup is continuing with full-fledged vinyl release on his own imprint Endless Illusion. Opening new series on the label called “W” because of white labels. Whole series is going to be silkscreen on the covers and hand stamped inside.

Florian Meyer back on Berceuse Heroique, with ten minutes of gamelan psychedelia, subtly and tensely minimalist as Terrence Dixon at his best. On the flip, Dresvn takes more of a beeline to Detroit, fuelled by submerged classics like UR’s Coinochime — cosmic, but deadly and unsettling. (‘Gammel’ means ‘junk’, in German. Maybe Magellan the explorer permeates that title, too, going round in circles in the East Indies, giddy and gammy below decks, amidst his trophy exotica.)


DUM Records are dipping into the label boss’s production archives for the next one: it is a reissue that features tracks from a number of classic Mono Junk releases. Two came on Trope Records, one in 1995 and one in 1993, and the last pair of cuts come from 1996 when they were released on Plug Research. Arguably some of the influential Finnish producer’s finest work, all of the tracks here emphasize how long he is operating on the top of his game already.

Gary Gritness AKA Slikk Tim lands on Hypercolour with The Sugar Cane Chronicles Vol. 1. He displays a deft hand of producing futuristic funk sounds. A spot on blend of raw drum programming and blissfull jazz funk riffs, “Preachin Some Tight Game” sets the EP’s tone just right with its infectious melodies and cruising groove. Darker 1980’s soundtrack vibes are explored on “Stayin’ Strong Hand’ with its thick analogue atmosphere, whilst the laid back and freestyle vibes of Working Girls’ demands to be played in the Cadillac with the top down. EP closer, “Fly Shit”, continues with the tranquil melodies and G-Funk factor.

Portable with his first release on Rhythm Cult. ‘Reeva Numbers’ is a dusky production complete with ethereal organ chords, offbeat stabs and subtle melodies. Next, ‘Only Human’ draws from the sound of the producer’s Bodycode moniker, implementing more dancefloor-focused aesthetics with the help of shuffling rhythms, deep vocal moans and heady keys. Concluding the release, ‘Moving, Trains And You’ is the most minimal number of the package with rolling percussion, soaring pads and a heightening suspense.

The latest 12″ on Kitjen comes with super solid 004-to-the-floor vibes by Suzanne Kraft from LA.

Solarism is the result of a common fascination for landscapes and a passion for contemplation. For the second release Solarism welcomes Franck Roger. On A1 Franck brings a real fusion of Cosmics and classic Deep House vibes, remembering his first love with electronic music but definitely oriented to his nowaday modern vision of sounds. The melodic groove of the calimbas percussions drives you till the heart of the track and his swinging drum, to never let you go and brings you up in a neverending hypnotic mind dance. On B1, Arno E. Mathieu version push the hypnotic vibe of “Tiger in The Hood” using the original arpegiator theme, and brings the track to a deep techno level for a textured and anthemic experience. Ponctuated by a strings hit appearence and supported by a non stop heavy bass-line, the track progression brings us till a melodic synth conclusion true to Arno fusionned style…

Parkway label returns, taking a first step into the year with a sound that’s skipping winter and spring and squares its silk synth focus on the summer. This time round it’s Trey Risque whose “A Night With The Boys” features an instantly catchy hook worthy of Yazoo which is given more weight by the detailed counter melodies and riffs that fill all the right playful spaces around Nikki’s Kathy Diamond style delivery. For a leerier night out with the chaps, head for the Trail Of Destruction Dub.

Leonid and Jose Rico team up as Cygnuss and drop a double 12″ on Freebeat. This stunner of a double pack spans ambient melodic structures, burning acid lines, noisey electro and bashing house tracks.

Amir makes his triumphant return to Argot with an exceptional and strange EP, across three arresting new tracks. The Butterfly is a seductive record. Its supple grooves and unique textures are ear-catching whether or not you notice the twisted lyrics of “Butterfly (The Monarch)” or the read into titles like “Many False Prophets”. Yet close observers are rewarded with bread crumbs that bring Alexander’s perspective into focus