
“I Know U Have Wings” EP feats 4 tracks from one of Mathematics’ main artists, Giorgio Luceri. A serious deep textured beating EP for the serious dance floor movers & shakers.

“I Know U Have Wings” EP feats 4 tracks from one of Mathematics’ main artists, Giorgio Luceri. A serious deep textured beating EP for the serious dance floor movers & shakers.

Part 2 of the Future Jack Programs To Respond serie, bringing even more future jackers and deep & deeper techno tracks.

Eight tracks blend the boundaries between original productions, illicit remixes and straight re-edits. There’s a celebratory, life-affirming feel throughout, from the rubbery bass, D-Train synths and rolling house grooves of Giovanni Damico’s ”The Break Down”, to the bluesy deep house brilliance of Borrowed Identity’s ”Queens Bridge”. Highlights are plentiful elsewhere, too, from the hustlin’ electrofunk-meets-disco of Vogel’s own ”Come On”, to the killer synth solos and fuzzy bits of Tim Jules’ thrilling ”Slap Beat”.

One of the hidden artistic gems on Mathematics comes with another solo project of high class, jump up, movement on floor sounds.

Glasgow has a new label on the horizon in the shape of Work For Love who kick off proceedings with a fine 12″ from Mr Timothy J Fairplay. Given his previous form and the title of this 12″, it’s easy to suggest the influence of John Carpenter looms over No News From New York, but there are more strings to Fairplay’s bow than that as the four tracks prove. There is a range of tempos explored here, with “Carla Is Typing A Message” a deathly crawl through delay-laden synth drama, whilst “Court Street Shuffle” is a life-affirming box jam that wouldn’t sound out of place on a Legowelt record. Those melodies! “Mickey’s Theme” is more redolent of Fairplay’s celebrated work with Sir Weatherall, whilst the title track is the slowest production here and is quite captivating.


As label debuts go, SALT001 feels like a genuine statement of intent. Run by Melbourne producers Shedbug and Rudolf C (who both contribute tracks), Salt Mine’s first outing touches on a number of contemporary deep house trends whilst retaining the kind of hazy, Balearic feel most associated with the Australian city. Mall Grab & Rudolf C’s dreamy “Untitled (Track 2)” pays tribute to the new age house sounds of Vancouver, while Shedbug’s “End of the Drone” inhabits the ambient techno territory recently visited by Shine Grooves and the Acting Press crew. Elsewhere, Coastdream’s “Untitled 16” sits somewhere between Motor City futurism and the raw rhythms of L.I.E.S, and DJ Phlowgod’s “Summer” is a pitch-perfect analogue jam full of clattering machine drums, boogie synths and jackin’ intent.

Greg Beato returns to Funkineven’s Apron imprin, serving up three more chunks of woozy machine music. Beato sets the tone on “When Monkeys Attack”, which expertly fuses booming bass, fizzing drum machine hits and dreamy, hypnotic synthesizer motifs. There’s a hazier deep house feel to “El Dinero Falla”, which despite its’ inherent beauty is also notably tough and more than a little wonky. Another excellent outing closes with the clanking drum machine cowbells, Syclops-goes-rave riffs and furious percussion programming of the more techno-leaning “Sadati”.

The latest Sound Signature release comes from one-time conscious hip-hop producer GE-OLOGY and one-time go-to jazz keys-man Mark De Clive-Lowe. The latter’s brilliant synthesizer and piano work is arguably the highlight of both tracks here. On the spacey, P-funk influenced space-house swing of “Moon Circuitry” he does his best impression of Herbie Hancock, while “Escape On The Lodge Freeway” boasts intricate jazz solos atop a slightly tougher, chunkier deep house groove.

The forth release on the San Francisco label Secret Studio Records, featuring three Acid laced intensity tracks by Josh Elle.

Death Drive is a peak-time electronic club track that features Eddie Peake, Prem Sahib and George Henry Longly (Anal House Meltdown) on both production and vocals, and co-produced by long time collaborator Tim Goalen; inspired by and invoking the heady dance floors of their Anal House Meltdown parties, the pounding excitement of long nights at Berghain, the legendary Berlin club, and intense but fleeting romantic trysts facilitated by clubs and parties. Resident Berghain DJ and producer Fiedel has created a remix that will also feature on the release.

In May 2013 at a nondescript Seattle space called 1927 Events, two-thirds of Magic Mountain High—Germany’s David Moufang (aka Move D) and the Netherlands’ Jordan Czamanski of Juju & Jordash—teamed up for a live performance that made everyone in the room feel privileged to have witnessed it. It was the kind of set during which you say to yourself, “I hope to hell somebody’s recording this.” Thankfully, somebody was doing just that, and the 99-minute Live In Seattle is the sterling result.

Vernon Felicity is also known as Conforce and Boris Bunnik, the tireless Dutch producer who marries analog and digital sounds together into otherworldy sound tracks. Now he is back on M>O>S once more after a new Conforce album on Delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

MM Discos originally emerges from the passion of two friends who share the same fondness for records made just of vinyl, after years spent hunting, collecting and spinning them. This is driven by the intention of bringing to light the work of talented newcomer artists.

A mainstay in NYC jazz & dance music in the 70s, his drum machine & synth based cover of William Devaughan’s ”Just Be Thankful” on Profile Records in ’83 gives the jam a haunting & funky rework. Unreleased reference mix. EU pressing.

More Hip Edits – this time provided by Edit Piafra & Johannes Albert. Starring unlimited vinyl only with music to make you cry… ahem dance. These tunes were rediscovered in a lonesome backyard in Monza, Italy. Straight recorded from original cheese plates and abletoned up for today’s DJ needs.