Second Layer – World Of Rubber [DE096LP]

Second Layer was a side project of Adrian Borland and Graham Bailey, members of post punk band The Sound. The music was bleak, detached, and desolate, but very beautiful. Honest songwriting and a harsh sonic backdrop set them apart from their peers. Second Layer’s World of Rubber, first released on Cherry Red way back in 1981 – some two years after the duo’s first outing on 7” – has long been considered something of an industrial classic by those in the know. Here, it gets a deserved re-press from the folks at Dark Entries. 34 years on, it still retains the power to shock, with Adrian Borland and Graham Green’s raw, weighty mix of post-punk basslines, sharp guitars, fuzzy electronics, tape loops and basic drum machine grooves still sounding deliciously fresh. Certainly, it’s comparable to many more celebrated releases of the time, and arguably more spontaneous in feel.

listen

Second Layer – World Of Rubber [DE096LP]

Alessandro Cortini – Risveglio [HOS426]

For his last outing on Hospital Productions, Nine Inch Nails collaborator Alessandro Cortini utilized just two pieces of equipment: a Roland MC-202 and a delay pedal. For this follow-up, he’s expanded his toolbox a little, supplementing those hardware pieces with two further machines: a Roland TR-606 and TB-303. Musically, Risveglio inhabits a similar space to its predecessor, with Cortini creating blurry, fluid dreamscapes built around semi-rhythmic loops, distorted chords and fuzzy ambient textures. Listeners may struggle to spot the TB-303 – most often used to create ragged waves of intense electronics – such is the unique way in which Cortini manipulates it. Regardless, the Italian’s post-industrial, half-awake soundscapes are thoroughly mesmerizing.

listen

Alessandro Cortini – Risveglio [HOS426]

Mark Verbos – Walk The Distance [BK013]

The Bunker New York presents a surprise EP from veteran techno producer Mark Verbos – a man whose discography stretches back over 20 years – fits that remit. Flitting between acid-laden psychedelic intensity (“Just A Little Late”), high-octane loop jams (“In The Back Room”) and sweaty, all-out assaults on the senses (the metallic madness that is “Start Up Drive”), it portrays Verbos as a masterful producer of no-holds-barred dancefloor techno. Interestingly, he diverts a little from the script on the EP’s final moment, “Walk The Distance”, combining sparse dub techno rhythms and ghostly electronics.

listen

Mark Verbos – Walk The Distance [BK013]

Most Significant Beat – Geometric State Compilation [FRV018]

MOST SIGNIFICANT BEAT - Geometric State Compilation

What did the pioneers of Industrial and Synth Wave do when the age of Techno dawned in the early nineties? The simple answer is, some made Techno. Well that’s what Maurizio Martinucci (aka TeZ adn now part of Clock DVA) and Esplendor Geometrico’s Saverio Evangelista did back in the day as Most Significant Beat. This project has lain dormant for more than twenty years but has been dusted down, given a stiff drink and set to wax by Frigio Records. All tracks were recorded in between 1996 – 2000 and were released on CD for Geometrik Records years back except the first track “Geometric State” which is unreleased.  Rediscovered prototypes from the founding fathers of electronic music.

listen

Most Significant Beat – Geometric State Compilation [FRV018]

Container – LP [SP040]

Ren Schofield, otherwise known as Container, has already released two LPs for the label, both called LP, but each one has seen a constant rebirth of his distorted and utterly screwed up view of techno. There’s seven tracks on here, seven devilish pieces of brain dynamite masquerading themselves as jams made by a human and not by an extra-terrestrial. The LP starts with a shock, “Eject”, and doesn’t get any more sweet or easy on the ears. From “Remover” to “Calibrate”, Container unleashes a filthy collection of clusterbombs which will render any dancefloor a living, walking hell…and we love that idea! A must, as per usual.

listen

Container – LP [SP040]

VA – Cititrax: Tracks Volume One [CITI017]

Cititrax presents the first in a series of 4 song samplers showcasing the talents of some of the most innovative producers of the moment. Cititrax: Tracks Volume One features Amato, an edgy new project brought to you by The Hacker, Tzusing, a young producer from China known for his hard-hitting L.I.E.S. releases, Berlin based former New Yorker An-i, and Oliver Ho’s stunning Broken English Club. The overall sound can be described as modern, uncompromising and guttural. Each artist reinvents dance music by bringing their own unique vision to the floor.

listen

VA – Cititrax: Tracks Volume One [CITI017]

VA – KHCC001 [KHCC001]

Knekelhuis presents a cassette featuring a selection of six industrial/EBM tracks from Beau Wanzer, Parrish Smith, Maekkot, Sige Bythos and Volition Immanent. The tapes are housed in a black library case clear front black back.

listen

VA – KHCC001 [KHCC001]

Smersh – Super Heavy Solid Waste [DE090]

Dark Entries returns to the New Jersey basement studio to unearth another compilation cassette recordings by Smersh titled Super Heavy Solid Waste. Smersh was the duo of Mike Mangino and Chris Shepard, who began making music together in the late 70s. They were uninterested in traditional notions of songwriting or live performance. Smershs sound is a lush hybrid of techno, industrial, dance, and experimental. Sometimes easy, sometime not. Most songs revolve around driving EBM style beats, intricate industrial noise manipulation and synth melodies. The Smersh sound has so many faces it doesn’t fall into any one category. For Super Heavy Solid Waste we have selected 8 songs, focusing on the harder, harsher, rhythmic side of Smersh’s vast discography.

listen

Smersh – Super Heavy Solid Waste [DE090]

Alexey Volkov – Issue No Seven [JG007]

Jealous God present Issue Number 7, the latest missive from Planete Rouge regular Alexey Volkov, and a record likely to cause bouts of overwhelming paranoia in listeners of a nervous disposition. There’s something undeniably uncomfortable about the horror-fixated electronics, dystopian textures and spine-chilling freestyle vocals of “A Snake Falling To Pieces”. The more upbeat and metallic “Never” is a little less bloodcurdling, with metallic hits clustered round a modular synthesizer groove. Perhaps the standout moment – though it’s an all-round excellent excursion – is flipside “Ruins”, which adeptly combines both approaches on an undulating, skin-crawling techno thruster.

listen

Alexey Volkov – Issue No Seven [JG007]

J Tijn – MOR [BDN005]

Hard techno advocate J Tijn is next up to supply Bedouin with a heavy hitting package of industrially charged techno entitled MOR. Lead track “Kanon VIP” best typifies that approach, a dense bassline throbs away unpredictably like an agitated wasp as Kuye lays down the drum machine pain. The title cut seems inspired by the Rotterdam school of sewer techno whilst “Shy” is anything but with Kuye going full speed ahead on the dirty synths and raw beats.

listen

J Tijn – MOR [BDN005]

Life’s Track – Smell Of Sanctity [BOPW002]

Five tracks-worth of low-down heavy funky sound by Life’s Track on this new 12” EP. Smell of Sanctity bounces along powerfully with thick, irresistible beats that sound like they are kept on a short leash.

listen

Life’s Track – Smell Of Sanctity [BOPW002]

VA – Events At The Fatal Party EP [CY002]

FALLBEIL/DIE FORM/SLUGBUG - Events At The Fatal Party EP

Contort Yourself returns with “Events at the Fatal Party” which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. Hamburg duo Fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary French industrial band Die Form from their 1985 tape Hurt. Here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. The mysterious Slugbug starts the flip with “Goback”, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. Any calm is then shattered by IBM a.k.a. Jamal Moss whose remix of Die Form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums.

listen

VA – Events At The Fatal Party EP [CY002]

The KVB – Mirror Being [INV147]

Now Berlin-based duo The KVB land on Geoff Barrow’s Invada label for the first in a series of releases. Mirror Being differs from most releases from The KVB as the pair’s deep set vocals, a key component of their sound, are largely absent from the 10 tracks but their reverb soaked mastery of guitars and analogue gear is still very much evident throughout.

listen

Continue reading “The KVB – Mirror Being [INV147]” →

The KVB – Mirror Being [INV147]

No More – A Rose Is A Rose [DE084]

NO MORE - A Rose Is A Rose

No More are a band from Kiel, Germany, founded in the summer of 1979. Their music is rooted in early Post Punk / No Wave. No More began as a quartet with Andy A. Schwarz (vocals, guitar, bass), Tina Sanudakura (synthesizers), Christian Darc (drums, vocals) and Thomas Welz (bass, vocals). In 1982 No More released the mini­-album “A Rose Is A Rose’ on 10′. Songs on this mini­-LP convey the desolate and bleak attitude of German youth in the early 1980s. This reissue compiles all 8 tracks from the mini­-LP, both tracks from the Suicide Commando’ 7′ plus 3 demos from 1982.

listen

No More – A Rose Is A Rose [DE084]

Carlos Peron – Dirty Songs [DE092]

4-track EP by Swiss musician Carlos Peron, founding member of Yello. ‘Dirty Songs’ is a collection of songs from Carlos Peron recorded between 1980 and 1986. The recordings were made with the core set up of an ARP 2600, Rolands Drumatix, TB-303 and TR-808.

listen

Carlos Peron – Dirty Songs [DE092]