Nomade Orquestra came together in Sao Paolo in the year 2012, though they could just as easily have emerged fully formed into our world from a mystical land where spaced out jazz soundtracks daily life and the passing of time is rhythm and groove… such is their elusive, ethereal yet highly accomplished and deeply funky otherness. The time is ripe for ten of the most talented and daring musicians working in Brazil today to deliver their fully formed debut. Effortlessly weaving through the disparate sounds of Brazil’s diverse musical diaspora, the group describe themselves and their shared project as ‘the point where different musical expressions and strands meet and interact in a unique way.’ From funk and soul to Afrobeat, Ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional Brazilian styles along the way
jazz
Jimi Tenor – Order of Nothingness [PH45006]
Finland’s Jimi Tenor is simply a great musician, a true visionary when it comes to dance – and non-dance – experimentalism, and one of the few truly imaginative minds left; yes, we know that’s a bold statement, but it’s what we truly believe. Here he is on Philophon with a deeply explorative 7″, starting with the psychedelic hymns of “Order Of Nothingness”, a song that seems to be drenched in 70’s mysticism, but that somehow also sounds utterly contemporary. “Tropical Eel” is more left of field, where digitised Eastern melodies bleep to a steady, jazzy rhythm that simply calls for a head-nod.
Thesda – Spaced Out [LER1004]
The Left Ear label hit that sweet spot once more, diving into the archive and coming back for air brandishing a veritable slab of private press jazz funk history. Originally pressed in 1979 in a run of 100 copies, Thesda was the brainchild of Thomas Crawford and Eugene C. Hagburg, backed ably by a handful of like-minded musicians, and existed for brief moment of sublime expression, captured in its entirety on this gorgeous LP. “Spaced Out” takes us on a cosmic journey through jazz funk, soul and disco into that far out dimension of groovesome psychedelia inhabited by Mandre and Dexter Wansel. Fully licensed and reissued for the very first time, this Left Ear pressing is your best chance to own this forgotten piece of jazz-funk history without having to remortgage the house.
Scott Cunningham Band – Morning Madness [BH99202]
This is the second 45RPM single release from Praise Poems 3, and what a monster it is. Although both songs are not necessarily new discoveries in the soul and jazz collectors world, it is the first official re-release of these two 1975 recordings. Hopefully the record buyers appreciate the work which was necessary to accomplish this mission of doing a legitimate re-issue. Mr. Cunningham and his music definitely deserves it.
Nu Guinea – The Tony Allen Experiments (Afrobeat Vol.3 ) [COMET072]
Comet announce the third volume of the Afrobeat Makers Series: Nu Guinea – The Tony Allen Experiments. By re-working the original magic drum patterns from the Afrobeat master Tony Allen, Nu Guinea created a compilation of tracks which is charged by a voluminous electronic jazz-Psyche funk imprint. For this release, Comet Records teamed up with Early Sounds Recordings, the berlin label, also home to duo Berliners Nu Guinea. The Naples formed, Berlin-based duo, is a project that arose out of jam sessions, melting synthesizers with instruments, containing a handmade sound that is not aiming for perfection but genuineness. It can be understood as a steadily shaping form, always open for collaborations with other musicians.
George Adams – Finest [DG2007]
Dopeness Galore with an LP of jazz bop burners from the masterful saxophonist George Adams. Now sadly departed, Adams was a Jazz multi-instrumentalist who was pretty active up until his passing in 1992. Suitably titled Finest, this six track selection canvasses the ’70s and ’80s era of the Adams discography with his dramatic way of playing the saxophone really coming to the fore. Get introduced into the world of avantgarde and postbop jazz.
AMM – Ammmusic [BT018]
Black Truffle is honoured to present the first vinyl reissue of the classic debut album from AMM, AMMMusic. Coinciding with the 50th anniversary of its recording in 1966, this reissue makes one of the cornerstones of the experimental music tradition available again in its original form, replete with Keith Rowe’s beautiful pop art cover and the terse aphorisms by the group that served as its original liner notes. A testament to the interaction between the experimental avant-garde and the countercultural underground, the album was originally released on Elektra, recorded by Jac Holzman (the label’s founder, responsible for signing The Doors, Love, and The Stooges) and produced by DNA, a group that included Pink Floyd’s first manager Peter Jenner. (Pink Floyd paid tribute to AMM’s influence on their improvisational sensibility with the track ‘Flaming’ on their debut album, named after the piece that occupies AMMMusic’s first side, ‘Later During a Flaming Riviera Sunset’).
Byron the Aquarius – Highlife EP [SS060]
Sound Signature’s latest missive comes from Byron The Aquarius, a former Onra collaborator best known for his dusty trips into MPC beat-making territory. Here, the Atlanta-based producer successfully turns his hand to dusty, soul-flecked deep house, peppering the bumpin’ groove of “Aquarian Voyage” with a toasty bassline and twinkling Rhodes motifs. It’s the kind of hazy, jazz-flecked deep house that Sound Signature has always done better than almost anyone else. Flipside “Run Sa”, featuring the fluid and intoxicating playing of drummer Dmitri Walker, is even better, with warm chords draping themselves over snappy snares, hissing cymbals and killer fills.
Kamasi Washington @ Boiler Room (London) 14.11.2015
Max Graef Band – Dog [MSLP001]
Five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. This studio project was compiled from a free-wheeling desire to just team up and play together, see what happens.
VA – You Need This! A Journey Into Deep Jazz [BBE345CLP]
Designed to be as pleasing to the jazz newbie as the perennial chin-stroker, Deep Jazz comprises of nine obscure compositions which utterly deserve their moment in the sun. Compiled by one half of The Amalgamation Of Soundz, renowned DJs DJ and owner of bespoke record shop If Music Jean-Claude, the album offers a small glimpse into the mind of the legendary taste-maker. Hip-swaying, toe-tapping slick productions are the order of the day here, accessible enough to be enjoyed across the board, yet authentic enough to satisfy the most ardent purist. As Jean-Claude says: ”for those of us searching for that elusive groove: it is a lifelong quest!”
Tim Deluxe – Tim Deluxe Orchestrates: The Radicle [SRNYC019]
The Radicle album bu Tim Deluxe released on Strictly Rhythm label has a decidedly soulful, blues-y feel. Tim took his time and immersed himself completely into the record, surrounding himself with some of the best contemporary jazz musicians around, including Jim Mullen (guitar), Rod Youngs and Enzo Zirilli (drums), Pete Wareham (sax), Jay Phelps (trumpet), John Donaldson (piano) and Ben Hazleton (bass). he Radicle is a nine track sonic adventure with ideas bursting from every kick and lick. There’s even a cover of the Miles Davis classic ‘So What!’ which bends the trumpet classic into new forms while ‘Shanti’ explores a more mysticial, Indian vibe with a sax solo John Coltrane would be proud of. There are no synthesizers or electronics on the record: in some respects, it’s also a reaction against the electronic world.
VA – Koute Jazz: A Collection Of Rare Jazz From The French West Indies [HS134VL]
First compilation exploring abundant french West Indies jazz scene of the 70s and 80s. 12 little known songs, only known by collectors of vinyl, which mix the jazz and the West Indies rhythms for the best of the Creole Jazz.
Hieroglyphic Being & J.I.T.U. Ahn-Sahm-Buhl – We Are Not The First [RVNGNL033]
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents ‘We Are Not The First’, an epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the JITU Ahn-Sahm-Bul. ‘We Are Not The First’ combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked as different personale patterns over a week of studio sessions in Brooklyn, said syntax translates into mesmerizing sound forms as the ensemble excavates sonic folklore and ancient music, employing spiritual-jazz’s welfare and health as an agency for balance. An album with an active brain, ‘We Are Not The First’ aspires to reprogram the mind, to transcend our expectations through bugged-out percussion, modular mayhem, flurries of free improvisation, and voices carrying through the air. Hieroglyphic Being & JITU Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. ‘We Are Not The First’ is an 11-part epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: ‘We Are Not The First’.
Marcello Napoletano Presents Ra Toth and the Brigantes Orchestra – Introspettivo EP [BH025]
The last time that Marcello Napoletano flew this far off the radar was on Jamal Moss Mathematics label back in 2012. Now the follow up release comes on another outsider label, Berceuse Heorique and again, Napoletano treats the listener to another freeform selection. While the Italian producer’s house grooves have always been unconventional, going all the way back to Listen In Dreaming, this is in a whole different realm of weirdness. “Introspettivo” kick starts the release with doubled up beats and mad percussive whirrs and clicks and deranged cowbells. “New Old Think” goes in a jazzy direction with sax squalls fused with Patrick Pulsinger-style atmospherics and “Sunplasemood” ends the release with dubbed out beats and space invader bleeps.
Floating Points – Elaenia [PLUTO001]
For the past ten years, all roads Shepherd has followed have been slowly leading to ‘Elaenia’ – an album with roots deep in his formative years, and one that draws upon everything Shepherd has done so far. An album that provides context to the music that Shepherd has been making to date. Every DJ set he’s performed, every talent he has produced, every composition he has written are thought of as precursors to ‘Elaenia’ – a dazzling score which puts Shepherd in the spotlight as a composer who has produced an album that bridges the gap between his rapturous dance music and formative classical roots. Drawing inspiration from classical, jazz, electronic music, soul and even Brazilian popular music, ‘Elaenia’ – named after the bird of the same name – is the epitome of the forward-thinking Floating Points vision in 2015.
GE-OLOGY feat. Mark De Clive-Lowe – Moon Circuitry [SS058]
The latest Sound Signature release comes from one-time conscious hip-hop producer GE-OLOGY and one-time go-to jazz keys-man Mark De Clive-Lowe. The latter’s brilliant synthesizer and piano work is arguably the highlight of both tracks here. On the spacey, P-funk influenced space-house swing of “Moon Circuitry” he does his best impression of Herbie Hancock, while “Escape On The Lodge Freeway” boasts intricate jazz solos atop a slightly tougher, chunkier deep house groove.
Jimi Tenor & UMO – Mysterium Magnum [HRKL004LP]
Jimi Tenor has made an instrumental album “Mysterium Magnum” with the Finnish “national” Jazz Orchestra, UMO. UMO is a professional 16 piece orchestra. Specialized in jazz and contemporary rhythm music. Throughout it´s history UMO has had a focus on Finnish composers and has performed hundreds of compositions that were made especially for UMO. Jimi Tenor is a Finnish composer/performing artist maybe best known for his electronic music from the 90´s. This album is the first album that´s is composed entirely for a big band. In 2003 Jimi Tenor had his own big band and made a 6-week European tour, which included Montreux Jazz and North Sea Jazz Festivals. After 2003 Jimi Tenor has worked with an afrobeat group Kabukabu and made three albums with them: “Joystone” (2007, Sähkö), “4th Dimension” (2008, Sähkö) and “The Mystery of Aether” (2012, Kindred Spirits) In 2009 Jimi Tenor made an album with the afrobeat legend Tony Allen called “Information Inspiration” (2009, Strut) Mysterium Magnum was recorded at the rehearsal space of UMO, which is situated at the YLE studios in Helsinki. The music on “Mysterium Magnum” is not typical big band music.
The Dangerfeel Newbies – What Am I Here For? [NDATL016]
Soulful fusionists The Dangerfeel Newbies are an interesting proposition. Certainly, the Atlanta-based trio has made an impression on NDATL Muzik boss Kai Alice, who’s decided to release a trio of his own interpretations of Hariet album highlight “What Am I Here For”. He begins by delivering a classic soulful house interpretation, placing the original’s superb vocal and twinkling jazz pianos right at the heart of the action. Those superb piano lines come to the fore on his Piano Instrumental, before the Late Night Mix sees Alice sauntering off on a hazy, duvet-warm deep house tip. Best of all, though, is the bonus remix of “Swingin’ With The New Jacks”, a fizzing, rolling deep house groover replete with vibraphone solos and battling jazz horns.
A Band Called Flash – Mother Confessor [FVW002]
Some proper jazz funk here. Ron Trent executive produced EP that reminds of bands like Atmosfear. Inspired by the Jazz Funk elements of UK outfit Atmosfear and the alternative Disco sounds of Dinosaur L, presented here on this EP are five tracks that embrace the energy of live dance music. Reminiscent of the early 80s Boogie sound, A Band Called Flash will surely capture the attention of the more eclectic, global dance floor.
