Klakson drops another hot various artist EP with an ultra fresh team; Wachita China & DJ DISAPPOINTED, Driven By Attraction, Shcuro and Decent Damage & Shawn Cartier on duty. A heavy electro machine funk 4 tracker with serious weaponized fuel on your acid playa this summer.
The whole Shape of the Roots project by D_Roots in one go. On part1, 4 serious, energetic, sharp, melancholic electro tunes. Rock solid dance floor material from this super talented Italian producer. On part 2, 4 tracks focusing on the deeper side of his production skills for beautiful, driving Detroit electro/techno, the LP digital package comes with 2 bonus track.
Shapes of the Roots is a two piece project by D_Roots. On Part 2 the Italian producer shows the deeper side of his production skills with 4 beautiful, driving Detroit electro/techno tracks.
Passarani is a long term friend and klakson family member, a key figure in the European electronic since the early 90ies. His “The Dot And The Circle” Ep gives us a great taste of his unique blend of future funk, electro and deeper shades of techno.
214 needs no introduction. Klakson’s new regular just keeps feeding the label his high standard contemporary electro funk bombs and we greatly receive.
Luxus Varta rolls out his new Addictive Synthesis EP on Klakson. Four super strong, driving yet melodic electro slammers with a powerful distinctive modern sound.
Late Night Approach is back on Klakson with 3 fast paced machine funk tracks.! The Italian duo is taking this EP up to a next level with their distinguished sound, a fresh blend of electro, IDM and UK goodness. Bonus on the A side is a slamming FastGraph remix.
First up on Klakson’s NR series is Berlin-based producer Privacy. There’s plenty to set the pulse racing throughout the EP, from the punchy electro beats, squelchy bass and foreboding synth-strings of opener “Slide Back”, to the rolling mid-tempo dancefloor melancholy of closing cut “(Not) Again!”, whose cascading chords and unsettling bassline help set a suitably clandestine mood. Elsewhere, “Filestream” is a fuzzy but melodious chunk of lo-fi late night electro, while “Go” is a high-octane ghetto-tech thriller capable of causing devastation on dancefloors that like it raw and speedy.
The Hipodrome Of Music 