Detour 006 comes courtesy of SEER, a new Brooklyn-based project from Maroje T and M Parent. Together as SEER, they’ve threaded a needle in between their respective styles and sounds, coming up with something altogether different. Their debut record throws a little bit of everything into the mix: chopped-up breakbeats, post-industrial moods, syrupy mid-tempo electro, and spectral, futuristic synths all feature across its four tracks. Each charts a different path; same-ol’ cookie-cutter techno this record is most certainly not.
Berlin, 2014 — Dj Nephil sparks the label. A few breaks, some chaos… but guess what? We’re still here.
To mark the decade we drop a 25-artist compilation — no genres, no borders, no bullshit. Just raw energy and noise tearing through the system.
This compilation is not just a release — it’s proof that the underground never dies. We do this for the music and for the love that keeps us all connected.
Stay wild. Stay free. With love from Gravitational Waves.
A Benumbed Waiting is a ruthless odyssey where reality bends and the rhythm of chaos takes hold. This Limited Edition Cassette album contains 15 tracks featuring an unholy marriage of Barcelona’s underground stew and international artists who somehow know exactly how to make pulsating noise feel like liberation. The compilation oozes grit and mad creativity, from deep acid basslines to harsh industrial textures, wonky bass explosions and driving electro rhythms.
Reaching deeper into poetic vocals and textured sound, Jentlemen invites you into a rich, intimate darkness with their second album, Primitive Objects. Drawing from a background in poetry and influenced by Detroit and Den Haag techno/electro, Primitive Objects is a brain dance for those desiring something between dark ambient and techno-adjacent. Spoken word vocals float on top of deconstructed percussion and delicate melodies, and ask to be savored at the speed of a monologue while in deep space hypersleep. Lyrics hone in on personal experiences with impermanence, change, and the spiritual, calling on listeners to increase their capacity not only for grief, but also for stories of how to be remembered and how to remember. An apocalyptic journey, Primitive Objects offers hope that what we lose will compost into something beautiful. Two remixes from M Parent and Scotia bring Primitive Objects from brain dance to body dance—first, with a guttural and slithery acid experimentation of “Starting Over,” then ending with a cocktail of expansive femme acid and elegant vocals.
New compilation on Gravitational Waves. 6 tracks tell the story of what is considered classic electronic music in their own fashion. The artists established all in their respective niche join for an energy driven interpretation of what would otherwise fall through the cracks in the ongoing decay of techno music culture.
“These tracks were recorded in my Queens studio in 2019 after several live performances. Most notably the Microtones party in Ithaca, NY where I had the honor of playing the Forest City Lounge, which is the historic home of the Black Elks, a Black non-profit, fraternal order. I wanted to challenge myself with these performances by limiting the amount of effects I used as well as the amount of equipment, thus these tracks have a lot of space to breathe. These are also my most intricate tracks to date. Instead of tripping tracks out with fancy effects and modules, I instead focused on song structure, with each track telling a story with a beginning, middle, and end.”
The live set also tells an overarching story as well. The main storyline is about a fictitious satanic death cult that worships through sound (“The Frequency”). As they are preparing for their final ascent (/descent?), one of the members starts questioning everything (“Heaven and Hell”). It is seen by the group as a “Regression” and the cult is not happy about it (“I’ll Beat Your Ass / Til The Day That We Die”). The member is confronted and asked “Who Is your God?”
Chem Clubs fourth EP titled Normal Condition by Brooklyn based duo SEER. Melds the atmospheric and distorted into a perfectly twisted mind bender of a release.
Machine Jazz brings you the dystopian sci-fi duo Seer (alter ego and collaboration of M. Parent and Maroje T.). After their incredible debut release on Detour the duo keeps breaking the rules combining broken 808 beats with Hip-hop breaks, gnarly trippy vocals swelling over dissonant synth notes and sprinkles of dark IDM/EBM that brings pure raw energy to the dance-floor making time-space-mind become irrelevant.
The Hipodrome Of Music 