Das Ding – Selected Archival Recordings 1979-1985 [EE042RTM]

Minimal wave legend Das Ding is back on Electronic Emergencies after 10 years with a stunning selection of archival tracks from retrieved tape recordings. In the early eighties, Danny Bosten got together with his friends after school in his bedroom studio, somewhere in the bleak Dutch countryside. They experimented with cheap analogue gear and made music to kill time. The sound is raunchy and slightly experimental, but already unmistakable Das Ding. New wave, early EBM and proto techno are found this album, pressed on clear vinyl. To preserve the original atmosphere and sound, the tapes received the Ruud Lekx treatment.

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Das Ding – Selected Archival Recordings 1979-1985 [EE042RTM]

The Ghostwriters – Objects In Mirrors Are Closer Than They Appear [DE297]

Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, ‘Objects In Mirrors Are Closer Than They Appear’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. 1981 saw the release of their debut album, ‘Objects In Mirrors Are Closer Than They Appear’, a whirling, messy, telepathic slipstream cascading across an imaginary landscape. Recorded in Don Buchla’s childhood home, Objects offers 8 cuts of minimalist electronic bliss, equal parts icy and quirky, with standout cuts including the grooving havoc of “Fix it in the Mix” and the otherworldly hymn “Moon Chant.” Proceeds from the album will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.

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The Ghostwriters – Objects In Mirrors Are Closer Than They Appear [DE297]

Dry_Feel – Your Body Kills The Rhythm [OR130]

Dry_Feel is the personal project of the Greek label founder Dystatik, encompassing various types of experimental and darkwave music. This is what you will find in his vinyl debut, which includes a collaboration with Fluora. You can expect extremely fresh minimal synth, synthwave, EBM, dark elektro, and new beat tracks, all created with a dancefloor riot in mind.

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Dry_Feel – Your Body Kills The Rhythm [OR130]

VA – Back Up Dos: Mexican Tecno Pop 1982-1989 LP [DE-323]

Dark Entries returns to Mexico with Back Up Dos: Mexican Tecno Pop 1982-1989. Following 2021’s Back Up compilation, Back Up Dos delivers 10 more tracks of synth-pop and New Beat, 7 of which have never before appeared on vinyl. From mutant drum machine beats to irresistible synthesizer hooks, fans of the fringes of the 80s will find songs to stir their cold, dark hearts. But Back Up Dos does more than mine retro kitsch; it documents the development of a rich DIY music scene that is still underexplored. As affordable samplers and digital synths spread throughout the decade, post-punk and new wave gave way to more aggressive EBM and cyberpunk sounds. The scene also developed in opposition to the political climate of the times: the rise of the drug cartels and a reactionary turn in national politics. Using home recording techniques, these bands took cues from the electronic wizardry of the Human League and Wax Trax Records while reflecting the vibrant and chaotic Mexican cultural landscape of the era. On Back Up Dos, impeccable pop anthems from Casino Shanghai and Los Agentes Secretos sit alongside gnarled obscurities from Ford Proco and María Bonita, showcasing a decade of sly deviance and enthusiastic experimentation. Back Up Dos compiles synthetic music produced in Mexico at the crossroads from Tecno Pop to Post-Industrial, nourished by culture shock and stories of dystopian worlds. 

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VA – Back Up Dos: Mexican Tecno Pop 1982-1989 LP [DE-323]

Techniques Berlin – The Extension of Machines [1985​-​1991] [MEC091]

Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats. “The Extension of Machines” compiles 13 extra rare and unreleased tracks from the vault. 

Techniques Berlin – The Extension of Machines [1985​-​1991] [MEC091]

Alan Harman – Friendly Fire [UNEXT002]

Unrealistic Expectations are back with Alan Harman’s “Friendly Fire”, an excellent minimal synth jam from Montreal, bringing light to the city with one of the more prolific new minds. Dive into the underground side of the 80’s on a cosmic trip with almost psychedelic arps, crispy drums and deep meaningful vocals. Timothy J. Fairplay’s interpretation is just as amazing. The experienced producer keeps the quality while driving a more club and kick driven interpretation of “Friendly Fire”.

Alan Harman – Friendly Fire [UNEXT002]

Caroline K – Now Wait For Last Year LP [MNQ159LP]

Mannequin Records present the official reissue of Caroline K’s outstanding 1987 album, “Now Wait For Last Year.” This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record. The music on “Now Wait For Last Year” seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can’t really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener “The Happening World” to the future-primitive rhythms and stately piano flourishes “Animal Lattice”, and the melancholic, deep-frozen synth sequences of “Cheart”.”

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Caroline K – Now Wait For Last Year LP [MNQ159LP]

Doppler Effect – Genesis: Studio Recordings 81​-​85 [MEC094]

Doppler Effect is the brain child of singer and songwriter James Straight. Started in Boston in 1981, the band explores what Straight calls the encyclopedia of electronic music. Since its inception the band has explored and incorporated almost all styles of electronica from Ambient to Industrial, Techno, Synth Pop, EBM, House, Dark Wave, Acid and Disco, with a touch of Punk and Funk around the edges. It all depends on the song as Straight sees his work as mini films he’s Directing, a sort of seeing with your ears. Utilising the whole paint box to achieve the desired effect, his only rule is it must work for the song. “Genesis: Studio Recordings” compiles a selection of songs recorded between 1981 and 1985. Including lot of unreleased songs and early versions ranging from synth-punk and new wave to minimal wave and synth-pop.

Doppler Effect – Genesis: Studio Recordings 81​-​85 [MEC094]

Plague Pits – Bukolik [TNP06]

Plague Pits is a Swiss synth collective from Bern Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. ‘Bukolik’ is their new cassette release on Transnecropolitan.

Plague Pits – Bukolik [TNP06]

Vicious Pink – Unexpected [MW082]

Minimal Wave presents a long-awaited LP showcasing previously unreleased gems from the influential UK duo, Vicious Pink. Originating from a serendipitous encounter in a smoky Leeds nightclub back in 1979, Josephine Warden and Brian Moss embarked on a musical journey that would redefine the synth-pop landscape. Initially known as Vicious Pink Phenomena, they made their mark by providing distinctively off-kilter backing vocals for their friends in Soft Cell a collaboration that unfolded organically and without rehearsal. Transitioning to the simplified moniker Vicious Pink, the duo continued to captivate audiences with their avant-garde sound, releasing a string of singles that defied conventional expectations and climbed the UK dance charts between 1982 and 1986. Despite their modest intentions, their music proved to be both artful and provocative, leaving an enduring legacy in the annals of electronic music history. ‘Unexpected’ offers listeners a glimpse into the duo’s creative process, compiling pop experiments recorded spontaneously, some in collaboration with Dave Ball.

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Vicious Pink – Unexpected [MW082]

MACON – Early Jams [NB06T]

Voluntary simplicity. A long-standing philosophical tradition that advocates a form of limitation of needs to achieve happiness. Does this apply to music? I think this music is distinguished by its simplicity and freedom. Here, the sound of machines is presented in its simplest form. For “MACON”, as the name not implies, deconstruction means trying to approach music in an ever-renewed way. This cassette brings together MACON’s first attempts at rhythmic electronic music.

MACON – Early Jams [NB06T]

Poladro​ï​d – Danse Macabre EP [mmd004]

Meta Moto presents the latest offering of Poladro​ï​d. Drenched in dense, filtered atmospheres and infused with nostalgic echoes of a bygone era, ‘Danse Macabre’ exudes a dark and gritty ambiance, straddling the realms of retro-futurism and melancholic machine melodies. Drawing inspiration from a spectrum as wide as Holderlin’s ‘Hyperion’ and the poetic works of Robert Brasillach and Charles Baudelaire, ‘Danse Macabre’ showcases Poladro​ï​d’s versatility in crafting diverse sonic landscapes while maintaining a signature sound.

Poladro​ï​d – Danse Macabre EP [mmd004]

Techniques Berlin – The Language of Machines [1985​-​1991] [MEC090]

Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats. “The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favorite tunes and a few unreleased tracks/versions. 

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Techniques Berlin – The Language of Machines [1985​-​1991] [MEC090]

Crash Course In Science – Near Marineland LP [DE328]

Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years – yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981, but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions – this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

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Crash Course In Science – Near Marineland LP [DE328]

The KVB – Tremors LP [INV311LP]

Cold wave duo The KVB are back with their new album ‘Tremors’ on Invada Records. The KVB returns to the darker sound that embodied their earliest releases whilst retaining the infectious pop of their last album ‘Unity’. The band have dubbed their new album ‘dystopian pop’, and wrote it with the live show in mind; full of energy, hooks and dynamic moments. Writing the album between Manchester and Bristol, and recording alongside James Trevascus (Billy Nomates, RVG), the band have drawn on their own back catalogue and the music that inspired them at the very beginning of their artistic journey. The end result is the most complete album from The KVB to date, full of emotive impact and pop hooks presented in a uniquely shadowy atmosphere and with an idiosyncratic detachment that adds to the cinematic quality of their sound.

vinyl / CD

The KVB – Tremors LP [INV311LP]