In Aeternam Vale – Machine à Laver [MW049]

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Minimal Wave is proud to present a third 12” single from our French favorites, In Aeternam Vale. The single features two more epic, pioneering masterpieces. Machine à Laver (Washing Machine) sounding much like its title, is 12 minutes of pure electronic hypnotica. And the flip side is a more straightforward 127 bpm 11 minute number entitled Ultrabase – which is an unashamed slab of innovative dub techno from 1990, existing completely outside of its genre. Neither of these tracks have ever been released before.

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In Aeternam Vale – Machine à Laver [MW049]

Charles Cohen – The Middle Distance [DOSER019LP]

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Morphosis’ Morphine records boldly step into the archives of one of Philadelphia’s best kept underground secrets: synth composer, Charles Cohen. This excellent release beholds seven key tracks (recorded between 1979 & 1988) that go into uncharted polyrhythmic / ambient / cosmic territory. The label say ” First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works from the Philadelphia’s “No Man’s Land” Art Installment, the “University Of Texas in El Paso” and “The Painted Bride” Art Center performances. This release also features the track, Dance Of The Spiritcatchers, which previously appeared on the Music From No Man’s Land EP by Ghostwriters, a split record with Jeff Cain, originally issued in 1980 on Zero Records.”

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Charles Cohen – The Middle Distance [DOSER019LP]

Inhalt – Occupations EP [DE051]

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Dark Entries is proud to release the sophomore EP “Occupations” from San Francisco based synth trio INHALT. Consisting of European and East Coast natives– Matia Simovich, Bryan Gibbs, and Philip Winiger– INHALT’s core operative strategy is of sonic fidelity and integrity rather than nostalgia. The record was produced over a year and a half, and mixed in both Austria and California, employing the best of modern and vintage techniques and technology. The sound is INHALT’s interpretation of the border between the voice driven song form and the expansive, extended 12″ arrangement. It is informed equally by the soundtracks of John Carpenter, as much as the vastness and sheen of Trevor Horn.

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Inhalt – Occupations EP [DE051]

Figure Study – Lesson One [DE049]

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Dark Entries is proud to present the debut 7″ of Figure Study, a contemporary band from New York. Figure Study is the Manhattan duo of Nathan Antolik and April Chalpara, who share writing and production duties, while April handles the vocals. For their debut single “Lesson One” they utilized small, simple analog synthesizer set up of all vintage Roland analog synths and drum machine. Figure Study’s sound includes influences from early minimal synth music such as Kirlian Camera, Nine Circles, and The Actor.

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Figure Study – Lesson One [DE049]

Monuments – Age [MNQ040]

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Mannequin are pleased to present a crown jewel from the early 80s Italian Minimal Synth scene. The Monuments came into being in January 1981 in Turin when Mauro Tavella (keyboards, programming) and Andrea Costa (keyboards, voice) pooled their artistic experiences. From the outset they produced exclusively synthesised music, following the natural evolution in electronic music from the early days with monophonic synthesisers to the latest virtual sounds generated with the aid of computers.

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Monuments – Age [MNQ040]

VA – Trevor Jackson presents Metal Dance 2 [STRUT107LP]

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Strut present ‘Metal Dance’, a new compilation from one of the UK’s most respected DJ / producers, the man behind Playgroup and original founder of the legendary label Output Recordings, Trevor Jackson. Echoing elements of his renowned DJ Kicks mix from 2003, Jackson draws here on specials that have peppered his DJ sets for almost two decades. ‘Metal Dance’ mines deep and hones in on the more underground and danceable side of industrial, post-punk and EBM (Electronic Body Music), a phrase coined by Ralf Hütter of Kraftwerk but honed by later bands like DAF and Front 242 as socialist realist aesthetics were dragged onto the dancefloor during the mid-’80s. Jackson cherry-picks classics and rarities from this era, including a new edit of Nitzer Ebb favourite ‘Control I’m Here’ (sampled on Quartz’ rave classic ‘Meltdown’), the cold dance of Analysis’ ‘Surface Tension’, Neon’s dark ‘Voices’, re-interpreting a Master C&J riff from the early days of Chicago house, and hard-hitting dubs from Pete Shelley, Alien Sex Fiend and more. Herein lie sounds that have heavily influenced today’s crop of artists – from LCD Soundsystem and The Knife to Factory Floor and Hot Chip. Elsewhere on the album, Jackson brings in unexpected gems – a track from cult John Carpenter film ‘Escape From New York’ re-edited by Klein & MBO’s Mario Boncaldo, a lost album track by avant garde Spanish artist Diseno Corbusier and a UK promo-only mix of Yello’s ‘You Gotta Say Yes To Another Excess’.

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VA – Trevor Jackson presents Metal Dance 2 [STRUT107LP]

Bézier – Ensconced [DE048]

Dark Entries release the debut vinyl EP from Bézier entitled “Ensconced.” Bézier is the moniker of all-live-analog electronic wizard Robert Yang from San Francisco. Enchanted by the Cybernetic Broadcasting System (CBS), Robert started DJing as Robot Hustle, joining the Honey Soundsystem collective in 2007. Robert writes hooks, patterns and melodies in an automatic, stream of consciousness fashion. Memory and nostalgia play a big part in constructing his music. “Ensconced” is the follow up to Bezier’s debut cassette, released in 2012 on Break-Up records. The tile relates to themes of comfort and safety as well as complacency and entrapment. Influences range from the futuristic landscape of Syd Mead to the melodic energy of Patrick Cowley and the subdued, hidden motifs of My Bloody Valentine’s “Loveless.” Bézier blends elements of Hi-NRG and dark dance to drive the mysterious underwater instrumentals of “Ensconced.” Bezier’s studio set up includes a variety of vintage Roland and Korg synthesizers as well as the Italo Disco favorite LinnDrum. These six tracks were written, produced and mixed by Bézier at his home studio in San Francisco between 2009 and 2013.

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Bézier – Ensconced [DE048]

Nagamatzu – Shatter Days [DE047]

Dark Entries re-issues the debut cassette by British duo Nagamatzu for the first time ever on vinyl. Expanded with five bonus tracks, “Shatter Days” is a collection of nine songs recorded between 1983 and 1988. Featuring Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and programming and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths and bass with Andrew Fleck (synths, occasional vocals). Nagamatzu self-released their debut cassette “Shatter Days” in 1983 after messing around with old tape machines, drum boxes and effects. All the songs were recorded onto a TEAC reel to reel in the dining room at Andrew’s parents’ house. Some of the backing rhythms and sequencers were recorded first and then the band played along live during overdubs. These instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, early New Order or Cocteau Twins. Their sound is full of complex rhythm patterns and dark electronics.

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Nagamatzu – Shatter Days [DE047]

Shadowlust – LIES-018.5 [LIES018.5]

Cover art - Shadowlust: LIES-018.5

Shadowlust is the project from Marquis Cooper aka Svengalisghost and Lili Schulder from the forthcoming LP “Trust In Pain”. Vamped-up appreciated hypnotic synth and luring sexy vocals courtesy of Schulder.

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Shadowlust – LIES-018.5 [LIES018.5]

D.Z. Lectric + Anthon Shield – Lickin’ [MW047]

Minimal Wave presents the 47th release, a release of early 1980s ritualistic minimal electronics by French duo DZ Lectric + Anthon Shield. The songs are selections from their 1985 cassette release, Confessions D’Un Masque. Having been active in their respective projects, the duo came together naturally in 1981 and over the years began recording music together. They shared a similar philosophical outlook and love of music, from classic rock like The Velvet Underground and The Stooges, to the edgier, industrial and no wave stuff that was coming out at the time, bands like Throbbing Gristle, Suicide, and Tuxedo Moon. They performed a number of times at special venues and festivals in Europe, creating intense and engaging live performances with minimum equipment and an abundance of spirit. They also released many tapes throughout the 1980s. Their music is challenging and hypnotic. Brutal and aggressive at times, overall the message speaks more about human ritual than anything truly sinister.

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D.Z. Lectric + Anthon Shield – Lickin’ [MW047]

Rodion G.A. – The Lost Tapes [STRUT111CD]

RODION GA - The Lost Tapes

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.

From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.

Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

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Rodion G.A. – The Lost Tapes [STRUT111CD]

Facit – Mat Åt Duvorna EP [CITI010]

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Facit is the brainchild of Joakim Karlsson hailing from Gothenburg. Featuring both Karlsson and the lovely Mai Nestor on vocals, Facit is quintessential melancholic Swedish wave at its finest. Exquisitely produced, the EP is a minimal synth wave gem, drawing some inspiration from French Chanson as well.

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Facit – Mat Åt Duvorna EP [CITI010]

Popsimonova – Popsimonova [ET027/GOOILAND009]

Popsimonova is the new upcoming queen of cold electro (wave) … her tracks are cold but with lots of energy… intelligent constructed tracks to make you move but also to makeyou take a step back and let the music work on you in different ways… this is what they call electro beyond the former Iron Curtain…and this is what we move to on any good electro party…

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Popsimonova – Popsimonova [ET027/GOOILAND009]